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century: medium:
Two <i>bijin</i> on the pilgrimage to Meguro or <i>Meguro mode</i> (目黒詣) from the series <i>Edo Meisho asobi</i> (江戸名所遊)
1800ca Utamaro hashira-e
Two bijin on the pilgrimage to Meguro or Meguro mode (目黒詣) from the series Edo Meisho asobi (江戸名所遊)
Fishing with a four armed scoop-net (<i>yotsude ami</i> - 四つ手網) by the light of a crescent moon
1801ca Utamaro triptych scoop
Fishing with a four armed scoop-net (yotsude ami - 四つ手網) by the light of a crescent moon
Onoe Matsusuke I (尾上松助) as the ghost of Iohata (いおはた...) and Iwai Kiyotarō II (岩井喜世太郎) as a boatman Tokubei (せんどう徳兵衛)
1804 Kunihisa ghost
Onoe Matsusuke I (尾上松助) as the ghost of Iohata (いおはた...) and Iwai Kiyotarō II (岩井喜世太郎) as a boatman Tokubei (せんどう徳兵衛)
Midorigi (緑木) of the Wakamatsuya (若松屋) writing or composing a poem on a <i>tanzaku</i> - from the series <i>Zensei-hana no Sugata-e</i> (全盛花姿画), <i>volume 9</i> (巻九: <i>maki no kiyū</i>)
1804ca tsukimaro courtesan
Midorigi (緑木) of the Wakamatsuya (若松屋) writing or composing a poem on a tanzaku - from the series Zensei-hana no Sugata-e (全盛花姿画), volume 9 (巻九: maki no kiyū)
Chinese boy feeding a dragon
1808 Shumman surimono dragon f
Chinese boy feeding a dragon
Sawamura Gennosuke I (澤村源之助) as Obiya Chōemon ( 帯や長右衛門)
1809ca Toyokuni I damaged acto
Sawamura Gennosuke I (澤村源之助) as Obiya Chōemon ( 帯や長右衛門)
Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)
1810 Shunko musha-e
Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)
Katsuyama (勝山) of the House of Nakataya (中田屋) from the series <i>Modern Beauties of the Pleasure Quarter in Full Flower</i> (<i>Seirō tōji zensei no kimi</i> - 青楼当時全盛の君)
1810ca Tsukimaro courtesan
Katsuyama (勝山) of the House of Nakataya (中田屋) from the series Modern Beauties of the Pleasure Quarter in Full Flower (Seirō tōji zensei no kimi - 青楼当時全盛の君)
Scene from <i>Botan ni cho itsuka fumibako</i> (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe
1815ca Toyokuni
Scene from Botan ni cho itsuka fumibako (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe
Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play <i>Okuni Iri Soga Nakamura</i> (御国入曽我中村)
1818 Kinisada garden triptych
Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play Okuni Iri Soga Nakamura (御国入曽我中村)
A beautiful woman buffeted by the wind
1820s Eisen bijin
A beautiful woman buffeted by the wind
<i>Shunga</i> with an <i>awabi</i> diver
1820s Hokusai shunga
Shunga with an awabi diver
Six prominent kabuki actors on a winter outing
1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing
Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play <i>Taiheiki chūshin kōshaku</i> [太平記忠臣講釈]
1821 Nagahide diptych
Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play Taiheiki chūshin kōshaku [太平記忠臣講釈]
Nakamura Utaemon III (中村歌右衛門) as Torii Matasuke (鳥井又助) in <i>The Courtesan and Mirror Mountain</i> (<i>Keisei Kagamiyama</i> - けいせい双鏡山) - this is the right panel of a diptych
1821 Yoshikuni
Nakamura Utaemon III (中村歌右衛門) as Torii Matasuke (鳥井又助) in The Courtesan and Mirror Mountain (Keisei Kagamiyama - けいせい双鏡山) - this is the right panel of a diptych
Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)
1822 Hokushu Ebijuro I
Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)
Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play <i>Benimurasaki Aide Someage</i> ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]
1822ca Hokushu ichikawa ebijur
Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play Benimurasaki Aide Someage ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]
"Hiding Eyebrows" (<i>Mayu kakushi</i> - 眉かくし) from the series <i>Mirrors of the Modern Boudoir</i> (<i>Imafū keshō-kagami</i> - 今風化粧鏡)
1823 Kunisada hiding eyebrows
"Hiding Eyebrows" (Mayu kakushi - 眉かくし) from the series Mirrors of the Modern Boudoir (Imafū keshō-kagami - 今風化粧鏡)
Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them
1824-5 Kuniyoshi spider
Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them
Asahina [朝比奈] trying to separate rice cakes at New Year's
1824ca Toyohiro surimono
Asahina [朝比奈] trying to separate rice cakes at New Year's
Priest having sex with a boy prostitute (<i>kagema</i> - 蔭間) - from <i>Ama no Ukibashi</i> - 'The Floating Bridge of Heaven'
1825c Shigenobu shunga
Priest having sex with a boy prostitute (kagema - 蔭間) - from Ama no Ukibashi - 'The Floating Bridge of Heaven'
Bust portrait of Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play <i>Futatsu Chōchō</i> [双蝶々] (<i>Two Butterflies, Chōgorō and Chōkichi</i>)
1826 Ashiyuki seki sanjuro ii
Bust portrait of Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play Futatsu Chōchō [双蝶々] (Two Butterflies, Chōgorō and Chōkichi)
Nakamura Utaemon III (三代目中村歌右衛門) as the outlaw Ishikawa Goemon (石川五右衛門)
1826 Yoshikuni
Nakamura Utaemon III (三代目中村歌右衛門) as the outlaw Ishikawa Goemon (石川五右衛門)
Zhu Gui, the Dry-Land Crocodile (<i>Kanchikotsuritsu Shuki</i> - 旱地忽律朱貴) from the series from <i>108 Heroes of the Popular Suikoden All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)
1827-30 Kuniyoshi popular suik
Zhu Gui, the Dry-Land Crocodile (Kanchikotsuritsu Shuki - 旱地忽律朱貴) from the series from 108 Heroes of the Popular Suikoden All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)
Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)
1827-30 Kuniyoshi popular suik
Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)
Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個) from the first edition
1827-30 Kuniyoshi popular suik
Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個) from the first edition
Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)
1827-30 Kuniyoshi popular suik
Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)
Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)　
1827-30 Kuniyoshi pupular suik
Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)　
A Scene of Spring Rain (<i>Harusame no kei</i> - 春雨乃景)
1827 Kunisada triptych
A Scene of Spring Rain (Harusame no kei - 春雨乃景)
Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (<i>hyakushō</i>) Jūsaku (百姓重作) from the play <i>Tenmangū aiju no meiboku</i> [天満宮花梅桜松]
1828 Ashiyuki diptych
Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (hyakushō) Jūsaku (百姓重作) from the play Tenmangū aiju no meiboku [天満宮花梅桜松]
The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (<i>Jūichigatsu, hatsuyuki, tori no hi</i> - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (<i>Shin Yoshiwara nenjū gyōji</i> - 新吉原年中行事)
1828 Eisen oiran and peddler
The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (Jūichigatsu, hatsuyuki, tori no hi - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (Shin Yoshiwara nenjū gyōji - 新吉原年中行事)
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the <i>nyōbō</i> Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play <i>Suda no Haru Geisha Katagi</i> (隅田春妓女容性)
1828 Hokucho diptych
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the nyōbō Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play Suda no Haru Geisha Katagi (隅田春妓女容性)
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play <i>Daigashira Midori no Iromaku</i> ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]
1828 Kunihiro diptych
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play Daigashira Midori no Iromaku ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]
Izumo no Imaro (出雲伊麿) stabs a <i>wani</i> (sea-monster - 鰐)
1828 Kuniyoshi
Izumo no Imaro (出雲伊麿) stabs a wani (sea-monster - 鰐)
Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (<i>usagi</i> - 卯) from the Zodiac series <i>Zensei matsu no shō, jūni shi</i> ('Makeup of Flourishing Pine Trees' - 全盛松の粧)
1828ca Toyokuni II oiran
Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (usagi - 卯) from the Zodiac series Zensei matsu no shō, jūni shi ('Makeup of Flourishing Pine Trees' - 全盛松の粧)
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū
1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū
Bandō Hikosaburō IV (坂東彦三郎) on right as Ryoshi Tsunazō (猟師綱蔵) and Onoe Tamizō II (尾上多見蔵) as a long necked monster disguised as the <i>koshimoto</i> Otsuru ( 腰元おつる) - from the play <i>Kasane Ōgi Chiyo no Matsuwaka</i> (重扇寿松若)
1830-35 Kunisada 2 of a tripty
Bandō Hikosaburō IV (坂東彦三郎) on right as Ryoshi Tsunazō (猟師綱蔵) and Onoe Tamizō II (尾上多見蔵) as a long necked monster disguised as the koshimoto Otsuru ( 腰元おつる) - from the play Kasane Ōgi Chiyo no Matsuwaka (重扇寿松若)
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the <i>nue</i> (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)
1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)
Tamamo no Mae [玉藻の前] transforming into a fox while Abe no Yasunari [安部泰成] holds up mirror to show her true nature
1830 Sadakage surimono
Tamamo no Mae [玉藻の前] transforming into a fox while Abe no Yasunari [安部泰成] holds up mirror to show her true nature
<i>Ehon</i> (絵本): <i>shunga</i> (春画) from the series <i>Hoshi-zukiyo ito no shirabe</i>
1830ca Kunisada shunga ehon
Ehon (絵本): shunga (春画) from the series Hoshi-zukiyo ito no shirabe
<i>Surimono</i>: The peasant (<i>nō</i> - 農) from the series Series of Four (<i>Yonban tsuzuki</i> - 四番続)
1830ca Kunisada surimono
Surimono: The peasant (nō - 農) from the series Series of Four (Yonban tsuzuki - 四番続)
Horse (<i>Uma</i> - 馬) from the series <i>Elegant Women Likened to the Twelve Animals of the Zodiac</i> (<i>Fūryū azuma sugata jūnishi</i> - 風流東姿十二支)
1830ca Toyokuni-II-0001
Horse (Uma - 馬) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma sugata jūnishi - 風流東姿十二支)
<i>The Calculating Type</i> from the series 'Twelve Scenes of Modern Beauties' (<i>Imayō bijin jūnikei</i> - 今様美人十二景) or Yoshiwara (よし原)
1830s Eisen bijin
The Calculating Type from the series 'Twelve Scenes of Modern Beauties' (Imayō bijin jūnikei - 今様美人十二景) or Yoshiwara (よし原)
Nakamura Utaemon III as Ishikawa Goemon in the play <i>Kinmon Gosan no Kiri</i> (<i>The Temple Gate and the Paulownia Crest</i>) [金門五三桐]
1830s Hokushu Goemon and Hawk
Nakamura Utaemon III as Ishikawa Goemon in the play Kinmon Gosan no Kiri (The Temple Gate and the Paulownia Crest) [金門五三桐]
Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right
1831 Kuniyoshi Triptych
Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right
Sakata no Kintoki (坂田金時) wrestling with a three-eyed <i>Mikoshi nyūdō</i> [見越入道]
1832 Kuniyoshi 3-eyed monster
Sakata no Kintoki (坂田金時) wrestling with a three-eyed Mikoshi nyūdō [見越入道]
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a <i>go</i> board [<i>Goban Tadanobu</i> - 碁盤忠信]
1832 Kuniyoshi suikoden
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a go board [Goban Tadanobu - 碁盤忠信]
Volume 3 of <i>The Picture Book of the Journey to the West</i> (<i>Ehon Saiyū zenden</i> - 画本西遊全伝)
1833 Taito II Ehon Saiyu Zende
Volume 3 of The Picture Book of the Journey to the West (Ehon Saiyū zenden - 画本西遊全伝)
Arashi Rikan II (嵐璃寛) as the <i>umakata</i> (packhorse driver - 馬方) Hachizō (八蔵) in the play <i>Keisei Somewake Tazuna</i> (けいせい染分總) or 'A Courtesan's Reins Dyed in Different Colors'
1834 Gyokushu Rikan II Hachizo
Arashi Rikan II (嵐璃寛) as the umakata (packhorse driver - 馬方) Hachizō (八蔵) in the play Keisei Somewake Tazuna (けいせい染分總) or 'A Courtesan's Reins Dyed in Different Colors'
Nakamura Utaemon III (中村歌右衛門) as the warrior Kumagai Jirō Naozane (熊谷次郎) and Arashi Rikan II as Kohagi (小萩無官太夫) at the Gojō Bridge.
1835 Hokuei diptych
Nakamura Utaemon III (中村歌右衛門) as the warrior Kumagai Jirō Naozane (熊谷次郎) and Arashi Rikan II as Kohagi (小萩無官太夫) at the Gojō Bridge.
Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series <i>The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors</i> (<i>Kyokutei-ō seicho Hakkenshi zui-ichi</i> - 曲亭翁精著八犬士随一)
1835 Kuniyoshi eight dog heroe
Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors (Kyokutei-ō seicho Hakkenshi zui-ichi - 曲亭翁精著八犬士随一)
Arashi Rikan II (嵐璃寛) as Yakko no Koman (奴の小まん) standing and Bandō Hikosaburō IV (坂東彦三郎) as Hanjimono Kihei (はんじ判喜兵衛) in <i>Contest of Appearances, Quarrel at the Harbor</i> [<i>Sugata kuabe deiri no minato</i> 容競出入湊]
1835ca Hokushu actors
Arashi Rikan II (嵐璃寛) as Yakko no Koman (奴の小まん) standing and Bandō Hikosaburō IV (坂東彦三郎) as Hanjimono Kihei (はんじ判喜兵衛) in Contest of Appearances, Quarrel at the Harbor [Sugata kuabe deiri no minato 容競出入湊]
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river
1836 Kuniyoshi rokusuke kappa
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river
<i>Bijin sorōi</i> (Series of Beauties - 美人そろうい) - three separate <i>aizuri-e</i> in a series
1840-42 Kuniyoshi trip aizurie
Bijin sorōi (Series of Beauties - 美人そろうい) - three separate aizuri-e in a series
Volume 1 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)
1840ca Yoshiume Ookawa ehon 1
Volume 1 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)
Volume 3 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)
1840ca Yoshiume Ookawa ehon 2
Volume 3 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)
Volume 2 of <i>A Record of the Benevolent Government at Ōgawa</i> <br> (Ōkawa Jinsei-roku- 大川仁政録)
1840ca Yoshiume Ookawa ehon 3
Volume 2 of A Record of the Benevolent Government at Ōgawa
(Ōkawa Jinsei-roku- 大川仁政録)
Kataoka Gadō II (片岡我童) as Chishima Kanja Yoshihiro (千島冠者義広) in the play <i>Keisei Satsumagushi</i> [けいせい挟妻櫛] ('A Pledge of Affection and a Wife's Comb')
1841 Toyohide
Kataoka Gadō II (片岡我童) as Chishima Kanja Yoshihiro (千島冠者義広) in the play Keisei Satsumagushi [けいせい挟妻櫛] ('A Pledge of Affection and a Wife's Comb')
Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a <i>tobaccobon</i> - left panel of a diptych from the play<i> Iwao no Hananami no Shiraishi</i> (岩藤浪白石)
1842 Kuniyoshi Ichikawa Kyuzo
Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a tobaccobon - left panel of a diptych from the play Iwao no Hananami no Shiraishi (岩藤浪白石)
Keyamura Rokusuke (毛谷村六助) struggling with three <i>kappa</i> on a riverbank with another swimming in the river
1843-45 Kuniyoshi rokusuke kap
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river
"Zazenmame" from the series Daruma's buffonery (<i>Dōke Daruma asobi</i> - 道化達磨あそび?)
1847-48 Kuniyoshi daruma
"Zazenmame" from the series Daruma's buffonery (Dōke Daruma asobi - 道化達磨あそび?)
Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)
1847-52 Kuniyoshi asakusa dipt
Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)
Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)
1847-52 Kuniyoshi asakusa duo
Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)
Kawarazaki Gonjūrō I (河原崎権十郎) as the <i>rōnin</i> Yaegaki Monzō (浪人八重垣紋三) on the right and Sawamura Tosshō II (沢村訥升) as Kageyama Shigenojō (蔭山繁の丞)
1847-52ca Kunisada diptych
Kawarazaki Gonjūrō I (河原崎権十郎) as the rōnin Yaegaki Monzō (浪人八重垣紋三) on the right and Sawamura Tosshō II (沢村訥升) as Kageyama Shigenojō (蔭山繁の丞)
Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play <i>Onoe Kikugorō Ichidai Banashi</i> (尾上梅寿一代噺)
1847 Kuniyoshi actor geese
Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play Onoe Kikugorō Ichidai Banashi (尾上梅寿一代噺)
Iwai Kumesaburō III (岩井粂三郎) as the Buddhist nun Seigen (清玄尼) on the left and Ichikawa Danjūrō VIII (市川団十郎) as Matsuwakamaru (松若丸) from the play 'Butai no Hana Yayoi no Irotoki'
1847 Kuniyoshi Diptych Bush Cl
Iwai Kumesaburō III (岩井粂三郎) as the Buddhist nun Seigen (清玄尼) on the left and Ichikawa Danjūrō VIII (市川団十郎) as Matsuwakamaru (松若丸) from the play 'Butai no Hana Yayoi no Irotoki'
Sasai Kyūzō Masayasu (笹井久藏尚保) at the Battle of the Anegawa in 1570 from <i>Heroic Stories of the Taiheiki</i> (<i>Taiheiki eiyū den</i> - 太平記英勇傳)
1848-49 Kuniyoshi Taiheiki no
Sasai Kyūzō Masayasu (笹井久藏尚保) at the Battle of the Anegawa in 1570 from Heroic Stories of the Taiheiki (Taiheiki eiyū den - 太平記英勇傳)
Taishun (大舜) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 01
Taishun (大舜) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 04-05
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 08-09
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
The Battle of the Uji River (<i>Ujigawa kassen no zu</i> - 宇治川合戦之図)
1849 Kuniyoshi-0012
The Battle of the Uji River (Ujigawa kassen no zu - 宇治川合戦之図)
Sawamura Sōjūrō V [五代目沢村宗十郎] as Yorikane (頼兼) slaying his lover, the courtesan Takao (高尾), played by Bandō Shūka I [初代坂東しうか] - the center and left panels of a triptych
1849 Kuniyoshi diptych
Sawamura Sōjūrō V [五代目沢村宗十郎] as Yorikane (頼兼) slaying his lover, the courtesan Takao (高尾), played by Bandō Shūka I [初代坂東しうか] - the center and left panels of a triptych
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': <i>Zôho Naniwa kagami</i> (増補浪花鑑) from the series <i>Edo meisho mitate jūnikagetsu no uchi</i> (<i>Famous Places in Edo for the Twelve Months</i> - 江戸名所見立十二ヶ月)
1850 Kuniyoshi actor
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': Zôho Naniwa kagami (増補浪花鑑) from the series Edo meisho mitate jūnikagetsu no uchi (Famous Places in Edo for the Twelve Months - 江戸名所見立十二ヶ月)
Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych
1850 Kuniyoshi Bijin
Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or <i>Agemaki of the Three Shores House</i> (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play <i>Sukeroku kuruwa no hanami doki</i> [助六廓の花見時]
1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in <i>Ayatsuri Sanbasō</i> [あやつり三番叟]
1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]
Tametomo is visited by the ghosts of the Emperor Sutoku and his retainers in the guise of tengu - from the series <i>Ten Admirable Deeds of Tametomo</i> (<i>Tametomo homare no jikketsu</i> - 為朝誉十傑)
1850 Kuniyoshi tametomo
Tametomo is visited by the ghosts of the Emperor Sutoku and his retainers in the guise of tengu - from the series Ten Admirable Deeds of Tametomo (Tametomo homare no jikketsu - 為朝誉十傑)
Death of Buddha - the <i>'Nehanzō</i> [涅槃像]
1850ca Yoshitora nirvana
Death of Buddha - the 'Nehanzō [涅槃像]
Actors from a Soga Brothers play as the Seven Gods of Good Fortune on the Treasure Ship (役者見立宝船) from the play <i>Nami Nori Soga Hana no Kagekiyo</i> (浪乗曽我花景清)
1850ca Yoshitoyo seven gods of
Actors from a Soga Brothers play as the Seven Gods of Good Fortune on the Treasure Ship (役者見立宝船) from the play Nami Nori Soga Hana no Kagekiyo (浪乗曽我花景清)
The Eleventh Month (<i>Iwaizuki</i> - 祝月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二かつきの内)
1851c Kunisada Genji calendar
The Eleventh Month (Iwaizuki - 祝月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二かつきの内)
The 12th Month (Rōgetsu - 臘月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月のうち)
1851c Kunisada Genji calendar
The 12th Month (Rōgetsu - 臘月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月のうち)
The Ninth Month (<i>Nagatsuki</i> - 長月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月のうち)
1851c Kunisada Genji calendar
The Ninth Month (Nagatsuki - 長月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月のうち)
The Eighth Month (<i>Hazuki</i> - 葉月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶつきのうち)
1851c Kunisada Genji calendar
The Eighth Month (Hazuki - 葉月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶつきのうち)
The Seventh Month (<i>Fumizuki</i> - 文月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月之内)
1851c Kunisada Genji calendar
The Seventh Month (Fumizuki - 文月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月之内)
The Sixth Month (<i>Minazuki</i> - 水無月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月の内)
1851c Kunisada Genji calendar
The Sixth Month (Minazuki - 水無月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月の内)
The Third Month (<i>Hanamizuki</i> - 花見月) from the series <i>The Twelve Months</i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月のうち)
1851c Kunisada Genji calendar
The Third Month (Hanamizuki - 花見月) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月のうち)
The First Month (<i>Mutsuki</i>) from the series <i>The Twelve Months </i> (<i>Jūnika tsuki no uchi</i> - 十二ヶ月のうち　睦月) - Mitsuuji and Lady Futaba (二葉のうへ)
1851c Kunisada Genji calendar
The First Month (Mutsuki) from the series The Twelve Months (Jūnika tsuki no uchi - 十二ヶ月のうち　睦月) - Mitsuuji and Lady Futaba (二葉のうへ)
<i>Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans</i> (浅草奥山生人形 - <i>Asakusa Okuyama ikiningyo</i>)
1852-53 Kuniyoshi comic
Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans (浅草奥山生人形 - Asakusa Okuyama ikiningyo)
Female admirers weeping before a large memorial portrait or <i>shini-e</i> (死絵) of the Ichikawa Danjūrō VIII
1854 Kuniyoshi danjuro VIII
Female admirers weeping before a large memorial portrait or shini-e (死絵) of the Ichikawa Danjūrō VIII
<i>Genji</i> Chapter 15: 'Wasteland' (<i>Yomogyū</i> - 蓬生) from the series <i>Japanese and Chinese Comparisons for the Chapters of Genji</i> (<i>Wakan nazorae Genji</i> - 和漢准源氏)
1855-56 Kuniyoshi Genji Momota
Genji Chapter 15: 'Wasteland' (Yomogyū - 蓬生) from the series Japanese and Chinese Comparisons for the Chapters of Genji (Wakan nazorae Genji - 和漢准源氏)
Genji chapter 21, The Maiden (<i>Otome</i> - 乙女): The nine-tailed fox woman (<i>Kayō-fujin</i> [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series <i>Japanese and Chinese Parallels to Genji</i> (<i>Wakan nazorae Genji</i> - 和漢准源氏)
1855 Kuniyoshi genji prince ha
Genji chapter 21, The Maiden (Otome - 乙女): The nine-tailed fox woman (Kayō-fujin [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series Japanese and Chinese Parallels to Genji (Wakan nazorae Genji - 和漢准源氏)
Central panel of a triptych of the Naritasan Festival (<i>Naritasan kaichō sankei gunshū no zu</i> - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II
1856 Kunisada naritasan fest
Central panel of a triptych of the Naritasan Festival (Naritasan kaichō sankei gunshū no zu - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II
Ichimura Uzaemon XIII (市村 羽左衛門) as motoyiya Bunshichi (元結屋文七) and Bandō Mitsugorō VI (坂東三津五郎) as the geisha Osaki (芸者おさき)
1864 kunichika actors
Ichimura Uzaemon XIII (市村 羽左衛門) as motoyiya Bunshichi (元結屋文七) and Bandō Mitsugorō VI (坂東三津五郎) as the geisha Osaki (芸者おさき)
Portrait of Ichikawa Kuzō III (市川九蔵) as Danshichi Kurobei (団七力郎兵衛)
1865 Kunisada II
Portrait of Ichikawa Kuzō III (市川九蔵) as Danshichi Kurobei (団七力郎兵衛)
Katō Kiyomasa (加藤主計頭清正: Katō Kazue no kami Kiyomasa) and the tiger from the series "<i>Taiheiki Eiyuden</i>" (<i>Heroes from the Chronicles of the Taiheiki</i> - 太平記英勇傳)
1867 Yoshiiku taiheiki
Katō Kiyomasa (加藤主計頭清正: Katō Kazue no kami Kiyomasa) and the tiger from the series "Taiheiki Eiyuden" (Heroes from the Chronicles of the Taiheiki - 太平記英勇傳)
Actors, from right to left, Bandō Hikosaburō V (五代目坂東彦三郎), Ichikawa Sadanji I (市川左團次) and Nakamura Shikan IV (中村芝翫) in the play <i>Yagura Daiko Oto mo Yoshiwara</i> [櫓太鼓鳴音吉原]
1873 Adachi Ginko triptych
Actors, from right to left, Bandō Hikosaburō V (五代目坂東彦三郎), Ichikawa Sadanji I (市川左團次) and Nakamura Shikan IV (中村芝翫) in the play Yagura Daiko Oto mo Yoshiwara [櫓太鼓鳴音吉原]
Oban triptych - Preparations for Monster Marriages (<i>Bakemono no Yomeiri</i> - 化物の嫁入)
1880ca Gyosai school prep for
Oban triptych - Preparations for Monster Marriages (Bakemono no Yomeiri - 化物の嫁入)
<i>Ehon</i> (絵本): <i>shunga</i> (春画)
1880ca Kunisada ehon shunga
Ehon (絵本): shunga (春画)
Ichikawa Danjūrō IX as Danshichi Kurobei (団七九郎兵衛) from the series <i>One Hundred Roles of Ichikawa Danjūrō</i> (<i>Ichikawa Danjūrō Engei Hyakuban</i> - 市川団十郎演芸百番)
1903ca Kunichika 100 roles 01
Ichikawa Danjūrō IX as Danshichi Kurobei (団七九郎兵衛) from the series One Hundred Roles of Ichikawa Danjūrō (Ichikawa Danjūrō Engei Hyakuban - 市川団十郎演芸百番)
Ichikawa Danjūrō IX as Katō Kiyomasa (加藤清正) from the series <i>One Hundred Roles of Ichikawa Danjūrō</i> (<i>Ichikawa Danjūrō Engei Hyakuban</i> - 市川団十郎演芸百番)
1903ca Kunichika 100 roles 02
Ichikawa Danjūrō IX as Katō Kiyomasa (加藤清正) from the series One Hundred Roles of Ichikawa Danjūrō (Ichikawa Danjūrō Engei Hyakuban - 市川団十郎演芸百番)
Kyūsenpō Sakuchō or Suo Chao, the Urgent Vanguard (急先鋒索超) from the series from <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)
import 1827-30 Kuniyoshi pupul
Kyūsenpō Sakuchō or Suo Chao, the Urgent Vanguard (急先鋒索超) from the series from One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)
Arashi Rikan II (嵐璃寛) as the tobacconist Sankichi (三吉) in the play <i>Keisei Somewake Tazuna</i>
import 1834 Shunkei arashi rik
Arashi Rikan II (嵐璃寛) as the tobacconist Sankichi (三吉) in the play Keisei Somewake Tazuna
Yugiri (夕霧) and Izaemon (伊左衛門) <i>hashira-e</i>
unknown Eizan hashira-e
Yugiri (夕霧) and Izaemon (伊左衛門) hashira-e
The Supernatural Beings at Shirazunoyabu in Yawata - 不知薮八幡之実怪
Yoshitoshi triptych ghosts
The Supernatural Beings at Shirazunoyabu in Yawata - 不知薮八幡之実怪
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