• <i>Mitate chōchingura</i>: <i>A Humorous Reworking, The Treasury of the Loyal Retainers</i> (見立挑灯蔵) - Act 11 (十一段目)
  • Matsumoto Kōshirō V (松本幸四郎) as the robber Ishikawa Goemon (石川五右衛門) in the play <i>Sanmon gosan no kiri</i> [楼門五三桐]
  • Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'
  • Chapter 5 (<i>ehon</i>) cover from the <i>Hokusetsu bidan jidai kagami</i> ('Uplifting Tale of Northern Snows' Mirror of the Ages - 北雪美談時代加々見)
  • Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play <i>Yorimasa Nue Monogatari</i> [頼政鵺物語] - early or 1st edition
  • Hakutenchō Riō (樸天鷗李應 - Li Ying) and Bossharan Bokukō (撲天雕李應,設遮攔穆弘 - Mu Hong) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i>  (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個) - left-hand panel of a triptych
  • The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (<i>Mu Tamagawa</i> - 六玉川)  
  • Making Chinese Soldiers Shiver (<i>Shinbei no hiyakasare</i> 清兵の冷やかされ ) from the series 'Hurrah for Japan! One Hundred Victories, One Hundred Laughs' <i>Nihon banzai hyakusen hyashushō</i> (日本万歳 百撰百笑)
  • Ichikawa Danjūrō IX in the role of Kuzunoha (葛の葉) from the series <i>Sanshō awase sugata</i> (三升合姿)
  • Praying for Rain (<i>Amagoi</i> - 雨乞 ) from the series <i>Modern Beauties as the Seven Komachi</i> (<i>Tōsei bijin Nana Komachi</i> - 当世美人七小町)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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