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Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

1824-5 Kuniyoshi spider
Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)

1827-30 Kuniyoshi popular suik
Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個) from the first edition

1827-30 Kuniyoshi popular suik
Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個) from the first edition

Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)

1827-30 Kuniyoshi popular suik
Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Zhu Gui, the Dry-Land Crocodile (<i>Kanchikotsuritsu Shuki</i> - 旱地忽律朱貴) from the series from <i>108 Heroes of the Popular Suikoden All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30 Kuniyoshi popular suik
Zhu Gui, the Dry-Land Crocodile (Kanchikotsuritsu Shuki - 旱地忽律朱貴) from the series from 108 Heroes of the Popular Suikoden All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30 Kuniyoshi pupular suik
Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)　

Izumo no Imaro (出雲伊麿) stabs a <i>wani</i> (sea-monster - 鰐)

1828 Kuniyoshi
Izumo no Imaro (出雲伊麿) stabs a wani (sea-monster - 鰐)

Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the <i>nue</i> (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right

1831 Kuniyoshi Triptych
Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right

Sakata no Kintoki (坂田金時) wrestling with a three-eyed <i>Mikoshi nyūdō</i> [見越入道]

1832 Kuniyoshi 3-eyed monster
Sakata no Kintoki (坂田金時) wrestling with a three-eyed Mikoshi nyūdō [見越入道]

Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a <i>go</i> board [<i>Goban Tadanobu</i> - 碁盤忠信]

1832 Kuniyoshi suikoden
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a go board [Goban Tadanobu - 碁盤忠信]

Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series <i>The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors</i> (<i>Kyokutei-ō seicho Hakkenshi zui-ichi</i> - 曲亭翁精著八犬士随一)

1835 Kuniyoshi eight dog heroe
Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors (Kyokutei-ō seicho Hakkenshi zui-ichi - 曲亭翁精著八犬士随一)

Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

1836 Kuniyoshi rokusuke kappa
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

<i>Bijin sorōi</i> (Series of Beauties - 美人そろうい) - three separate <i>aizuri-e</i> in a series

1840-42 Kuniyoshi trip aizurie
Bijin sorōi (Series of Beauties - 美人そろうい) - three separate aizuri-e in a series

Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a <i>tobaccobon</i> - left panel of a diptych from the play<i> Iwao no Hananami no Shiraishi</i> (岩藤浪白石)

1842 Kuniyoshi Ichikawa Kyuzo
Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a tobaccobon - left panel of a diptych from the play Iwao no Hananami no Shiraishi (岩藤浪白石)

Keyamura Rokusuke (毛谷村六助) struggling with three <i>kappa</i> on a riverbank with another swimming in the river

1843-45 Kuniyoshi rokusuke kap
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

"Zazenmame" from the series Daruma's buffonery (<i>Dōke Daruma asobi</i> - 道化達磨あそび?)

1847-48 Kuniyoshi daruma
"Zazenmame" from the series Daruma's buffonery (Dōke Daruma asobi - 道化達磨あそび?)

Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)

1847-52 Kuniyoshi asakusa dipt
Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)

Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)

1847-52 Kuniyoshi asakusa duo
Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)

Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play <i>Onoe Kikugorō Ichidai Banashi</i> (尾上梅寿一代噺)

1847 Kuniyoshi actor geese
Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play Onoe Kikugorō Ichidai Banashi (尾上梅寿一代噺)

Iwai Kumesaburō III (岩井粂三郎) as the Buddhist nun Seigen (清玄尼) on the left and Ichikawa Danjūrō VIII (市川団十郎) as Matsuwakamaru (松若丸) from the play 'Butai no Hana Yayoi no Irotoki'

1847 Kuniyoshi Diptych Bush Cl
Iwai Kumesaburō III (岩井粂三郎) as the Buddhist nun Seigen (清玄尼) on the left and Ichikawa Danjūrō VIII (市川団十郎) as Matsuwakamaru (松若丸) from the play 'Butai no Hana Yayoi no Irotoki'

Sasai Kyūzō Masayasu (笹井久藏尚保) at the Battle of the Anegawa in 1570 from <i>Heroic Stories of the Taiheiki</i> (<i>Taiheiki eiyū den</i> - 太平記英勇傳)

1848-49 Kuniyoshi Taiheiki no
Sasai Kyūzō Masayasu (笹井久藏尚保) at the Battle of the Anegawa in 1570 from Heroic Stories of the Taiheiki (Taiheiki eiyū den - 太平記英勇傳)

Taishun (大舜) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 01
Taishun (大舜) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 04-05
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 08-09
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

The Battle of the Uji River (<i>Ujigawa kassen no zu</i> - 宇治川合戦之図)

1849 Kuniyoshi-0012
The Battle of the Uji River (Ujigawa kassen no zu - 宇治川合戦之図)

Sawamura Sōjūrō V [五代目沢村宗十郎] as Yorikane (頼兼) slaying his lover, the courtesan Takao (高尾), played by Bandō Shūka I [初代坂東しうか] - the center and left panels of a triptych

1849 Kuniyoshi diptych
Sawamura Sōjūrō V [五代目沢村宗十郎] as Yorikane (頼兼) slaying his lover, the courtesan Takao (高尾), played by Bandō Shūka I [初代坂東しうか] - the center and left panels of a triptych

Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': <i>Zôho Naniwa kagami</i> (増補浪花鑑) from the series <i>Edo meisho mitate jūnikagetsu no uchi</i> (<i>Famous Places in Edo for the Twelve Months</i> - 江戸名所見立十二ヶ月)

1850 Kuniyoshi actor
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': Zôho Naniwa kagami (増補浪花鑑) from the series Edo meisho mitate jūnikagetsu no uchi (Famous Places in Edo for the Twelve Months - 江戸名所見立十二ヶ月)

Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych

1850 Kuniyoshi Bijin
Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych

Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or <i>Agemaki of the Three Shores House</i> (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play <i>Sukeroku kuruwa no hanami doki</i> [助六廓の花見時]

1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]

Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in <i>Ayatsuri Sanbasō</i> [あやつり三番叟]

1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]

Tametomo is visited by the ghosts of the Emperor Sutoku and his retainers in the guise of tengu - from the series <i>Ten Admirable Deeds of Tametomo</i> (<i>Tametomo homare no jikketsu</i> - 為朝誉十傑)

1850 Kuniyoshi tametomo
Tametomo is visited by the ghosts of the Emperor Sutoku and his retainers in the guise of tengu - from the series Ten Admirable Deeds of Tametomo (Tametomo homare no jikketsu - 為朝誉十傑)

<i>Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans</i> (浅草奥山生人形 - <i>Asakusa Okuyama ikiningyo</i>)

1852-53 Kuniyoshi comic
Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans (浅草奥山生人形 - Asakusa Okuyama ikiningyo)

Female admirers weeping before a large memorial portrait or <i>shini-e</i> (死絵) of the Ichikawa Danjūrō VIII

1854 Kuniyoshi danjuro VIII
Female admirers weeping before a large memorial portrait or shini-e (死絵) of the Ichikawa Danjūrō VIII

<i>Genji</i> Chapter 15: 'Wasteland' (<i>Yomogyū</i> - 蓬生) from the series <i>Japanese and Chinese Comparisons for the Chapters of Genji</i> (<i>Wakan nazorae Genji</i> - 和漢准源氏)

1855-56 Kuniyoshi Genji Momota
Genji Chapter 15: 'Wasteland' (Yomogyū - 蓬生) from the series Japanese and Chinese Comparisons for the Chapters of Genji (Wakan nazorae Genji - 和漢准源氏)

Genji chapter 21, The Maiden (<i>Otome</i> - 乙女): The nine-tailed fox woman (<i>Kayō-fujin</i> [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series <i>Japanese and Chinese Parallels to Genji</i> (<i>Wakan nazorae Genji</i> - 和漢准源氏)

1855 Kuniyoshi genji prince ha
Genji chapter 21, The Maiden (Otome - 乙女): The nine-tailed fox woman (Kayō-fujin [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series Japanese and Chinese Parallels to Genji (Wakan nazorae Genji - 和漢准源氏)

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