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Orio Masuke Yasuharu (織尾茂助安春) wrestling a wild boar from the series <i>Taiheiki eiyuden</i> ('Heroes of the Great Peace' - 太平記英勇傳) - no. 23

1840ca Kuniyoshi yasuharu oria
Orio Masuke Yasuharu (織尾茂助安春) wrestling a wild boar from the series Taiheiki eiyuden ('Heroes of the Great Peace' - 太平記英勇傳) - no. 23

Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

1840s Kuniyoshi hag lonely hou
Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

The Stone-faced General Sekishōgun Sekiyū (石將軍石勇) from the series <i>108 Heroes of the Popular Suikoden</i> (<i>Tzuzoku Suikoden goketsu hyakuhachinin no uchi</i> - 通俗水滸傳濠傑百八人之内)

1845-53 Kuniyoshi sekishogun
The Stone-faced General Sekishōgun Sekiyū (石將軍石勇) from the series 108 Heroes of the Popular Suikoden (Tzuzoku Suikoden goketsu hyakuhachinin no uchi - 通俗水滸傳濠傑百八人之内)

Two book covers, <i>ebyōshi</i> (絵表紙) forming a diptych of <i>The Heroic Tales of Jiraiya</i> (<i>Jiraiya Gōketsu Monogatari</i> - 児雷也豪傑物語), Chapter 36

1845c Kuniyoshi Kunisada ehon
Two book covers, ebyōshi (絵表紙) forming a diptych of The Heroic Tales of Jiraiya (Jiraiya Gōketsu Monogatari - 児雷也豪傑物語), Chapter 36

Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play <i>Hana no yuki Takeda no kachidoki</i> (花眺雪武田勝凱)

1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)

Imado (今戸): Onoe Kikugorō III as the carpenter Rokusaburō (大工六三郎), from the series <i>Thirty-six Fashionable Restaurants of the Eastern Capital</i> (<i>Tōto ryūkō sanjūroku kaiseki</i> - 東都流行三十六会席)

1847-50c Kuniyoshi gofun
Imado (今戸): Onoe Kikugorō III as the carpenter Rokusaburō (大工六三郎), from the series Thirty-six Fashionable Restaurants of the Eastern Capital (Tōto ryūkō sanjūroku kaiseki - 東都流行三十六会席)

<i>View of Enoshima and Fuji from Shichirigahama</i> (<i>Shichiri gahama yori Enoshima no tokei</i> - 七里ヶ浜より江の島乃遠景) - center panel of a triptych

1847-52 Kuniyoshi enoshima
View of Enoshima and Fuji from Shichirigahama (Shichiri gahama yori Enoshima no tokei - 七里ヶ浜より江の島乃遠景) - center panel of a triptych

An Old Picture of an Up-to-Date Teruuji at the Old Temple (<i>Imayō Teruuji kodera no kozu</i> - 今様輝氏古寺之古図) - a Rustic Genji theme

1847-52 Kuniyoshi Genji at tem
An Old Picture of an Up-to-Date Teruuji at the Old Temple (Imayō Teruuji kodera no kozu - 今様輝氏古寺之古図) - a Rustic Genji theme

Ken game of Three Countries - <i>Sangoku ken</i> (三国拳)

1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)

Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) from the play <i>Kakitsubata Tamuke no Hanakawado</i> (杜若手向花川戸) - a <i>mitate</i>

1847-52 Kuniyoshi koshiro v
Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) from the play Kakitsubata Tamuke no Hanakawado (杜若手向花川戸) - a mitate

Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

Woman Holding a Child Before a Daruma Kite - center panel of a triptych of <i>The Five Festivals - Mutsuki</i> (五節句之内睦月)

1847-52c Kuniyoshi daruma kite
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of The Five Festivals - Mutsuki (五節句之内睦月)

Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series <i>Meiga rokumai byobu</i> (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych

1847-1852 Kuniyoshi blind
Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series Meiga rokumai byobu (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych

The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (<i>Mu Tamagawa</i> - 六玉川)

1847 Kuniyoshi beating cloth
The Cloth-fulling Jewel River in Settsu Province (Settsu no kuni Tōi no Tamagawa - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (Mu Tamagawa - 六玉川) 　

Fujiwara no Masakiyo (藤原正清) from the series <i>Taiheiki eiyuden</i> (<i>Heroes of the Great Peace</i> - 太平記英勇傳)

1848-49c Kuniyoshi masakiyo
Fujiwara no Masakiyo (藤原正清) from the series Taiheiki eiyuden (Heroes of the Great Peace - 太平記英勇傳)

Fukishima Masamori (吹嶋政守) from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyuden</i> - 太平記英勇傳)

1848-49c Kuniyoshi masamori
Fukishima Masamori (吹嶋政守) from the series Heroes of the Great Peace (Taiheiki eiyuden - 太平記英勇傳)

Inauye Daikurō Masatada (稲上大九郎正忠) from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyūden</i> - 太平記英勇傳)

1848-49c Kuniyoshi masatada
Inauye Daikurō Masatada (稲上大九郎正忠) from the series Heroes of the Great Peace (Taiheiki eiyūden - 太平記英勇傳)

Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': <i>Zôho Naniwa kagami</i> (増補浪花鑑) from the series <i>Edo meisho mitate jūnikagetsu no uchi</i> (<i>Famous Places in Edo for the Twelve Months</i> - 江戸名所見立十二ヶ月)

1850 Kuniyoshi actor
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': Zôho Naniwa kagami (増補浪花鑑) from the series Edo meisho mitate jūnikagetsu no uchi (Famous Places in Edo for the Twelve Months - 江戸名所見立十二ヶ月)

Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or <i>Agemaki of the Three Shores House</i> (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play <i>Sukeroku kuruwa no hanami doki</i> [助六廓の花見時]

1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]

The Marvelous Doctor Treats Serious Diseases (<i>Kitai na meii nanbyō ryōji</i> - 難病療治 - きたいなめい医)

1850 Kuniyoshi doctors
The Marvelous Doctor Treats Serious Diseases (Kitai na meii nanbyō ryōji - 難病療治 - きたいなめい医)

Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in <i>Ayatsuri Sanbasō</i> [あやつり三番叟]

1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]

Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play <i>Ichinotani Futaba Gunki</i>

1850 Kuniyoshi kumagai
Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play Ichinotani Futaba Gunki

<i>Favorite Customs of the Present Day</i> [<i>Tōsei fūzoku kō</i> - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel

1850c Kuniyoshi Aizuri-e.jpeg
Favorite Customs of the Present Day [Tōsei fūzoku kō - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel

Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a <i>shikake-e</i> or 'mechanical print'

1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'

Arashi Rikaku II (二代目嵐璃珏) as a <i>Sanbasō</i> marionette (<i>ayatsuri Sanbasō</i> - あやつり三番叟) from the dance play <i>Yanagi no Ito Hiku ya Gohiiki</i> [柳糸引御摂]

1850c Kuniyoshi puppet
Arashi Rikaku II (二代目嵐璃珏) as a Sanbasō marionette (ayatsuri Sanbasō - あやつり三番叟) from the dance play Yanagi no Ito Hiku ya Gohiiki [柳糸引御摂]

Tametomo's wife Shiranui (為朝の妻白縫姫) from the series <i>Ten Admirable Deeds of Tametomo</i> (<i>Tametomo homare no jikketsu</i> - 為朝誉十傑)

1850c Kuniyoshi shiranui
Tametomo's wife Shiranui (為朝の妻白縫姫) from the series Ten Admirable Deeds of Tametomo (Tametomo homare no jikketsu - 為朝誉十傑)

Triptych of three <i>bijin</i> and children gathering outdoors at dusk in the summertime

1850c Kuniyoshi silhouette
Triptych of three bijin and children gathering outdoors at dusk in the summertime

Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych

1850s Kuniyoshi dog fight
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych

<i>The Soga brothers revenge their father</i> (<i>Soga kyōdai chichi no ada-uchi no zu</i> -曽我兄弟父の仇討図) - the center and left panels of a triptych

1851-53 Kuniyoshi soga kyodai
The Soga brothers revenge their father (Soga kyōdai chichi no ada-uchi no zu -曽我兄弟父の仇討図) - the center and left panels of a triptych

Women with cat on an <i>engawa</i> by a goldfish pond

1851 Kuniyoshi album trip 12
Women with cat on an engawa by a goldfish pond

Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play <i>Shinpan Koshi no Shiranami</i> (新板越白浪 ) performed with <i>Genji moyō furisode hinagata</i> (源氏模様娘雛形)

1851 Kuniyoshi Bando Shuka
Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play Shinpan Koshi no Shiranami (新板越白浪 ) performed with Genji moyō furisode hinagata (源氏模様娘雛形)

Last Stand of Heroic Samurai of the Kusunoki Clan at Shijō-nawate (<i>Kusunoki-ke yushi Shijō-nawate nite uchijini </i>- 楠家勇士四條縄手にて討死)

1851 Kuniyoshi last stand
Last Stand of Heroic Samurai of the Kusunoki Clan at Shijō-nawate (Kusunoki-ke yushi Shijō-nawate nite uchijini - 楠家勇士四條縄手にて討死)

Yoshitsune's ship attacked by ghosts of the Taira warriors at Daimotsu Bay - 大物浦平家の亡霊

1851 Kuniyoshi triptych
Yoshitsune's ship attacked by ghosts of the Taira warriors at Daimotsu Bay - 大物浦平家の亡霊

Itahana (板鼻): Onzōshi Ushiwakamaru (御曹司牛若丸) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1852-3 ZKuniyoshi Ushiwaka Mar
Itahana (板鼻): Onzōshi Ushiwakamaru (御曹司牛若丸) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

<i>Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans</i> (浅草奥山生人形 - <i>Asakusa Okuyama ikiningyo</i>)

1852-53 Kuniyoshi comic
Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans (浅草奥山生人形 - Asakusa Okuyama ikiningyo)

Honjō (本庄): Shirai Gonpachi (白井權八) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i>
(<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1852-53 Kuniyoshi gompachi rai
Honjō (本庄): Shirai Gonpachi (白井權八) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

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actor prints (yakusha-e - 役者絵) (19)

Arashi Otohachi III (三代目嵐音八) (1)

Arashi Rikaku II (二代目嵐璃珏: 11/1831 to 7/14/1864) (1)

Aritaya Seiemon (有田屋清右衛門) (1)

Asao Okuyama IV (四代目浅尾奥山: from 1846 to mid to late 1870s) (2)

Bandō Shūka I (初代坂東しうか: from 11/1839 to 11/1854) (6)

beautiful woman picture (bijin-ga - 美人画) (6)

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color woodblock (1)

color woodblock print (7)

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Japanese color woodblock print (24)

Japanese color woodblock prints (1)

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19th century (73)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

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