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1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

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1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

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1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

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1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

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1821 Hokushu 4 actors 2
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]

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1821 Hokushu double bust
Arashi Kichisaburō II (嵐吉三郎) as Prince Koretaka (惟喬親王) on the right and Nakamura Utaemon III (中村歌右衛門) as Katō Masakiyo (加藤正清) on the left - a mitate

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1821 Hokushu four actors
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue]

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1821 Hokushu Kitsusaburo I
Arashi Kitsusaburō I (嵐橘三郎) as Sasaki Takatsuna (佐々木高綱) in the play Ōmi Genji Senjin Yakata [近江源氏先陣館]

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1821 Hokushu pentaptych
Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

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1823 Ashiyuki setsugekka
Arashi Kitsusaburō II (嵐橘三郎) in the role of Chūnagon Yukihira (中納言行平) in The Snow, The Moon, and The Flowers (Mitate Setsugekka - 目立雪月花)

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1828ca Shunsei Schwaab 113
Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play Hatsuharu no Kotobuki Iwau Kokonobake - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

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1828ca Shunsei Schwaab 114
Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

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1828ca Shunshi Schwaab 115
Gatōken Shunshi (画登軒春芝) of Onoe Tamizō II (尾上多見蔵) as both a night watchman and a Celestial princess from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Set of Nine Changes - 九之化之内)

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1828c Kuniyasu bunraku 1
The puppet the bijin is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the otokodate An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1828c Kuniyasu bunraku 2
Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the otokodate Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1828c Kuniyasu bunraku 4
The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the otokodate Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1829 Ashiyuki triptych
From the left: Sawamura Kunitarō II (沢村国太郎), Arashi Rikan II (嵐璃寛), Arashi Sangorō IV (嵐三五郎) and Arashi Tomisaburō II (あらし富三郎) in imagined roles, a mitate

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