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1840s Kuniyoshi hag lonely hou
Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

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1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)

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1847-50c Kuniyoshi gofun
Imado (今戸): Onoe Kikugorō III as the carpenter Rokusaburō (大工六三郎), from the series Thirty-six Fashionable Restaurants of the Eastern Capital (Tōto ryūkō sanjūroku kaiseki - 東都流行三十六会席)

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1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)

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1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

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1850 Kuniyoshi actor
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) in 'Expanded mirror of Osaka': Zôho Naniwa kagami (増補浪花鑑) from the series Edo meisho mitate jūnikagetsu no uchi (Famous Places in Edo for the Twelve Months - 江戸名所見立十二ヶ月)

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1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]

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1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]

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1850 Kuniyoshi kumagai
Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play Ichinotani Futaba Gunki

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1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'

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1850c Kuniyoshi puppet
Arashi Rikaku II (二代目嵐璃珏) as a Sanbasō marionette (ayatsuri Sanbasō - あやつり三番叟) from the dance play Yanagi no Ito Hiku ya Gohiiki [柳糸引御摂]

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1851 Kuniyoshi Bando Shuka
Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play Shinpan Koshi no Shiranami (新板越白浪 ) performed with Genji moyō furisode hinagata (源氏模様娘雛形)

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1852 Kuniyoshi actor 2923
Ichikawa Danjūrō VIII [市川団十郎] in the role of Fukuoka Mitsugi (福岡みつぎ) - right-hand panel of a diptych - from the play Ise Ondo Koi Neba [伊勢音頭恋寝刃]

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1852 Kuniyoshi hag
Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play Shinzō tsurifune kidan [新造艣奇談?]

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1852 Kuniyoshi rikan danjuro
Ichimura Uzaemon XIII as the wrestler Chōkichi (はなれ駒長吉) and Nakamura Utaemon IV on the right as Chōgorō (ぬれ髪長五郎) from the play Diary of Two Butterflies in the Pleasure Quarters (Futatsu Chōchō Kuruwa Nikki - 双蝶仝曲輪日記)

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1852 Kuniyoshi Shiraito
Bandō Shūka I as the courtesan Shiraito (白糸) of the Hashimotoya (橋本屋) - this is the left-hand panel of a diptych

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1852 unknown Nakamura Utaemon
Memorial portrait of Nakamura Utaemon IV (中村歌右衛門) generally attributed to Kuniyoshi

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1853 Kuniyoshi Matabei
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the Miraculous Paintings by Ukiyo Matabei (Ukiyo Matabei meiga kitoku - 浮世又平名画奇特)

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1854 Kuniyoshi danjuro VIII
Female admirers weeping before a large memorial portrait or shini-e (死絵) of the Ichikawa Danjūrō VIII

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