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Zhang Fei (張飛 - Jp: Chōhi) thundering at Changban Bridge (長坂橋)

1828c Kunisada chohi
Zhang Fei (張飛 - Jp: Chōhi) thundering at Changban Bridge (長坂橋)

Young Geisha/Prostitute: Fukagawa (深川[新子] <i>Fukagawa Shinko</i>) from the series <i>Edo Meisho</i> (Famous Places of Edo - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 1
Young Geisha/Prostitute: Fukagawa (深川[新子] Fukagawa Shinko) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

Triptych of a moonlit scene at a sacred Shintō site from the play <i>Yamatogana Heike monogatari</i> [倭仮名平家物語] - Iwai Hanshirō V (岩井半四郎) on the left as Monomi no Omatsu (物見のお松); Segawa Kikunojō V (瀬川菊之丞) in the center; Matsumoto Kōshirō V (松本幸四郎) on the right

1825c Kunisada moonlight
Triptych of a moonlit scene at a sacred Shintō site from the play Yamatogana Heike monogatari [倭仮名平家物語] - Iwai Hanshirō V (岩井半四郎) on the left as Monomi no Omatsu (物見のお松); Segawa Kikunojō V (瀬川菊之丞) in the center; Matsumoto Kōshirō V (松本幸四郎) on the right

The Style of a Geisha: San'en (三園[?] - <i>San'en geisha fū</i>) from the series <i>Famous Places of Edo</i> (<i>Edo meishō</i> - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho sa
The Style of a Geisha: San'en (三園[?] - San'en geisha fū) from the series Famous Places of Edo (Edo meishō - 江戸名所) - surimono-like

The Style of a Daimyō's Maid: Ueno (上野 <i>Ueno goten fū</i>) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 3
The Style of a Daimyō's Maid: Ueno (上野 Ueno goten fū) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

The Hour of the Dog, Fifth Hour of the Night (<i>Inu no koku</i> - 戌ノ刻, <i>Yoru itsutsu</i> - 夜五ツ) from the series <i>Yoshiwara Clock</i> (<i>Yoshiwara-tokei</i> - 吉原時計)

1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (Inu no koku - 戌ノ刻, Yoru itsutsu - 夜五ツ) from the series Yoshiwara Clock (Yoshiwara-tokei - 吉原時計)

Six prominent kabuki actors on a winter outing

1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing

Serving Girl from a Teahouse: Ryōgoku (<i>Ryōgoku chaya musume</i> - 両国茶屋娘) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-type

1824-25 Kunisada edo meisho 2
Serving Girl from a Teahouse: Ryōgoku (Ryōgoku chaya musume - 両国茶屋娘) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-type

San'enzan Zōjō-ji Temple (<i>San'enzan Zōjō-ji zu</i> - 三園山増上寺図) from the series <i>The Eastern Capital</i> (Tōto - 東都)

1820s Hokuju landscape yoko-e
San'enzan Zōjō-ji Temple (San'enzan Zōjō-ji zu - 三園山増上寺図) from the series The Eastern Capital (Tōto - 東都)

Picture of Fireworks at Ryōgoku Bridge (<i>Ryōgoku hanabi no zu</i> - 両国花火之図) - lower half of a six panel composition

1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両国花火之図) - lower half of a six panel composition

Pentaptych: <i>bijin</i> holding puppets of actors as <i>otokodate</i> - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

Onoe Tamizō II (尾上多見蔵) as Shirai Saijirō (白井才八郎 actually Gonpachi 権八) in <i>Futatsumon kuruwa no nishiki-e</i> (双紋郭錦絵: 'Brocade print of two crests in the pleasure quarters')

1832 Shunshi onoe tamizo ii
Onoe Tamizō II (尾上多見蔵) as Shirai Saijirō (白井才八郎 actually Gonpachi 権八) in Futatsumon kuruwa no nishiki-e (双紋郭錦絵: 'Brocade print of two crests in the pleasure quarters')

Nakamura Utaemon III (中村歌右衛門) as Tōzō the Farmer, in reality Sasaki Takatsuna (佐々木高綱) -
<i>Hyakushō Tōzō jitsu wa Sasaki Takatsuna, Nakamura Utaemon</i> (百姓藤三実ハ佐々木高綱: 中村歌右衛門) in <i>Kamakura Sandaiki</i> or <i>Three Generations of Kamakura Shoguns</i> [鏡倉三代記] - in the form of a <i>hagoita</i> [羽子板]

1824 Shibakuni 0002
Nakamura Utaemon III (中村歌右衛門) as Tōzō the Farmer, in reality Sasaki Takatsuna (佐々木高綱) - Hyakushō Tōzō jitsu wa Sasaki Takatsuna, Nakamura Utaemon (百姓藤三実ハ佐々木高綱: 中村歌右衛門) in Kamakura Sandaiki or Three Generations of Kamakura Shoguns [鏡倉三代記] - in the form of a hagoita [羽子板]

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems

1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the <i>nue</i> (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

Low Tide at Susaki (<i>Susaki no shiohi</i> - 洲崎之汐干) from the series <i>Fashionable Eight Views of the Eastern Capital </i>(<i>Fūryū Tōto hakkei</i> - 風流東都八景)

1824-29 Eizan low tide at susa
Low Tide at Susaki (Susaki no shiohi - 洲崎之汐干) from the series Fashionable Eight Views of the Eastern Capital (Fūryū Tōto hakkei - 風流東都八景)

Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

1793c Ryukosai sumo screen
Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

1824-5 Kuniyoshi spider
Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

<i>Shunga</i> with an <i>awabi</i> diver

1820s Hokusai shunga
Shunga with an awabi diver

<i>Mizuchaya</i> (水茶屋) teahouse from the series <i>Contest of Beauties</i> (<i>Bijo kurabe</i> - 美女競)

1820s Kunisada winter read
Mizuchaya (水茶屋) teahouse from the series Contest of Beauties (Bijo kurabe - 美女競)

<i>Mitate</i> of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)

1800s Kunisada parody good for
Mitate of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)

<i>Hōnō</i> (Offering 奉納): A votive picture of a horse (<i>ema</i> 絵馬)

1824 ca Nagahide horse.jpg
Hōnō (Offering 奉納): A votive picture of a horse (ema 絵馬)

Ichimura Uzaemon XII (市村羽左衛門) as Saitōgo Kunitake (斎藤吾国武) and Seki Sanjūrō II (関三十郎) as the samurai Goto Hyōe Morinaga (後藤兵衛盛長) in the play <i>Itsukushima sugata no utsushi-e</i> (巌島姿写絵)

1824 Kunisada P1185.jpg
Ichimura Uzaemon XII (市村羽左衛門) as Saitōgo Kunitake (斎藤吾国武) and Seki Sanjūrō II (関三十郎) as the samurai Goto Hyōe Morinaga (後藤兵衛盛長) in the play Itsukushima sugata no utsushi-e (巌島姿写絵)

Hokushu ca 1825<br />
Wasa Daihachirō firing arrows<br />
at San-ju-san Gendō in 1686

1825ca Hokushu 01
Ichikawa Ebijurō I [市川鰕十郎] as Wada Raihachi [和田雷八] at the Sanjūsangen Hall

Ichikawa Ebijūrō I (市川鰕十郎) as Yokanpei (与勘平) from the series <i>A Collection of Temporary Fans</i> (<i>Uchiwa Tōsei Kurabe</i> - 団扇当世競)

1824 Hokushu Ebijuro fan
Ichikawa Ebijūrō I (市川鰕十郎) as Yokanpei (与勘平) from the series A Collection of Temporary Fans (Uchiwa Tōsei Kurabe - 団扇当世競)

Ichikawa Ebijūrō I (市川鰕十郎) as Yokanpei (与勘平) from the series <i>A Collection of Temporary Fans</i> (<i>Uchiwa Tōsei Kurabe</i> - 団扇当世競)

1824 Hokushu ebijiro yokanpei
Ichikawa Ebijūrō I (市川鰕十郎) as Yokanpei (与勘平) from the series A Collection of Temporary Fans (Uchiwa Tōsei Kurabe - 団扇当世競)

Ichikawa Ebijūrō I [市川鰕十良] as Mokuemon [杢右衛門] and Ichikawa Danzō V [五代市川団蔵] as Yashichi [弥七] in the <em>Kanadehon Chūshingura</em> ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵] - left panel of a diptych

1835 Hokushu actor duo
Ichikawa Ebijūrō I [市川鰕十良] as Mokuemon [杢右衛門] and Ichikawa Danzō V [五代市川団蔵] as Yashichi [弥七] in the Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵] - left panel of a diptych

Ichikawa Danzō V (市川団蔵) as Sakamoto Miuranosuke Yoshimura (三浦之介) in the kabuki play <i>Kamakura Sandaiki</i> or <i>Three Generations of Kamakura Shoguns</i> [鏡倉三代記] - in the form of a <i>hagoita</i> [羽子板]

1824 Shibakuni 0001
Ichikawa Danzō V (市川団蔵) as Sakamoto Miuranosuke Yoshimura (三浦之介) in the kabuki play Kamakura Sandaiki or Three Generations of Kamakura Shoguns [鏡倉三代記] - in the form of a hagoita [羽子板]

Ichikawa Danjūrō VII (市川団十郎) in <i>Shibaraku</i> (暫), with a child in the role of Ebisu and a monkey

1818ca Toyokuni I surimono
Ichikawa Danjūrō VII (市川団十郎) in Shibaraku (暫), with a child in the role of Ebisu and a monkey

<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

Bijin looking at the full moon

1820c Kuniyasu pipe moon
Bijin looking at the full moon

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

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Arashi Kitsusaburō II 二代目嵐橘三郎 (9/1822 to 8/1828) (4)

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