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Abe no Munetō (安部の宗任), the right-hand panel of a triptych entitled <i>Mikawa Zenshi no Musume Nareginu</i> ('A daughter of the former official of Mikawa with ordinary clothes')

1843-47 Kuniyoshi muneto.jpg
Abe no Munetō (安部の宗任), the right-hand panel of a triptych entitled Mikawa Zenshi no Musume Nareginu ('A daughter of the former official of Mikawa with ordinary clothes')

A <i>bijin</i> on a small wooden platform during the Tanabata Festival (七夕) - from the series <i>The Five Festivals</i> (<i>Go sekku</i> - 五節句)

1840s Kuniyoshi drum bridge
A bijin on a small wooden platform during the Tanabata Festival (七夕) - from the series The Five Festivals (Go sekku - 五節句)

Aigō Kozaemon Hisamitsu (合郷基匕エ門久盈), #43 from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyūden</i> - 太平記英勇傳)

1848-49c Kuniyoshi aigo kozaem
Aigō Kozaemon Hisamitsu (合郷基匕エ門久盈), #43 from the series Heroes of the Great Peace (Taiheiki eiyūden - 太平記英勇傳)

A <i>mitate</i> of one of the 'four social classes' of the <i>shinōkōshō</i> (士農工商) Seki Sanjūrō III as Katsura Matsunoshin (三蓋松之進) in the back right, Bandō Shuka I as Katsumi no Kohide (勝見の小秀) in the center and Nakamura Utaemon IV as Uraume no Kozue (裏梅の梢) from the play <i> O megumi ni Urūō Iwafuji </i> [恵閏初夏藤]

1840s Kuniyoshi Shino Kosho.jp
A mitate of one of the 'four social classes' of the shinōkōshō (士農工商) Seki Sanjūrō III as Katsura Matsunoshin (三蓋松之進) in the back right, Bandō Shuka I as Katsumi no Kohide (勝見の小秀) in the center and Nakamura Utaemon IV as Uraume no Kozue (裏梅の梢) from the play O megumi ni Urūō Iwafuji [恵閏初夏藤]

Akugenda Slaying Namba Jirō at Nunobiki Falls - <i>Nunobiki no taki Akugenda Nanba o utsu</i> (布引ノ滝悪源太討難波)

1830c Kuniyoshi akugenda
Akugenda Slaying Namba Jirō at Nunobiki Falls - Nunobiki no taki Akugenda Nanba o utsu (布引ノ滝悪源太討難波)

Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (<i>Tōdai-ji banshō</i> - 東大寺晩鐘) from the series <i>Eight Views of Military Brilliance</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi naginata
Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (Tōdai-ji banshō - 東大寺晩鐘) from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景)

Amanaka Shikanosuke Yukimori (尼中鹿之助幸盛 - actually Yamanaka Shikanosuke [山中鹿之助]) from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyūden</i> - 太平記英勇傳)

1848-49c Kuniyoshi amanaka
Amanaka Shikanosuke Yukimori (尼中鹿之助幸盛 - actually Yamanaka Shikanosuke [山中鹿之助]) from the series Heroes of the Great Peace (Taiheiki eiyūden - 太平記英勇傳)

An Old Picture of an Up-to-Date Teruuji at the Old Temple (<i>Imayō Teruuji kodera no kozu</i> - 今様輝氏古寺之古図) - a Rustic Genji theme

1847-52 Kuniyoshi Genji at tem
An Old Picture of an Up-to-Date Teruuji at the Old Temple (Imayō Teruuji kodera no kozu - 今様輝氏古寺之古図) - a Rustic Genji theme

Arashi Rikaku II (二代目嵐璃珏) as a <i>Sanbasō</i> marionette (<i>ayatsuri Sanbasō</i> - あやつり三番叟) from the dance play <i>Yanagi no Ito Hiku ya Gohiiki</i> [柳糸引御摂]

1850c Kuniyoshi puppet
Arashi Rikaku II (二代目嵐璃珏) as a Sanbasō marionette (ayatsuri Sanbasō - あやつり三番叟) from the dance play Yanagi no Ito Hiku ya Gohiiki [柳糸引御摂]

Asahina Saburō Yoshihide (朝比奈三郎義秀) wrestling with two crocodiles at Kotsubo beach, Kamakura

1830s Kuiniyoshi triptych
Asahina Saburō Yoshihide (朝比奈三郎義秀) wrestling with two crocodiles at Kotsubo beach, Kamakura

Asahina Yoshihide Fighting Crocodiles on the Occasion of Minamoto no Yoriie's Sea Viewing at Kotsubo - <i>Minamoto no Yoriie-kō Kamakura Kotsubo no umi yūran Asahina Yoshihide shiyū no wani wo tōfu zu</i> (源頼家公鎌倉小壷海遊覧朝夷義秀雌雄鰐を捕ふ図)

1843-46 Kuniyoshi fighting cro
Asahina Yoshihide Fighting Crocodiles on the Occasion of Minamoto no Yoriie's Sea Viewing at Kotsubo - Minamoto no Yoriie-kō Kamakura Kotsubo no umi yūran Asahina Yoshihide shiyū no wani wo tōfu zu (源頼家公鎌倉小壷海遊覧朝夷義秀雌雄鰐を捕ふ図)

Autumn (<i>aki</i> - 秋) from the series <i>Women's Pleasures of the Four Seasons</i> (<i>Shiki no kokoro onna asobi</i> - 四季心女遊)

1845c Kuniyoshi autumn
Autumn (aki - 秋) from the series Women's Pleasures of the Four Seasons (Shiki no kokoro onna asobi - 四季心女遊)

Bai Sheng, the Daylight Rat, (Hakujisso Hakushō - 白日鼠白勝), from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30c Kuniyoshi bai sheng
Bai Sheng, the Daylight Rat, (Hakujisso Hakushō - 白日鼠白勝), from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Bandō Hikosaburō IV (坂東彦三郎) as 経政実ハしゆんくはんのぼうこん, a ghost and Onoe Eizaburō III (尾上栄三郎) as the cowering princess Chidori-hime (千鳥姫) - from the play <i>Tsumagasane Sugata no Hana Kurabe</i> （嬲容顔花競 - 'Tsumagasane, the comparison of what you see）- center panel of a triptych

1830c Kuniyoshi bando
Bandō Hikosaburō IV (坂東彦三郎) as 経政実ハしゆんくはんのぼうこん, a ghost and Onoe Eizaburō III (尾上栄三郎) as the cowering princess Chidori-hime (千鳥姫) - from the play Tsumagasane Sugata no Hana Kurabe （嬲容顔花競 - 'Tsumagasane, the comparison of what you see）- center panel of a triptych

Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play <i>Shinzō tsurifune kidan</i> [新造艣奇談?]

1852 Kuniyoshi hag
Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play Shinzō tsurifune kidan [新造艣奇談?]

Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play <i>Shinpan Koshi no Shiranami</i> (新板越白浪 ) performed with <i>Genji moyō furisode hinagata</i> (源氏模様娘雛形)

1851 Kuniyoshi Bando Shuka
Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play Shinpan Koshi no Shiranami (新板越白浪 ) performed with Genji moyō furisode hinagata (源氏模様娘雛形)

Bandō Shūka I as the courtesan Shiraito (白糸) of the Hashimotoya (橋本屋) - this is the left-hand panel of a diptych

1852 Kuniyoshi Shiraito
Bandō Shūka I as the courtesan Shiraito (白糸) of the Hashimotoya (橋本屋) - this is the left-hand panel of a diptych

Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych

1850 Kuniyoshi Bijin
Bandō Shūka I [初代坂東しうか] as the courtesan Takao (高尾) - center panel of a triptych

Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series <i>Meiga rokumai byobu</i> (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych

1847-1852 Kuniyoshi blind
Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series Meiga rokumai byobu (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych

Chūjō-hime (中将姫) from the series <i>Mirror of Women of Wisdom and Courage</i> (<i>Kenyū fujo kagami</i> - 賢勇婦女鏡)

1843-44 Kuniyoshi Chujo-hime
Chūjō-hime (中将姫) from the series Mirror of Women of Wisdom and Courage (Kenyū fujo kagami - 賢勇婦女鏡)

'Clearing Weather on Ichihara Moor' (<i>Ichiharano seiran</i> - 市原野晴嵐) from the series <i>Eight Views of Military Brilliance</i> (<i>Yōbu hakkei</i> - 燿武八景)

1835 Kuniyoshi gust
'Clearing Weather on Ichihara Moor' (Ichiharano seiran - 市原野晴嵐) from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景)

Cock (Tori - 酉): Sukune Tarō (宿禰太郎) from the series <i>Mitate Jūnishi</i> (<i>Selections from the Twelve Signs of the Zodiac</i> - 美盾十二史)

1845 Kuniyoshi sukane taro
Cock (Tori - 酉): Sukune Tarō (宿禰太郎) from the series Mitate Jūnishi (Selections from the Twelve Signs of the Zodiac - 美盾十二史)

Comic Handgames Compared (<i>Dōke ken awase</i> - 道化拳合 - どうけけんあわせ)

1847 Kuniyoshi 04
Comic Handgames Compared (Dōke ken awase - 道化拳合 - どうけけんあわせ)

Dainagon Tsunenobu (大納言経信) from the series <i>One Hundred Poems by One Hundred Poets</i> (<i>Hyakunin isshu no uchi</i> - 百人一首之内)

1840c Kuniyoshi dainagon tsune
Dainagon Tsunenobu (大納言経信) from the series One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi - 百人一首之内)

Danshichi’s wife Okaji [おかぢ] and the clerk Seishichi [手代清七]

1847 Kuniyoshi okaji & seshich
Danshichi’s wife Okaji [おかぢ] and the clerk Seishichi [手代清七]

'Distant Treasure' (遠方通宝) from the series The Modern Measure of Womenʼs Desire for Money (<i>Imayō tofu shisen</i> - 今様斗婦志錢)

1848ca Kuniyoshi bijin with do
'Distant Treasure' (遠方通宝) from the series The Modern Measure of Womenʼs Desire for Money (Imayō tofu shisen - 今様斗婦志錢)

Du Qian, the Sky Toucher (Mochakuten Tosen - 摸著天杜遷) from the series <i>The Hundred and Eight Heroes of the Popular Suikoden</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827c Kuniyoshi suikoden Tosen
Du Qian, the Sky Toucher (Mochakuten Tosen - 摸著天杜遷) from the series The Hundred and Eight Heroes of the Popular Suikoden (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Du Xing, the Devil-faced (Kirenji Tokō - 鬼臉兒杜興) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30c Kuniyoshi bell
Du Xing, the Devil-faced (Kirenji Tokō - 鬼臉兒杜興) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 02-03
Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Evening Bell at Shoshazan (書冩山　晩鐘) - The Story of Oniwakamaru (鬼若丸) from the series of <i>Selections of the Eight Views of Combat</i> (美盾八競)

1842c Kuniyoshi arrested
Evening Bell at Shoshazan (書冩山　晩鐘) - The Story of Oniwakamaru (鬼若丸) from the series of Selections of the Eight Views of Combat (美盾八競)

Evening Bell at Tōdaiji Temple (<i>Tōdaiji banshō</i> - 東大寺晩鐘) from the series <i>Military Brilliance of the Eight Views</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi 01
Evening Bell at Tōdaiji Temple (Tōdaiji banshō - 東大寺晩鐘) from the series Military Brilliance of the Eight Views (Yōbu hakkei - 燿武八景)

Female admirers weeping before a large memorial portrait or <i>shini-e</i> (死絵) of the Ichikawa Danjūrō VIII

1854 Kuniyoshi danjuro VIII
Female admirers weeping before a large memorial portrait or shini-e (死絵) of the Ichikawa Danjūrō VIII

From the series Bravery Matched with the Twelve (Zodiac) Signs: (<i>Buyū mitate jūnishi</i> - 武勇見立十二支) Goat (未) and Guan Yu (関羽) - a modern edition

2017 Kitamura 5
From the series Bravery Matched with the Twelve (Zodiac) Signs: (Buyū mitate jūnishi - 武勇見立十二支) Goat (未) and Guan Yu (関羽) - a modern edition

From the series Bravery Matched with the Twelve (Zodiac) Signs: (Buyū mitate jūnishi - 武勇見立十二支) Boar (亥) and Emperor Yu (雄略天皇) - a modern edition

2017 Kitamura 4
From the series Bravery Matched with the Twelve (Zodiac) Signs: (Buyū mitate jūnishi - 武勇見立十二支) Boar (亥) and Emperor Yu (雄略天皇) - a modern edition

From the series Bravery Matched with the Twelve (Zodiac) Signs: (<i>Buyū mitate jūnishi</i> - 武勇見立十二支) Rat (子) and Raigō (頼豪) - a modern edition

2017 Kitamura 3
From the series Bravery Matched with the Twelve (Zodiac) Signs: (Buyū mitate jūnishi - 武勇見立十二支) Rat (子) and Raigō (頼豪) - a modern edition

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actor prints (yakusha-e - 役者絵) (50)

Arashi Otohachi III (三代目嵐音八) (1)

Arashi Rikaku II (二代目嵐璃珏: 11/1831 to 7/14/1864) (1)

Aritaya Seiemon (有田屋清右衛門) (8)

Asahina Saburō (朝比奈三郎) (2)

Asao Okuyama IV (四代目浅尾奥山: from 1846 to mid to late 1870s) (2)

Ashikaga Yorikane (足利頼兼) (2)

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Japanese color woodblock print. (1)

Japanese color woodblock print10 (1)

Japanese color woodblock prints (2)

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Japanese woodblock pirnt (2)

Japanese woodblock print (141)

Japanese woodblock prints (1)

woodblock print (5)

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19th century (295)

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exhibition

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (2)

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