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9 object Results
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person: decade: medium:
Scene from <i>Botan ni cho itsuka fumibako</i> (牡丹蝶初筐)  - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe
1815ca Toyokuni
Scene from Botan ni cho itsuka fumibako (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe

Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play <i>Okuni Iri Soga Nakamura</i> (御国入曽我中村)
1818 Kinisada garden triptych
Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play Okuni Iri Soga Nakamura (御国入曽我中村)

Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play <i>Taiheiki chūshin kōshaku</i> [太平記忠臣講釈]
1821 Nagahide diptych
Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play Taiheiki chūshin kōshaku [太平記忠臣講釈]

Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)
1822 Hokushu Ebijuro I
Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)

Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play <i>Benimurasaki Aide Someage</i> ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]
1822ca Hokushu ichikawa ebijur
Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play Benimurasaki Aide Someage ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]

Bust portrait of  Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play <i>Futatsu Chōchō</i> [双蝶々] (<i>Two Butterflies, Chōgorō and Chōkichi</i>)
1826 Ashiyuki seki sanjuro ii
Bust portrait of Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play Futatsu Chōchō [双蝶々] (Two Butterflies, Chōgorō and Chōkichi)

Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (<i>hyakushō</i>) Jūsaku (百姓重作) from the play <i>Tenmangū aiju no meiboku</i> [天満宮花梅桜松]
1828 Ashiyuki diptych
Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (hyakushō) Jūsaku (百姓重作) from the play Tenmangū aiju no meiboku [天満宮花梅桜松]

Two left panels of a triptych - Nakamura Matsue III (中村松江) as the <i>nyōbō</i> Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play <i>Suda no Haru Geisha Katagi</i> (隅田春妓女容性)
1828 Hokucho diptych
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the nyōbō Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play Suda no Haru Geisha Katagi (隅田春妓女容性)

Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū
1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

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Prints (9)

person

Akaneya Hanshichi (あかねや半七) (1)
Arashi Koroku IV (四代目嵐小六: from 11/1817 to 11/1826) (1)
Bandō Mitsugorō III (三代目坂東三津五郎: 11/1799 to 12/1831) (1)
Chūshingura - the play (忠臣蔵 - 47 rōnin) (1)
Fujikawa Tomokichi II (二代目藤川友吉: from 1/1810 to 12/1812 and again from 11/1813 to 10/1815 and again from 11/1819 to 7/1833) (1)
Gigadō Ashiyuki (戯画堂芦ゆき) (2)
Honya Seishichi (本屋清七) (2)
Keisei Kagamiyama (けいせい双鏡山) (1)
sumō (相撲) (2)
Tenmangū aiju no meiboku (天満宮花梅桜松) (1)
ōkubi-e (大首絵) (1)
Ichikawa Danjūrō VII (七代目市川團十郎: 11/1800 to 2/1832) (1)
Ichikawa Ebijūrō I (初代市川鰕十郎 9/1815 to 7/1827) (2)
Ichikawa Monnosuke III (三代目市川門之助: 11/1815 to 1824) (1)
Iwafuji, Onoe, Ohatsu (岩藤, 尾上, お初) (1)
Iwai Hanshirō V (五代目岩井半四郎: 11/1804-11/1832) (1)
Kyōto-Osaka prints (kamigata-e - 上方絵) (7)
Maruya Bun'emon (丸屋文右衛門) (1)
Matsumura Tatsuemon (松村辰右衛門) (1)
Nakamura Daikichi I (初代中村大吉: from 1800 to 3/1823) (1)
Nakamura Ganchō I (中村元朝) (1)
Nakamura Matsue III (三代目中村松江) (1)
Nakamura Utaemon III (三代目中村歌右衛門) (3)
Namiki Gohei (初代並木五瓶) (1)
Onoe Kikugorō III (三代目尾上菊五郎: 11/1815-3/1848) (2)
Ryūsai Shigeharu (柳斎重春) (1)
Seki Sanjūrō II (二代目関三十郎: 11/1807-2/1839) (1)
Shunkōsai Hokushū (春好斎北洲) (2)
Shunshosai Hokuchō (春曙斎北頂) (1)
Suda no Haru Geisha Katagi (隅田春妓女容性) (1)
Tsuruya Nanboku IV (四代目鶴屋南北) (2)
Ume no Yoshibei (梅の由兵へ) (1)
Urakusai (or Yūrakusai) Nagahide (有楽斎長秀) (1)
Utagawa Kunisada (歌川国貞) / Toyokuni III (三代豊国) (1)
Utagawa Toyokuni I (初代歌川豊国) (1)
Wataya Kihei (綿屋喜兵衛) (4)
Yamaichi (山市) (1)
Yamamotoya Heikichi (山本屋平吉) (1)
Yojirō (与次郎) the monkey trainer (1)
and 32 more

medium

color woodblock print (9)

century

19th century (8)

year

1821 (1)
1822 (2)
1823 (1)
1825 (1)
1827 (1)
1828 (2)

exhibition

Beach Museum of Art: Mike Lyon: Figuring it Out, (1)
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