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decade:
Yugiri (夕霧) and Izaemon (伊左衛門) <i>hashira-e</i>
unknown Eizan hashira-e
Yugiri (夕霧) and Izaemon (伊左衛門) hashira-e

Warrior (<i>musha-e</i>) triptych of Minamoto no Yoritomo  at the Battle of Ishibashiyama (源頼朝石橋山合戦之図)
1830s Kiyomine musha-e triptyc
Warrior (musha-e) triptych of Minamoto no Yoritomo at the Battle of Ishibashiyama (源頼朝石橋山合戦之図)

Ogino Kinshi I (荻野錦子) as Kohagi, actually Atsumori (小はぎ実はあつもり) in disguise - this is the left panel of a diptych
1828 Hokkei onnagata with fan
Ogino Kinshi I (荻野錦子) as Kohagi, actually Atsumori (小はぎ実はあつもり) in disguise - this is the left panel of a diptych

Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play <i>Imoseyama Onna Teikin</i>[妹背山婦女庭訓 - <i>Mount Imo and Mount Se:An Exemplary Tale of Womanly</i>]
1825c Yoshikuni yellow stairs
Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play Imoseyama Onna Teikin[妹背山婦女庭訓 - Mount Imo and Mount Se:An Exemplary Tale of Womanly]

Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play <i>Futatsu-chōchō Kuruwa Nikki</i> - the right-hand panel of a three panel composition
1823 Toyokuni I Bando Mitsugor
Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play Futatsu-chōchō Kuruwa Nikki - the right-hand panel of a three panel composition

Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - <i>onnagata</i> coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels
1821 Toyokuni II ladies
Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - onnagata coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

Ichikawa Danjūrō VII (七代目市川團十郎) as  町がゝへうぶげの金太郞 - accompanied by a live goat
1820c Toyokuni danjuri goat
Ichikawa Danjūrō VII (七代目市川團十郎) as 町がゝへうぶげの金太郞 - accompanied by a live goat

<i>Hashira-e</i> of two elegant courtesans
1820c Eizan Kakemono
Hashira-e of two elegant courtesans

Matsumoto Kōshirō V (松本幸四郎) as Mizuemon (水右衛門) about to strike the geisha Omatsu (芸者お松) with his sword
1820 Toyokuni II actor boat
Matsumoto Kōshirō V (松本幸四郎) as Mizuemon (水右衛門) about to strike the geisha Omatsu (芸者お松) with his sword

Nakamura Shikan I (中村芝翫) as a black man or <i>kuronbō</i> (黒んば) carrying a large piece of coral
1819 Toyokuni shikan coral
Nakamura Shikan I (中村芝翫) as a black man or kuronbō (黒んば) carrying a large piece of coral

A woman breast feeding a child while putting her hair up - from the series <i>Richly Colored Contemporary Fashions</i> (<i>Gokusaishiki jisei shitate</i> - 極彩色時世仕立)
1819 Kunisada Nursing.jpg
A woman breast feeding a child while putting her hair up - from the series Richly Colored Contemporary Fashions (Gokusaishiki jisei shitate - 極彩色時世仕立)

Kaguya-hime [輝夜姫] (the princess born from the bamboo) and Taketori-okina [竹取翁]
1819 Gakutei honchoren.jpg
Kaguya-hime [輝夜姫] (the princess born from the bamboo) and Taketori-okina [竹取翁]

Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from the dance of nine changes
1818c Toyokuni shikan lotus
Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from the dance of nine changes

Nakamura Shikan I (中村芝寛) as Hotei Ichiemon [布袋市右衛門] in the series <i>Ryūkō Go Karigane</i> or 'Five Fashionable Men from Karigane' (流行五雁金)
1818c Toyokuni Shikan
Nakamura Shikan I (中村芝寛) as Hotei Ichiemon [布袋市右衛門] in the series Ryūkō Go Karigane or 'Five Fashionable Men from Karigane' (流行五雁金)

Onoe Kikugorō III (尾上菊五郎) as Okoma (おこま) menacing a cat - from the play <i>Tsuma Gasane Kanete Kikuzuki</i> (褄重噂菊月) - left panel of a diptych
1818c Toyokuni cat killer
Onoe Kikugorō III (尾上菊五郎) as Okoma (おこま) menacing a cat - from the play Tsuma Gasane Kanete Kikuzuki (褄重噂菊月) - left panel of a diptych

Bandō Mitsugorō III (坂東三津五郎) as an  Edo magician (手妻江戸蔵) - performing the linking rings as 金は打
1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

An evening stroll along the Sumida River near the Ryōgoku Bridge <i>Tōto Ryōgoku yūryō no ga</i>  (東都両国夕涼の画)
1818 Kunisada bijin and sumo
An evening stroll along the Sumida River near the Ryōgoku Bridge Tōto Ryōgoku yūryō no ga (東都両国夕涼の画)

<i>Takemoto</i>; <i>Kokusenya</i> - Watōnai with a chanter of the Takemoto school
1818 Hokkei watonai w chanter
Takemoto; Kokusenya - Watōnai with a chanter of the Takemoto school

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図
1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)
1817 Hokushu yoshio ebijuro
Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)

Onoe Kikugorō III (尾上菊五郎) as <i>Chūshingura</i> character Kanpei (勘平) at the back gate of Tadayoshi castle
1816c Toyokuni kikugoro kanpei
Onoe Kikugorō III (尾上菊五郎) as Chūshingura character Kanpei (勘平) at the back gate of Tadayoshi castle

Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right
1816c Kunisada goro
Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right

Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play <i>Shin Usuyuki monogatari</i>
1816c Kunihira asao onimaru
Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play Shin Usuyuki monogatari

Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right
1816 Toyokuni I actor diptychg
Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right

Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play <i>Fuwa Nagoya Yuki no Tategasa</i> (不破名護屋雪棹)
1816 Kunisada Bando Mitsugoro
Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play Fuwa Nagoya Yuki no Tategasa (不破名護屋雪棹)

Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play <i>Meiboku Sendai Hagi</i>
1816 Kunihiro utaemon ebijuro
Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play Meiboku Sendai Hagi

Kataoka Nizaemon VII (片岡仁左衛門) in the role of Matsunaga Daizen (松永大膳) in the play <i>Gion Sairei Shinkōki</i> [祇園祭礼信仰記 - <i>The Gion Festival Chronicle of Faith</i>]
1816 Kunihiro Nizaemon VII
Kataoka Nizaemon VII (片岡仁左衛門) in the role of Matsunaga Daizen (松永大膳) in the play Gion Sairei Shinkōki [祇園祭礼信仰記 - The Gion Festival Chronicle of Faith]

Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play <i>Meiboku Sendai Hagi</i> [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角]  theater
1816 Ashiyuki diptych
Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play Meiboku Sendai Hagi [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

Nakamura Utaemon III (中村歌右衛門) in the role of Mori no Ranmaru (森ノ蘭丸) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Yamaguchi Kurōjirō (山口九郎治郎) on the left
1816 Ashisato utaemon ebijuro
Nakamura Utaemon III (中村歌右衛門) in the role of Mori no Ranmaru (森ノ蘭丸) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Yamaguchi Kurōjirō (山口九郎治郎) on the left

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems
1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

After the bath - left panel of a triptych
1815c Toyokuni I Bath Dry.jpg
After the bath - left panel of a triptych

Left and central panels of a triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (<i>Horikawa yo uchi</i> - 堀川夜討)
1815c Toyokuni Benkei.jpg
Left and central panels of a triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (Horikawa yo uchi - 堀川夜討)

An oiran lighting an andon - from the series <i>Richly Colored Contemporary Fashions</i> (<i>Gokusaishiki jisei shitate</i> - 極彩色時世仕立)
1815c Kunisada lamp light
An oiran lighting an andon - from the series Richly Colored Contemporary Fashions (Gokusaishiki jisei shitate - 極彩色時世仕立)

Nakamura Utaemon III  (三代目中村歌右衛門)  as a dancer from the series <i>The Dance of the Nine Changes</i> or  <i>Kyū henge no uchi</i> (九へん化の内) from the play <i>Sono Kokonoe Saishiki-zakura</i>
1815c Kunisada Dancer.jpg
Nakamura Utaemon III (三代目中村歌右衛門) as a dancer from the series The Dance of the Nine Changes or Kyū henge no uchi (九へん化の内) from the play Sono Kokonoe Saishiki-zakura

<i>Surimono</i> parody of the armor-pulling scene, the <i>kusazuribiki</i> [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by <i>bunraku</i> puppets
1815c Eisen surimono
Surimono parody of the armor-pulling scene, the kusazuribiki [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by bunraku puppets

Tokojirō and Urazato the courtesan from 時次郎浦里 明烏夢の泡雪 (Tokojirō and Urazato dream of a light snow)
1815c Eisen fan couple
Tokojirō and Urazato the courtesan from 時次郎浦里 明烏夢の泡雪 (Tokojirō and Urazato dream of a light snow)

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