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1616 Object Results

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Unidentified <i>ehon</i> diptych

unknown book illustrations
Unidentified ehon diptych

A modern <i>senjafuda</i> [千社札]

1970-90c unknown 03
A modern senjafuda [千社札]

A modern <i>senjafuda</i> [千社札]

1970-90c unknown 02
A modern senjafuda [千社札]

A modern Japanese woman in tradition garb

1940c unknown propaganda litho
A modern Japanese woman in tradition garb

Black cat (黒い猫) from the series <i>Ten Types of Female Nudes</i> (<i>Hadaka Jisshu</i> - 裸女十種)

1935 Ishikawa Black Cat
Black cat (黒い猫) from the series Ten Types of Female Nudes (Hadaka Jisshu - 裸女十種)

<i>Dance</i> or <i>Odori</i> (踊り) from the series <i>Ten Types of Female Nudes</i> (<i>Rajo jūsshu</i> - 裸女十種)

1934 Toraji veiled dancer.jpg
Dance or Odori (踊り) from the series Ten Types of Female Nudes (Rajo jūsshu - 裸女十種)

Bored <i>(Tsurezure</i> - つれづれ) from the series <i>Ten Types of Female Nudes</i>: <i>Rajo jūsshu</i> - 裸女十種)

1934 Toraji leisure hours
Bored (Tsurezure - つれづれ) from the series Ten Types of Female Nudes: Rajo jūsshu - 裸女十種)

Sound of a Bell (<i>Suzu no Ne</i> - 鈴の音) key block or <i>tameshizuri-e</i> from the series <i>Ten Types of Female Nudes</i> (<i>Rajo jūsshu</i> - 裸女十種)

1934 Toraji keyblock
Sound of a Bell (Suzu no Ne - 鈴の音) key block or tameshizuri-e from the series Ten Types of Female Nudes (Rajo jūsshu - 裸女十種)

Young couple - youth with courtesan

1800-05c Moronobu couple
Young couple - youth with courtesan

The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (<i>Naka no machi no sakura</i> - 仲之町の桜)

1785 Kiyonaga cherry.jpg
The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (Naka no machi no sakura - 仲之町の桜)

First Archery of the New Year (<i>Yumi hajime</i> - 弓はじめ) from the album <i>Saishiki mitsu no asa</i> (彩色美津朝) or 'Colors of the Triple Dawn'

1780c Kiyonaga archery
First Archery of the New Year (Yumi hajime - 弓はじめ) from the album Saishiki mitsu no asa (彩色美津朝) or 'Colors of the Triple Dawn'

Segawa Kikunojō V (瀬川菊之丞) as an <i>onnagata</i> probably playing Shizuka Gozen with a hand drum covered with the skins of Fox Tadanobu's parents

1846-52c Kunisada II phoenix
Segawa Kikunojō V (瀬川菊之丞) as an onnagata probably playing Shizuka Gozen with a hand drum covered with the skins of Fox Tadanobu's parents

Nakamura Shikan I (中村芝翫) as a black man or <i>kuronbō</i> (黒んば) carrying a large piece of coral

1819 Toyokuni shikan coral
Nakamura Shikan I (中村芝翫) as a black man or kuronbō (黒んば) carrying a large piece of coral

Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from 'The Nameless Madness of the Nine Transformations'

1818c Toyokuni shikan lotus
Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from 'The Nameless Madness of the Nine Transformations'

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図

1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (<i>Hachimai tsuzuki no uchi</i> - 八枚続之内)

1815 Toyokuni utaemon
Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (Hachimai tsuzuki no uchi - 八枚続之内)

The last stand of the Kusunoki at Shijō-nawate - 楠家勇士四条縄手にて討死

1857 Kuniyoshi Kusunoki 2
The last stand of the Kusunoki at Shijō-nawate - 楠家勇士四条縄手にて討死

The last stand of the Kusunoki at Shijō-nawate - 楠家勇士四条縄手にて討死

1857 Kuniyoshi Kusunoki
The last stand of the Kusunoki at Shijō-nawate - 楠家勇士四条縄手にて討死

Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play <i>Daigashira Midori no Iromaku</i> ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

1828 Kunihiro diptych
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play Daigashira Midori no Iromaku ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

Nakamura Shikan IV (中村芝翫) as Hinata Kagekiyo (日向景清) meeting with his daughter at the shore at Hyūga - right panel of a diptych

1863 Kunisada II Shikan IV
Nakamura Shikan IV (中村芝翫) as Hinata Kagekiyo (日向景清) meeting with his daughter at the shore at Hyūga - right panel of a diptych

Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (<i>Tōdai-ji banshō</i> - 東大寺晩鐘) from the series <i>Eight Views of Military Brilliance</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi naginata
Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (Tōdai-ji banshō - 東大寺晩鐘) from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景)

[Nakamura Shikan IV] as Kagekiyo (景清) below and Okawa Tomoemon (大川友右工門) above from the series <i>Modern Style Set of the Provinces in Edo Brocade</i> (<i>Kōto nishiki imayō kuni zukushi</i> - 江都錦今様国盡) -
Higo province (肥後) and Hyūga province (日向)

1852 Kuniyoshi fudo
[Nakamura Shikan IV] as Kagekiyo (景清) below and Okawa Tomoemon (大川友右工門) above from the series Modern Style Set of the Provinces in Edo Brocade (Kōto nishiki imayō kuni zukushi - 江都錦今様国盡) - Higo province (肥後) and Hyūga province (日向)

Evening Bell at Tōdaiji Temple (<i>Tōdaiji banshō</i> - 東大寺晩鐘) from the series <i>Military Brilliance of the Eight Views</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi 01
Evening Bell at Tōdaiji Temple (Tōdaiji banshō - 東大寺晩鐘) from the series Military Brilliance of the Eight Views (Yōbu hakkei - 燿武八景)

Arashi Rikan II (嵐璃寛) as Kagekiyo (景清) - the right-hand panel of a diptych - scene from the play <i>Keisei Hangonkō</i> [けいせい反魂香] - a <i>mitate</i>

1832 Sadamasu Kagekiyo
Arashi Rikan II (嵐璃寛) as Kagekiyo (景清) - the right-hand panel of a diptych - scene from the play Keisei Hangonkō [けいせい反魂香] - a mitate

Abstract print of lemon with two vases

1958 Amano-0001
Abstract print of lemon with two vases

Unidentified <i>koban</i> landscape

1930c anonymous koban
Unidentified koban landscape

Meiji period <i>shunga</i> after Utamaro - Pulling Komachi, no.5

1890c anon meiji shunga.jpg
Meiji period shunga after Utamaro - Pulling Komachi, no.5

Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

1793c Ryukosai sumo screen
Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

Standing <i>bijin</i> tying her <i>koshihimo</i> (腰紐) - with an <i>aizuri-e</i> background

unknown Kunisada bijin aizurie
Standing bijin tying her koshihimo (腰紐) - with an aizuri-e background

Imado (今戸): Onoe Kikugorō III as the carpenter Rokusaburō (大工六三郎), from the series <i>Thirty-six Fashionable Restaurants of the Eastern Capital</i> (<i>Tōto ryūkō sanjūroku kaiseki</i> - 東都流行三十六会席)

1847-50c Kuniyoshi gofun
Imado (今戸): Onoe Kikugorō III as the carpenter Rokusaburō (大工六三郎), from the series Thirty-six Fashionable Restaurants of the Eastern Capital (Tōto ryūkō sanjūroku kaiseki - 東都流行三十六会席)

Izumo no Imaro (出雲伊麿) stabs a <i>wani</i> (sea-monster - 鰐)

1828 Kuniyoshi
Izumo no Imaro (出雲伊麿) stabs a wani (sea-monster - 鰐)

Number 12 - The Syllable <i>Wo</i> (ヲ): <i>Nanasato</i> (七里) of the <i>Sugata-Ebiya</i> from the series <i>ABC Poems for Beautiful Courtesans</i> (<i>Bijin keisei iroha tanka</i>: 美人傾城いろはたん歌)

1820s Kunisada Nanasato
Number 12 - The Syllable Wo (ヲ): Nanasato (七里) of the Sugata-Ebiya from the series ABC Poems for Beautiful Courtesans (Bijin keisei iroha tanka: 美人傾城いろはたん歌)

After the bath - left panel of a triptych

1815c Toyokuni I Bath Dry.jpg
After the bath - left panel of a triptych

Arashi Kano I (あらし加納) as the wife Omatsu (嫁おまつ), Arashi Rikan II (嵐璃寛) as Watanabe Ryosuke (渡辺良助) on the right, Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) to the left of the previous one, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left, in the play <i>Keisei Yanagizakura</i> [けいせい楊柳桜]

1829 Ashiyuki quad aizurie
Arashi Kano I (あらし加納) as the wife Omatsu (嫁おまつ), Arashi Rikan II (嵐璃寛) as Watanabe Ryosuke (渡辺良助) on the right, Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) to the left of the previous one, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left, in the play Keisei Yanagizakura [けいせい楊柳桜]

Arashi Kichisaburō III (嵐吉三郎) as Asahina Tōbei (朝比奈藤兵衛) from the series <i>Seven Calligraphic Models for Each Character in the Kana Syllabary</i> (Nanatsu iroha - 七ツいろは) - the syllable <i>te</i> (て)

1859 Kunikazu kichusaburo III
Arashi Kichisaburō III (嵐吉三郎) as Asahina Tōbei (朝比奈藤兵衛) from the series Seven Calligraphic Models for Each Character in the Kana Syllabary (Nanatsu iroha - 七ツいろは) - the syllable te (て)

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Beach Museum of Art: Mike Lyon: Figuring it Out, (15)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (5)

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