Skip to main content
Lyon Collection
  • Login
  • Register
    • Login
    • Register
  • About
  • Browse
      • Objects
      • People/Orgs
      • Exhibitions
  • Contact

90 object Results
  • Add all results to lightbox
  • Select results to add to lightbox
  • Sort by:
  • Identifier
  • Title
  • Sort order:
  • Ascending
  • Descending

person:
<i>Ehon</i> - <i>Essentials of Birth in the Pure Land</i> (<i>Ōjōyōshū</i> - 往生要集)
1690-1710ca Genshin ehon Hell
Ehon - Essentials of Birth in the Pure Land (Ōjōyōshū - 往生要集)
Volume 1 of <i>Gaten Tsūkō</i> [画典通考]
1728 Morikuni stories V1
Volume 1 of Gaten Tsūkō [画典通考]
Volume 3 of <i>Gaten Tsūkō</i> [画典通考]
1728 Morikuni stories V2
Volume 3 of Gaten Tsūkō [画典通考]
Volume 3 of <i>Gaten Tsūkō</i> [画典通考]
1728 Morikuni stories V3
Volume 3 of Gaten Tsūkō [画典通考]
Volume 4 of <i>Gaten Tsūkō</i> [画典通考]
1728 Morikuni stories V4
Volume 4 of Gaten Tsūkō [画典通考]
Volume 5 of <i>Gaten Tsūkō</i> [画典通考]
1728 Morikuni stories V5
Volume 5 of Gaten Tsūkō [画典通考]
Young samurai on horseback
1750s Masanobu horse dandy
Young samurai on horseback
Young man on a horse being watched by two girls from behind a window
1770ca Koryusai horse lovers
Young man on a horse being watched by two girls from behind a window
A tea house waitress in front of an <i>oyasumi-dokoro</i> (御休所) at the Sansha Daigongen (三社大権現) shrine
1790c Shunkyoku hashira-e
A tea house waitress in front of an oyasumi-dokoro (御休所) at the Sansha Daigongen (三社大権現) shrine
Party on the <i>Daifuku</i> (大福) pleasure boat
1796-97 eishi boat triptych
Party on the Daifuku (大福) pleasure boat
Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (<i>Horikawa yo uchi</i> - 堀川夜討)
1800-10 Toyokuni I Benkei vs T
Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (Horikawa yo uchi - 堀川夜討)
Fishing with a four armed scoop-net (<i>yotsude ami</i> - 四つ手網) by the light of a crescent moon
1801ca Utamaro triptych scoop
Fishing with a four armed scoop-net (yotsude ami - 四つ手網) by the light of a crescent moon
Parody of the Seven Gods of Good Fortune in the Pleasure Quarters (<i>Seirō mitate</i> - 青楼見立 [<i>Shichifukujin</i> - 七福神]) - left-hand panel of a triptych
1809-11ca Kunisada new year pr
Parody of the Seven Gods of Good Fortune in the Pleasure Quarters (Seirō mitate - 青楼見立 [Shichifukujin - 七福神]) - left-hand panel of a triptych
The New Plum Estate on the Sumida River or <i>Sumidagawa shin-Umeyashiki no zu</i> (隅田川新梅屋敷之図)
1810c Toyokuni I Gathering.jpg
The New Plum Estate on the Sumida River or Sumidagawa shin-Umeyashiki no zu (隅田川新梅屋敷之図)
Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych
1811c Kunisada sumo
Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych
Minamoto Yoritomo's hunting party in the foothills below Mt. Fuji - <i>Minamoto Yoritomo kō Fuji no susono makigari no zu</i> (源頼朝公富士之裾野牧狩之図)
1814ca Kunisada Yorimoto hunt
Minamoto Yoritomo's hunting party in the foothills below Mt. Fuji - Minamoto Yoritomo kō Fuji no susono makigari no zu (源頼朝公富士之裾野牧狩之図)
An evening stroll along the Sumida River near the Ryōgoku Bridge <i>Tōto Ryōgoku yūryō no ga</i> (東都両国夕涼の画)
1818 Kunisada bijin and sumo
An evening stroll along the Sumida River near the Ryōgoku Bridge Tōto Ryōgoku yūryō no ga (東都両国夕涼の画)
<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel
1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel
<i>Mitate</i> of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)
1820c Eisen procession
Mitate of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)
Hōjō Tokiyori (北條時頼) from the series <i>Twenty-Four Generals for the Katsushika Circle</i> (<i>Katsushika nijūshishō</i> - 葛飾廿四将)
1820c Gakutei huju
Hōjō Tokiyori (北條時頼) from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō - 葛飾廿四将)
Picture of Fireworks at Ryōgoku Bridge (<i>Ryōgoku hanabi no zu</i> - 両 国花火之図) - lower half of a six panel composition
1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両 国花火之図) - lower half of a six panel composition
Tawara Tōta Hidesato [田原藤太秀郷] and Otohime from the series <i>Twenty-Four Generals for the Katsushika Circle</i> (<i>Katsushika nijūshishō</i> - 葛飾廿四将)
1821c Gakutei P533
Tawara Tōta Hidesato [田原藤太秀郷] and Otohime from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō - 葛飾廿四将)
Nitan no Shirō (Tadatsune) hunting a wild boar in Yoritomo's hunting party near Mount Fuji
1827 Gakutei tadasune boar
Nitan no Shirō (Tadatsune) hunting a wild boar in Yoritomo's hunting party near Mount Fuji
Gushi /Yu Ki (楚項羽妻 虞氏) from the series <i>Military Tales of the Han and Chu</i> (<i>Kan so gundan</i> - 漢楚軍談)
1828-34 Kunisada Ichijosei Kos
Gushi /Yu Ki (楚項羽妻 虞氏) from the series Military Tales of the Han and Chu (Kan so gundan - 漢楚軍談)
A cool evening watching fireworks at Ryōgoku Bridge, Edo (<i>Toto Ryōgokubashi Yusuzumi no zu</i> - 東都両国橋夕涼図)
1830-35c Eisen Fireworks.jpg
A cool evening watching fireworks at Ryōgoku Bridge, Edo (Toto Ryōgokubashi Yusuzumi no zu - 東都両国橋夕涼図)
Ichikawa Danzō V (市川団蔵) as the hermit Inumura Daikaku Masanori (犬村大学礼儀) from the series <i>Satomi ke Hakkenshi no hitori</i> (里見家八犬士の一人)
1830 Shigeharu inumura daigaku
Ichikawa Danzō V (市川団蔵) as the hermit Inumura Daikaku Masanori (犬村大学礼儀) from the series Satomi ke Hakkenshi no hitori (里見家八犬士の一人)
<i>Surimono</i>: The peasant (<i>nō</i> - 農) from the series Series of Four (<i>Yonban tsuzuki</i> - 四番続)
1830ca Kunisada surimono
Surimono: The peasant (nō - 農) from the series Series of Four (Yonban tsuzuki - 四番続)
Katō Kiyomasa killing a tiger in Korea
1830c Kuniyoshi kiyomasa tiger
Katō Kiyomasa killing a tiger in Korea
Children's parade (子進) carrying a sacred float during the Tennō Festival (天王祭)
1830c Sadafusa Festival.jpg
Children's parade (子進) carrying a sacred float during the Tennō Festival (天王祭)
Iwai Shijaku I (岩井紫若) as Tamuramaru (田村丸) - one panel from a larger <i>mitate</i> composition
1830s Sadamasa shijaku archer.
Iwai Shijaku I (岩井紫若) as Tamuramaru (田村丸) - one panel from a larger mitate composition
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a <i>go</i> board [<i>Goban Tadanobu</i> - 碁盤忠信]
1832 Kuniyoshi suikoden
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a go board [Goban Tadanobu - 碁盤忠信]
Kanshin Humbles Himself and Crawls Through the Legs of Rogues to Gain Self-Control <i>Kanshin matakuguri no zu</i> (韓信胯潜之図)
1835 Kuniyoshi fisherman.jpg
Kanshin Humbles Himself and Crawls Through the Legs of Rogues to Gain Self-Control Kanshin matakuguri no zu (韓信胯潜之図)
A beautiful, elegant woman standing outside the entry to a building which houses the Chūshuntei restaurant [柱春亭] - center panel of a triptych
1835c Kunisada Letter
A beautiful, elegant woman standing outside the entry to a building which houses the Chūshuntei restaurant [柱春亭] - center panel of a triptych
Xuande (aka Gentoku - 玄徳) plunging into the Tan gorge - from the series <i>Heroes of the Popular Romance of the Three Kingdoms</i> (<i>Tsūzoku Sangokushi eiyū no ichinin</i> - 通俗三国志英雄之壹人)
1836 Kuniyoshi gentoku
Xuande (aka Gentoku - 玄徳) plunging into the Tan gorge - from the series Heroes of the Popular Romance of the Three Kingdoms (Tsūzoku Sangokushi eiyū no ichinin - 通俗三国志英雄之壹人)
Tora II (二代目とら) of Nakamoriken (中森軒) in Gathering Spring Herbs (<i>Waka natsumi</i> - 若菜摘) from the series <i>Costume Parade of the Shimanouchi Quarter</i> (<i>Shimanouchi nerimono</i> - 島之内ねり物)
1836c Sadahiro Matsuume
Tora II (二代目とら) of Nakamoriken (中森軒) in Gathering Spring Herbs (Waka natsumi - 若菜摘) from the series Costume Parade of the Shimanouchi Quarter (Shimanouchi nerimono - 島之内ねり物)
Volume 1 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)
1840ca Yoshiume Ookawa ehon 1
Volume 1 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)
Volume 3 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)
1840ca Yoshiume Ookawa ehon 2
Volume 3 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)
Volume 2 of <i>A Record of the Benevolent Government at Ōgawa</i> <br> (Ōkawa Jinsei-roku- 大川仁政録)
1840ca Yoshiume Ookawa ehon 3
Volume 2 of A Record of the Benevolent Government at Ōgawa
(Ōkawa Jinsei-roku- 大川仁政録)
Taishun 大舜 from the series <i>Twenty Four Paragons of Filial Piety for Children</i> (<i>Nijushi-ko doji kagami</i>: 二十四孝童子鑑)
1840c Kuniyoshi 24 paragons 1
Taishun 大舜 from the series Twenty Four Paragons of Filial Piety for Children (Nijushi-ko doji kagami: 二十四孝童子鑑)
<i>Tanabata</i> (七夕) from the series of the Five Festivals (<i>Go sekku</i> - 五節句), the Seventh Month (文月)
1840c Kuniyoshi windy
Tanabata (七夕) from the series of the Five Festivals (Go sekku - 五節句), the Seventh Month (文月)
A <i>bijin</i> on a small wooden platform during the Tanabata Festival (七夕) - from the series <i>The Five Festivals</i> (<i>Go sekku</i> - 五節句)
1840s Kuniyoshi drum bridge
A bijin on a small wooden platform during the Tanabata Festival (七夕) - from the series The Five Festivals (Go sekku - 五節句)
Volume from <i>Picture Book of the Taiko-ki</i> (<i>Ehon Taikō-ki</i> 絵本太閤記)
1840s Kuniyoshi Taikoki ehon
Volume from Picture Book of the Taiko-ki (Ehon Taikō-ki 絵本太閤記)
No. 2, Takejo, wife of Yamaoka Kakubei (<i>Yamaoka Kakubei no tsuma Takejo</i> 山岡覺平の妻竹女), from the series <i>Biographies of Loyal and Righteous Hearts</i> (<i>Seichu gishin den</i> 誠忠義心傳)
1840s Kuniyoshi weeping bijin
No. 2, Takejo, wife of Yamaoka Kakubei (Yamaoka Kakubei no tsuma Takejo 山岡覺平の妻竹女), from the series Biographies of Loyal and Righteous Hearts (Seichu gishin den 誠忠義心傳)
<i>View of Enoshima and Fuji from Shichirigahama</i> (<i>Shichiri gahama yori Enoshima no tokei</i> - 七里ヶ浜より江の島乃遠景) - center panel of a triptych
1847-52 Kuniyoshi enoshima
View of Enoshima and Fuji from Shichirigahama (Shichiri gahama yori Enoshima no tokei - 七里ヶ浜より江の島乃遠景) - center panel of a triptych
Ken game of Three Countries - <i>Sangoku ken</i> (三国拳)
1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)
Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych
1847-52 Yoshimune kawanakajima
Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of <i>The Five Festivals - Mutsuki</i> (五節句之内睦月)
1847-52c Kuniyoshi daruma kite
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of The Five Festivals - Mutsuki (五節句之内睦月)
Taishun (大舜) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 01
Taishun (大舜) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 02-03
Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 04-05
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 06-07
Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 08-09
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series<i> The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 10-11
Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Kō Teiken (黄廷堅) and Riku Seki (陸績) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 12-13
Kō Teiken (黄廷堅) and Riku Seki (陸績) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Go Mō (呉猛) and Tei Ran (丁蘭) from the series <i> The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 14-15
Go Mō (呉猛) and Tei Ran (丁蘭) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 16-17
Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Kaku Kyo (郭巨) on the left and Kyō Shi (姜詩) on the right from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 18-19
Kaku Kyo (郭巨) on the left and Kyō Shi (姜詩) on the right from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Yu Kinrō and Shu Jushō (朱壽昌) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 20-21
Yu Kinrō and Shu Jushō (朱壽昌) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Ō Shō (王祥) and Mōsō (孟宗) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 22-23
Ō Shō (王祥) and Mōsō (孟宗) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Huang Xiang (Kōkyō: 黄香) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)
1848 Kuniyoshi paragon 24
Huang Xiang (Kōkyō: 黄香) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)
Ohatsu [召仕おはつ] in the center battling Iwafuji [局岩藤] on the left, with the <i>chūrō</i> [中臈] Onoe (中老於の江) on the right
1850 Kunisada kendo practice
Ohatsu [召仕おはつ] in the center battling Iwafuji [局岩藤] on the left, with the chūrō [中臈] Onoe (中老於の江) on the right
Death of Buddha - the <i>'Nehanzō</i> [涅槃像]
1850ca Yoshitora nirvana
Death of Buddha - the 'Nehanzō [涅槃像]
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych
1850s Kuniyoshi dog fight
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych
Dietary Life Rules (<i>Inshoku yōjō kagami</i> - 飲食養生鑑)
1850s nutrition
Dietary Life Rules (Inshoku yōjō kagami - 飲食養生鑑)
<i>The Defeat of the Mongol Invasion</i> (<i>Mōko zokusen taiji no zu</i> - 蒙古賊舟退治之図)
1850s Yoshitora mongols
The Defeat of the Mongol Invasion (Mōko zokusen taiji no zu - 蒙古賊舟退治之図)
<i>Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans</i> (浅草奥山生人形 - <i>Asakusa Okuyama ikiningyo</i>)
1852-53 Kuniyoshi comic
Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans (浅草奥山生人形 - Asakusa Okuyama ikiningyo)
<i>The Ancient Custom of Attacking the Concubine</i> (<i>Ōko uwanari-uchi no zu</i> - 往古うハなり打の図)
1852 Hiroshige housewives batt
The Ancient Custom of Attacking the Concubine (Ōko uwanari-uchi no zu - 往古うハなり打の図)
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the <i>Miraculous Paintings by Ukiyo Matabei</i> (<i>Ukiyo Matabei meiga kitoku</i> - 浮世又平名画奇特)
1853 Kuniyoshi Matabei
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the Miraculous Paintings by Ukiyo Matabei (Ukiyo Matabei meiga kitoku - 浮世又平名画奇特)
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the <i>Miraculous Paintings by Ukiyo Matabei</i> (<i>Ukiyo Matabei meiga kitoku</i> - 浮世又平名画奇特)
1853 Kuniyoshi matabei 2
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the Miraculous Paintings by Ukiyo Matabei (Ukiyo Matabei meiga kitoku - 浮世又平名画奇特)
Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)
1853 Kuniyoshi yabuhara
Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)
Yorimitsu tries to capture Hakamadare by destroying his magic (<i>Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su</i> - 破奇術頼光袴垂為搦)
1853 Yoshitsuya serpent
Yorimitsu tries to capture Hakamadare by destroying his magic (Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su - 破奇術頼光袴垂為搦)
Central panel of a triptych of the Naritasan Festival (<i>Naritasan kaichō sankei gunshū no zu</i> - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II
1856 Kunisada naritasan fest
Central panel of a triptych of the Naritasan Festival (Naritasan kaichō sankei gunshū no zu - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II
The Upstairs Parlor of a Brothel (<i>Nikai zashiki no zu</i> - 二かい座敷の図) from the series <i>Modern Select Dolls</i> (<i>Tōsei mitate ningyō no uchi</i> - 當盛見立人形之内)
1856 Kuniyoshi diptych
The Upstairs Parlor of a Brothel (Nikai zashiki no zu - 二かい座敷の図) from the series Modern Select Dolls (Tōsei mitate ningyō no uchi - 當盛見立人形之内)
Yorimitsu Tries to Capture Hakamadare by Destroying His Magic (<i>Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su</i> - 破奇術頼光袴垂為搦)
1860c Yoshitsuya serpent
Yorimitsu Tries to Capture Hakamadare by Destroying His Magic (Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su - 破奇術頼光袴垂為搦)
Kinkō (子英), the Taoist Immortal, riding on a red carp from the series <i>Illustrated Stories of the Taoist Immortals</i> (<i>Ressen gachū</i> - 例僊画註)
1860s Kiyochika riding carp
Kinkō (子英), the Taoist Immortal, riding on a red carp from the series Illustrated Stories of the Taoist Immortals (Ressen gachū - 例僊画註)
<i>Transit of an American Steam Locomotive</i> (<i>Amerika koku jōkisha ōrai</i> - 亜墨利加国蒸気者往来)
1861 Yoshikazu steamboat
Transit of an American Steam Locomotive (Amerika koku jōkisha ōrai - 亜墨利加国蒸気者往来)
<i>'Kakeai'</i> (かけ合い): A dialogue between Sawamura Tanosuke III (沢村田之助) as Gompachi (白井権八) and Chōbei about smallpox. - the right-hand panel of a diptych
1862 Yoshiiku tonosuke
'Kakeai' (かけ合い): A dialogue between Sawamura Tanosuke III (沢村田之助) as Gompachi (白井権八) and Chōbei about smallpox. - the right-hand panel of a diptych
<i>A Picture of Masakiyo Conquering Korea</i> - (<i>Masakiyo sankan taiji</i> [<i>no</i>] <i>zu</i> - 正清三韓退治圖)
1864 Yoshitoshi sea battle
A Picture of Masakiyo Conquering Korea - (Masakiyo sankan taiji [no] zu - 正清三韓退治圖)
<i>Outbreak of Fire Seen from Hisamatsu-chō </i> (<i>Hisamatsu-chō kara miru shukka</i> - 久松町ニ而見る出火)
1881 Kiyochika great fire
Outbreak of Fire Seen from Hisamatsu-chō (Hisamatsu-chō kara miru shukka - 久松町ニ而見る出火)
Nakamura Shikan's wife (中村福助の妻) from the series <i>The Stories About the People In The Recent Times</i> (<i>Kinsei Jinbutsu Shi</i> - 近世人物誌)
1886 Yoshitoshi Omitsu and Fuk
Nakamura Shikan's wife (中村福助の妻) from the series The Stories About the People In The Recent Times (Kinsei Jinbutsu Shi - 近世人物誌)
<i>Setchu ni ume no sho gunji yugi no zu</i> (雪中ニ梅荘郡児遊戯図)
1887 Chikanobu triptych nobili
Setchu ni ume no sho gunji yugi no zu (雪中ニ梅荘郡児遊戯図)
Lady-in-waiting Ben no Naishi (辨の内侍) from the series <i>Mirror of Famous Women from Ancient and Modern Times</i> (Kokon meifu kagami - 古今名婦鏡)
1887 Ginko Lady-in-waiting.jpg
Lady-in-waiting Ben no Naishi (辨の内侍) from the series Mirror of Famous Women from Ancient and Modern Times (Kokon meifu kagami - 古今名婦鏡)
Muraoka (村岡) from the series <i> Stories About The People In Recent Times</i> (<i>Kinsei Jinbutsu Shi</i> - 近世人物誌) - from Yamamoto Newspaper Supplement (やまと新聞附録)
1887 Yoshitoshi Muraoka head m
Muraoka (村岡) from the series Stories About The People In Recent Times (Kinsei Jinbutsu Shi - 近世人物誌) - from Yamamoto Newspaper Supplement (やまと新聞附録)
Wife of Kawase (Kawase sore no tsuma - 河瀬某の妻), No. 18 (第十八) from the Yamato Newspaper series <i>Biographies of People Today</i> (<i>Kinsei Jimbutsu Shi</i> - 近世人物誌)
1888 Yoshitoshi soiso omi
Wife of Kawase (Kawase sore no tsuma - 河瀬某の妻), No. 18 (第十八) from the Yamato Newspaper series Biographies of People Today (Kinsei Jimbutsu Shi - 近世人物誌)
The wife of the last shōgun, Tokugawa Keiki (徳川慶喜公御簾中), number 20 (第ニ十), from the series <i>Biographies of the People in the Recent Years</i> (Kinsei Jinbutsu Shi - 近世人物誌)
1888 Yoshitoshi Tokugawa Keiki
The wife of the last shōgun, Tokugawa Keiki (徳川慶喜公御簾中), number 20 (第ニ十), from the series Biographies of the People in the Recent Years (Kinsei Jinbutsu Shi - 近世人物誌)
Jiang Shi (Kyō Shi 姜詩) from <i>Juxtaposed Pictures of Twenty-four Paragons of Filial Piety</i> (<i>Nijūshikō Mitate Awase</i> - 二十四孝見立画合) - #11
1890 Chikanobu Nijushiko Mitat
Jiang Shi (Kyō Shi 姜詩) from Juxtaposed Pictures of Twenty-four Paragons of Filial Piety (Nijūshikō Mitate Awase - 二十四孝見立画合) - #11
The Tenmei Era (天明ノ頃) from the series <i>Patterns of Edo</i> (<i>Hana moyō</i> - 花模様)
1895c Kiyochika FLowers.jpg
The Tenmei Era (天明ノ頃) from the series Patterns of Edo (Hana moyō - 花模様)
The Sign Painter (<i>Kanteiryū</i> - 感亭流) from the <i>Annual Events of the Edo Theatre</i> (<i>Ō-Edo shibai nenjū-gyōji</i> - 大江戸しばゐねんぢうぎやうじ)
1900c anon sign maker
The Sign Painter (Kanteiryū - 感亭流) from the Annual Events of the Edo Theatre (Ō-Edo shibai nenjū-gyōji - 大江戸しばゐねんぢうぎやうじ)
Bathing Beauty - 美人の海水浴
1903 Kogyo bathing beauty
Bathing Beauty - 美人の海水浴
<i>Shower on Nihonbashi</i> (<i>Nihonbashi no hakuu</i>) from the series <i>Famous Places in the Eastern Capital</i> (<i>Tōto meisho</i>) - a modern reproduction
2001 1830s Hiroshige nihonbash
Shower on Nihonbashi (Nihonbashi no hakuu) from the series Famous Places in the Eastern Capital (Tōto meisho) - a modern reproduction
Next 36

Filter by

object type

Prints (90)

person

actor prints (yakusha-e - 役者絵) (5)
Adachi Ginkō (安達吟光) (2)
Akiyama Buemon (秋山武右衛門) (1)
Arashi Otohachi III (三代目嵐音八) (1)
Asao Okuyama IV (四代目浅尾奥山: from 1846 to mid to late 1870s) (2)
beautiful woman picture (bijin-ga - 美人画) (14)
Chikamatsu Monzaemon (近松門左衛門) (1)
and 114 more

medium

black and white woodblock print (5)
black woodblock print (1)
color woodblock print (14)
color woodcut (1)
Japanese color woodblock print (20)
Japanese color woodblock prints (2)
Japanese woodblock print (33)

century

17th century (1)
18th century (9)
19th century (79)
20th century (1)

decade

1680s (1)
1720s (5)
1740s (1)
1770s (1)
1790s (2)
1800s (1)
1810s (5)
1820s (9)
1830s (11)
1840s (26)
1850s (16)
1860s (4)
1880s (8)
1890s (3)
1900s (1)
and 8 more

year

1689 (1)
1727 (5)
1743 (1)
1744 (1)
1745 (1)
1746 (1)
1747 (1)
and 69 more

exhibition

Beach Museum of Art: Mike Lyon: Figuring it Out, (1)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (2)
© 2020 Lyon Collection