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45 object Results

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Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

1793c Ryukosai sumo screen
Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

Onoe Kikugorō III (尾上菊五郎) as Shirai Gonpachi (白井権八) emerging from a <i>kago</i> and Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) holding a lantern - from the 'Suzugamori' (鈴ヶ森) scene possibly from the play <i>Banzui Chōbei shojin manaita</i> [幡随長兵衛精進爼板]

1814c Kunisada Storm.jpg
Onoe Kikugorō III (尾上菊五郎) as Shirai Gonpachi (白井権八) emerging from a kago and Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) holding a lantern - from the 'Suzugamori' (鈴ヶ森) scene possibly from the play Banzui Chōbei shojin manaita [幡随長兵衛精進爼板]

Ichikawa Monnosuke III (市川門之助) in the role of the <i>menoto</i> Jiko? (めのとじこ?) probably from the play <i>Gion Sairei Shinkouki</i> (祇園祭礼信仰記)

1815c Kunisada Kodanosuke
Ichikawa Monnosuke III (市川門之助) in the role of the menoto Jiko? (めのとじこ?) probably from the play Gion Sairei Shinkouki (祇園祭礼信仰記)

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems

1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

The Hour of the Dog, Fifth Hour of the Night (<i>Inu no koku</i> - 戌ノ刻, <i>Yoru itsutsu</i> - 夜五ツ) from the series <i>Yoshiwara Clock</i> (<i>Yoshiwara-tokei</i> - 吉原時計)

1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (Inu no koku - 戌ノ刻, Yoru itsutsu - 夜五ツ) from the series Yoshiwara Clock (Yoshiwara-tokei - 吉原時計)

Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

A couple locked in an embrace

1820-25ca Eisen shunga
A couple locked in an embrace

The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series <i>Eight Views of the Shin-Yoshiwara</i> (Shin-Yoshiwara Hakkei - 新吉原八景) - <i>Returning Sails at San'yabori</i> (<i>San'yabori no kihan</i> - 三谷堀の帰帆)

1820-30 Eisen senju
The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series Eight Views of the Shin-Yoshiwara (Shin-Yoshiwara Hakkei - 新吉原八景) - Returning Sails at San'yabori (San'yabori no kihan - 三谷堀の帰帆)

<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

Ichikawa Ebijūrō I as the servant Ranpei in the play <i>Yamatogana Ariwara Keizu</i> (倭仮名在原系図) - a <i>mitate</i>

1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

Nakamura Utaemon III (中村歌右衛門) as the apprentice Igo (伊吾) of the Amakawaya (天川屋) in the play <i>Ōishizuri sakura tanzaku</i> [大石摺桜花短冊]

1820c Hokushū utaemon dance
Nakamura Utaemon III (中村歌右衛門) as the apprentice Igo (伊吾) of the Amakawaya (天川屋) in the play Ōishizuri sakura tanzaku [大石摺桜花短冊]

<i>Bijin</i> playing with cat

1820c Kunisada cat
Bijin playing with cat

Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

Bijin looking at the full moon

1820c Kuniyasu pipe moon
Bijin looking at the full moon

San'enzan Zōjō-ji Temple (<i>San'enzan Zōjō-ji zu</i> - 三園山増上寺図) from the series <i>The Eastern Capital</i> (Tōto - 東都)

1820s Hokuju landscape yoko-e
San'enzan Zōjō-ji Temple (San'enzan Zōjō-ji zu - 三園山増上寺図) from the series The Eastern Capital (Tōto - 東都)

<i>Shunga</i> with an <i>awabi</i> diver

1820s Hokusai shunga
Shunga with an awabi diver

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

Mimasu Gennosuke I (三枡源之助) in the role of the <i>sumō</i> wrestler Izutsu Menosuke (角力取井筒女之助)

1820s Kunisada gennosuke
Mimasu Gennosuke I (三枡源之助) in the role of the sumō wrestler Izutsu Menosuke (角力取井筒女之助)

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series <i>Great Performances: Contemporary Pressed-Cloth Battledores</i> (<i>Tōsei oshi-e hagoita atari kyōgen no uchi</i> - 當世押絵羽子板)

1820s Kunisada mitsugoro battl
Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series Great Performances: Contemporary Pressed-Cloth Battledores (Tōsei oshi-e hagoita atari kyōgen no uchi - 當世押絵羽子板)

Number 12 - The Syllable <i>Wo</i> (ヲ): <i>Nanasato</i> (七里) of the <i>Sugata-Ebiya</i> from the series <i>ABC Poems for Beautiful Courtesans</i> (<i>Bijin keisei iroha tanka</i>: 美人傾城いろはたん歌)

1820s Kunisada Nanasato
Number 12 - The Syllable Wo (ヲ): Nanasato (七里) of the Sugata-Ebiya from the series ABC Poems for Beautiful Courtesans (Bijin keisei iroha tanka: 美人傾城いろはたん歌)

Pentaptych: <i>bijin</i> holding puppets of actors as <i>otokodate</i> - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

Picture of Fireworks at Ryōgoku Bridge (<i>Ryōgoku hanabi no zu</i> - 両国花火之図) - lower half of a six panel composition

1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両国花火之図) - lower half of a six panel composition

Six prominent kabuki actors on a winter outing

1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing

Praying for Rain (<i>Amagoi</i> - 雨乞 ) from the series <i>Modern Beauties as the Seven Komachi</i> (<i>Tōsei bijin Nana Komachi</i> - 当世美人七小町)

1821-22 Kunisada amagoi komach
Praying for Rain (Amagoi - 雨乞 ) from the series Modern Beauties as the Seven Komachi (Tōsei bijin Nana Komachi - 当世美人七小町)

Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) in the play <i>Yorimasa Nue Monogatari</i> [頼政鵺物語] - a second or later edition

1822 Hokushu 03
Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) in the play Yorimasa Nue Monogatari [頼政鵺物語] - a second or later edition

Asao Yūjirō I (浅尾勇次郎) as Sano Genzaemon (佐野源左衛門) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Miura Arajirō (三浦荒次郎) in the play <i>Keisei Sano no Funabashi</i> (傾城佐野の船橋)

1822 Hokushu checker diptych
Asao Yūjirō I (浅尾勇次郎) as Sano Genzaemon (佐野源左衛門) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Miura Arajirō (三浦荒次郎) in the play Keisei Sano no Funabashi (傾城佐野の船橋)

Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)

1822 Hokushu Ebijuro I
Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)

Ichikawa Ebijūrō I as Tōken Jūbei (市川鰕十郎の唐犬重兵衛) from the play <i>Benimurasaki Aide Someage</i> (<i>Red and Purple, Rich Dyes of Osaka</i>) [紅紫大坂潤]

1822 Hokushu Ebijuro I (2).jpg
Ichikawa Ebijūrō I as Tōken Jūbei (市川鰕十郎の唐犬重兵衛) from the play Benimurasaki Aide Someage (Red and Purple, Rich Dyes of Osaka) [紅紫大坂潤]

Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) in the play <i>Ōishizuri sakura tanzaku</i> [大西摺桜花短冊]

1822 Hokushu sanko
Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) in the play Ōishizuri sakura tanzaku [大西摺桜花短冊]

Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) on the right; Nakamura Sankō I (中村三光) as keisei (courtesan) Kashiwagi (けいせい柏木) in the middle; Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門) on the left in the play <i>Oishizuri sakura tanzaku</i>

1822 Hokushu yellow triptych
Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) on the right; Nakamura Sankō I (中村三光) as keisei (courtesan) Kashiwagi (けいせい柏木) in the middle; Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門) on the left in the play Oishizuri sakura tanzaku

Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play <i>Yorimasa Nue Monogatari</i> [頼政鵺物語] - early or 1st edition

1822 Hokushu Yorimasa
Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play Yorimasa Nue Monogatari [頼政鵺物語] - early or 1st edition

Just arrived from Edo (江戸登り), Arashi Kitsusaburō II (嵐橘三郎), formerly named Arashi Tokusaburō (嵐徳三郎) - <i>Edo nobori Arashi Tokusaburō gaimei Arashi Kitsusaburō</i>

1822 Shibakuni Rikan II
Just arrived from Edo (江戸登り), Arashi Kitsusaburō II (嵐橘三郎), formerly named Arashi Tokusaburō (嵐徳三郎) - Edo nobori Arashi Tokusaburō gaimei Arashi Kitsusaburō

Nakamura Utaemon III (三代目中村歌右衛門) as the apprentice Igo (伊吾) of the Amakawaya (天川屋) in the play <i>Ōishizuri sakura tanzaku</i>

1822 Yoshikuni
Nakamura Utaemon III (三代目中村歌右衛門) as the apprentice Igo (伊吾) of the Amakawaya (天川屋) in the play Ōishizuri sakura tanzaku

Arashi Kitsusaburō II (嵐橘三郎) on the occasion of his name change

1822 Yoshikuni Kitsusaburo II
Arashi Kitsusaburō II (嵐橘三郎) on the occasion of his name change

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