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Two <i>bijin</i> on the pilgrimage to Meguro or <i>Meguro mode</i> (目黒詣) from the series <i>Edo Meisho asobi</i> (江戸名所遊)

1800ca Utamaro hashira-e
Two bijin on the pilgrimage to Meguro or Meguro mode (目黒詣) from the series Edo Meisho asobi (江戸名所遊)

Fishing with a four armed scoop-net (<i>yotsude ami</i> - 四つ手網) by the light of a crescent moon

1801ca Utamaro triptych scoop
Fishing with a four armed scoop-net (yotsude ami - 四つ手網) by the light of a crescent moon

Onoe Matsusuke I (尾上松助) as the ghost of Iohata (いおはた...) and Iwai Kiyotarō II (岩井喜世太郎) as a boatman Tokubei (せんどう徳兵衛)

1804 Kunihisa ghost
Onoe Matsusuke I (尾上松助) as the ghost of Iohata (いおはた...) and Iwai Kiyotarō II (岩井喜世太郎) as a boatman Tokubei (せんどう徳兵衛)

Midorigi (緑木) of the Wakamatsuya (若松屋) writing or composing a poem on a <i>tanzaku</i> - from the series <i>Zensei-hana no Sugata-e</i> (全盛花姿画), <i>volume 9</i> (巻九: <i>maki no kiyū</i>)

1804ca tsukimaro courtesan
Midorigi (緑木) of the Wakamatsuya (若松屋) writing or composing a poem on a tanzaku - from the series Zensei-hana no Sugata-e (全盛花姿画), volume 9 (巻九: maki no kiyū)

Chinese boy feeding a dragon

1808 Shumman surimono dragon f
Chinese boy feeding a dragon

Sawamura Gennosuke I (澤村源之助) as Obiya Chōemon ( 帯や長右衛門)

1809ca Toyokuni I damaged acto
Sawamura Gennosuke I (澤村源之助) as Obiya Chōemon ( 帯や長右衛門)

Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)

1810 Shunko musha-e
Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)

Katsuyama (勝山) of the House of Nakataya (中田屋) from the series <i>Modern Beauties of the Pleasure Quarter in Full Flower</i> (<i>Seirō tōji zensei no kimi</i> - 青楼当時全盛の君)

1810ca Tsukimaro courtesan
Katsuyama (勝山) of the House of Nakataya (中田屋) from the series Modern Beauties of the Pleasure Quarter in Full Flower (Seirō tōji zensei no kimi - 青楼当時全盛の君)

Scene from <i>Botan ni cho itsuka fumibako</i> (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe

1815ca Toyokuni
Scene from Botan ni cho itsuka fumibako (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe

Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play <i>Okuni Iri Soga Nakamura</i> (御国入曽我中村)

1818 Kinisada garden triptych
Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play Okuni Iri Soga Nakamura (御国入曽我中村)

A beautiful woman buffeted by the wind

1820s Eisen bijin
A beautiful woman buffeted by the wind

<i>Shunga</i> with an <i>awabi</i> diver

1820s Hokusai shunga
Shunga with an awabi diver

Six prominent kabuki actors on a winter outing

1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing

Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play <i>Taiheiki chūshin kōshaku</i> [太平記忠臣講釈]

1821 Nagahide diptych
Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play Taiheiki chūshin kōshaku [太平記忠臣講釈]

Nakamura Utaemon III (中村歌右衛門) as Torii Matasuke (鳥井又助) in <i>The Courtesan and Mirror Mountain</i> (<i>Keisei Kagamiyama</i> - けいせい双鏡山) - this is the right panel of a diptych

1821 Yoshikuni
Nakamura Utaemon III (中村歌右衛門) as Torii Matasuke (鳥井又助) in The Courtesan and Mirror Mountain (Keisei Kagamiyama - けいせい双鏡山) - this is the right panel of a diptych

Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)

1822 Hokushu Ebijuro I
Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門)

Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play <i>Benimurasaki Aide Someage</i> ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]

1822ca Hokushu ichikawa ebijur
Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei (市川鰕十郎の唐犬重兵衛) from the play Benimurasaki Aide Someage ('Red and Purple, Rich Dyes of Osaka') [紅紫大坂潤]

"Hiding Eyebrows" (<i>Mayu kakushi</i> - 眉かくし) from the series <i>Mirrors of the Modern Boudoir</i> (<i>Imafū keshō-kagami</i> - 今風化粧鏡)

1823 Kunisada hiding eyebrows
"Hiding Eyebrows" (Mayu kakushi - 眉かくし) from the series Mirrors of the Modern Boudoir (Imafū keshō-kagami - 今風化粧鏡)

Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

1824-5 Kuniyoshi spider
Kamigashi-hime (神我志姫) transformed brigands into spiders then destroyed them

Asahina [朝比奈] trying to separate rice cakes at New Year's

1824ca Toyohiro surimono
Asahina [朝比奈] trying to separate rice cakes at New Year's

Priest having sex with a boy prostitute (<i>kagema</i> - 蔭間) - from <i>Ama no Ukibashi</i> - 'The Floating Bridge of Heaven'

1825c Shigenobu shunga
Priest having sex with a boy prostitute (kagema - 蔭間) - from Ama no Ukibashi - 'The Floating Bridge of Heaven'

Bust portrait of Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play <i>Futatsu Chōchō</i> [双蝶々] (<i>Two Butterflies, Chōgorō and Chōkichi</i>)

1826 Ashiyuki seki sanjuro ii
Bust portrait of Seki Sanjūrō II (關三十郎) as Hanaregoma Chōkichi (放駒長吉) from the play Futatsu Chōchō [双蝶々] (Two Butterflies, Chōgorō and Chōkichi)

Nakamura Utaemon III (三代目中村歌右衛門) as the outlaw Ishikawa Goemon (石川五右衛門)

1826 Yoshikuni
Nakamura Utaemon III (三代目中村歌右衛門) as the outlaw Ishikawa Goemon (石川五右衛門)

Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)

1827-30 Kuniyoshi popular suik
Konkōryū Rishun (混江龍李俊 - Ch. Li Jun) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個) from the first edition

1827-30 Kuniyoshi popular suik
Konseimaō Hanzui (混世魔王樊瑞 - Ch. Fan Rui), the Demon King of Chaos from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個) from the first edition

Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)

1827-30 Kuniyoshi popular suik
Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Zhu Gui, the Dry-Land Crocodile (<i>Kanchikotsuritsu Shuki</i> - 旱地忽律朱貴) from the series from <i>108 Heroes of the Popular Suikoden All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30 Kuniyoshi popular suik
Zhu Gui, the Dry-Land Crocodile (Kanchikotsuritsu Shuki - 旱地忽律朱貴) from the series from 108 Heroes of the Popular Suikoden All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30 Kuniyoshi pupular suik
Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)　

A Scene of Spring Rain (<i>Harusame no kei</i> - 春雨乃景)

1827 Kunisada triptych
A Scene of Spring Rain (Harusame no kei - 春雨乃景)

Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (<i>hyakushō</i>) Jūsaku (百姓重作) from the play <i>Tenmangū aiju no meiboku</i> [天満宮花梅桜松]

1828 Ashiyuki diptych
Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (hyakushō) Jūsaku (百姓重作) from the play Tenmangū aiju no meiboku [天満宮花梅桜松]

The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (<i>Jūichigatsu, hatsuyuki, tori no hi</i> - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (<i>Shin Yoshiwara nenjū gyōji</i> - 新吉原年中行事)

1828 Eisen oiran and peddler
The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (Jūichigatsu, hatsuyuki, tori no hi - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (Shin Yoshiwara nenjū gyōji - 新吉原年中行事)

Two left panels of a triptych - Nakamura Matsue III (中村松江) as the <i>nyōbō</i> Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play <i>Suda no Haru Geisha Katagi</i> (隅田春妓女容性)

1828 Hokucho diptych
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the nyōbō Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play Suda no Haru Geisha Katagi (隅田春妓女容性)

Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play <i>Daigashira Midori no Iromaku</i> ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

1828 Kunihiro diptych
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play Daigashira Midori no Iromaku ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

Izumo no Imaro (出雲伊麿) stabs a <i>wani</i> (sea-monster - 鰐)

1828 Kuniyoshi
Izumo no Imaro (出雲伊麿) stabs a wani (sea-monster - 鰐)

Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (<i>usagi</i> - 卯) from the Zodiac series <i>Zensei matsu no shō, jūni shi</i> ('Makeup of Flourishing Pine Trees' - 全盛松の粧)

1828ca Toyokuni II oiran
Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (usagi - 卯) from the Zodiac series Zensei matsu no shō, jūni shi ('Makeup of Flourishing Pine Trees' - 全盛松の粧)

Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

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