Skip to main content

Login
Register

- Login
- Register

About
Browse
- Objects
  People/Orgs
  Exhibitions

Contact

151 object Results

Add all results to lightbox
Select results to add to lightbox
Sort by:

Identifier

Title

Sort order:

Ascending
Descending

Start Over

person: decade:

Two left panels of a triptych - Nakamura Matsue III (中村松江) as the <i>nyōbō</i> Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play <i>Suda no Haru Geisha Katagi</i> (隅田春妓女容性)

1828 Hokucho diptych
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the nyōbō Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play Suda no Haru Geisha Katagi (隅田春妓女容性)

Triptych of the play <i>Sao no uta Kizugawa hakkei</i> (<i>Song of the boat pole: Eight views of the Kizu River</i> - 棹歌木津川八景)

1829 Hokucho triptych
Triptych of the play Sao no uta Kizugawa hakkei (Song of the boat pole: Eight views of the Kizu River - 棹歌木津川八景)

Triptych of a moonlit scene at a sacred Shintō site from the play <i>Yamatogana Heike monogatari</i> [倭仮名平家物語] - Iwai Hanshirō V (岩井半四郎) on the left as Monomi no Omatsu (物見のお松); Segawa Kikunojō V (瀬川菊之丞) in the center; Matsumoto Kōshirō V (松本幸四郎) on the right

1825c Kunisada moonlight
Triptych of a moonlit scene at a sacred Shintō site from the play Yamatogana Heike monogatari [倭仮名平家物語] - Iwai Hanshirō V (岩井半四郎) on the left as Monomi no Omatsu (物見のお松); Segawa Kikunojō V (瀬川菊之丞) in the center; Matsumoto Kōshirō V (松本幸四郎) on the right

The puppet the <i>bijin</i> is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the <i>otokodate</i> An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 1
The puppet the bijin is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the otokodate An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the <i>otokodate</i> Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 4
The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the otokodate Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Segawa Kikunojō V (瀬川菊之丞) as the thief Hotei no Oichi (布袋のお市) - left panel of a possible triptych

1820c Kuniyasu kikunojo V
Segawa Kikunojō V (瀬川菊之丞) as the thief Hotei no Oichi (布袋のお市) - left panel of a possible triptych

Segawa Kikunojō V (瀬川菊之亟) as the <i>keisei</i> Katsuragi (けいせいかつらき)

1810s Toyokuni tobacco
Segawa Kikunojō V (瀬川菊之亟) as the keisei Katsuragi (けいせいかつらき)

Segawa Kikunojō V (瀬川菊之丞) as an <i>onnagata</i> probably playing Shizuka Gozen with a hand drum covered with the skins of Fox Tadanobu's parents

1846-52c Kunisada II phoenix
Segawa Kikunojō V (瀬川菊之丞) as an onnagata probably playing Shizuka Gozen with a hand drum covered with the skins of Fox Tadanobu's parents

Scene from <i>Shikake-sode Ukina no Kaemon</i> [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right

1825 Kunisada shikake-sode
Scene from Shikake-sode Ukina no Kaemon [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right

Scene from <i>Botan ni cho itsuka fumibako</i> (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe

1815ca Toyokuni
Scene from Botan ni cho itsuka fumibako (牡丹蝶初筐) - Nakamura Daikichi I (中村大吉) on the right as Ohatsu (おはつ), Onoe Kikugorō III (尾上菊五郎) as Iwafuji in the center, and Ichikawa Monnosuke III (市川門之助) on the left as Onoe

Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined <i>onnagata</i> role, a <i>mitate</i> - the right-hand panel of a four panel composition

1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

Sawamura Kunitarō II as Ushiwakamaru on the right and Arashi Kitsusuaburō II (嵐橘三郎) as Kumasaka Chōhan (熊坂長範) in <i>Kachidoki mibae Genji</i> [Victory song of the Genji - 勝鬨莩源氏]

1827 Ashiyuki yoko-e
Sawamura Kunitarō II as Ushiwakamaru on the right and Arashi Kitsusuaburō II (嵐橘三郎) as Kumasaka Chōhan (熊坂長範) in Kachidoki mibae Genji [Victory song of the Genji - 勝鬨莩源氏]

Sawamura Kunitarō II (沢村国太郎) as Shinkurō's wife, Shigarami (新九郎妻しがらみ) on the right, Nakamura Karoku I (中村歌六) as Shokurō tsuma, Kochō (庄九郎妻小蝶) in the center, Fujikawa Tomokichi II (藤川友吉) as Katsugen tsuma (勝元妻なぎさ, Nagisa) on the left, in <i>Keisei Ōmonguchi</i> ('The Great Gate of the Licensed Quarter')

1823 Hokushu Keisei Omonguchi
Sawamura Kunitarō II (沢村国太郎) as Shinkurō's wife, Shigarami (新九郎妻しがらみ) on the right, Nakamura Karoku I (中村歌六) as Shokurō tsuma, Kochō (庄九郎妻小蝶) in the center, Fujikawa Tomokichi II (藤川友吉) as Katsugen tsuma (勝元妻なぎさ, Nagisa) on the left, in Keisei Ōmonguchi ('The Great Gate of the Licensed Quarter')

Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play <i>Yorimasa Nue Monogatari</i> [頼政鵺物語] - early or 1st edition

1822 Hokushu Yorimasa
Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play Yorimasa Nue Monogatari [頼政鵺物語] - early or 1st edition

Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

1821 Hokushu pentaptych
Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue</i>]

1821 Hokushu four actors
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue]

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly</i>]

1821 Hokushu 4 actors 2
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]

Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the <i>otokodate</i> Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 2
Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the otokodate Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play <i>Gunpō Fujimi Saigyō</i> (軍法富士見西行)

1821 Yoshikuni Rikan I
Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play Gunpō Fujimi Saigyō (軍法富士見西行)

Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play <i>Gunpō Fujimi Saigyō</i> (軍法富士見西行)

1821 Yoshikuni Rikan I (a)
Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play Gunpō Fujimi Saigyō (軍法富士見西行)

Onoe Tamizō II (二代目尾上多見蔵) in the lion dance <i>Shakkyō</i> (Stone Bridge) scene from <i>Kokonobake no uchi</i> (A Set of Nine Changes - 九之化之内 - seen in the lower right of the collapsible lantern)

1828ca Shuncho
Onoe Tamizō II (二代目尾上多見蔵) in the lion dance Shakkyō (Stone Bridge) scene from Kokonobake no uchi (A Set of Nine Changes - 九之化之内 - seen in the lower right of the collapsible lantern)

Onoe Tamizō II (二代目尾上多見蔵) in his dressing room mirror

1827 Shunshi Tamizo II
Onoe Tamizō II (二代目尾上多見蔵) in his dressing room mirror

Onoe Tamizō II (尾上多見蔵) as the servant Hyakudohei (奴百?平)

1826 Shunshi Tamizo
Onoe Tamizō II (尾上多見蔵) as the servant Hyakudohei (奴百?平)

Onoe Tamizō II (尾上多見蔵) as Shirai Saijirō (白井才八郎 actually Gonpachi 権八) in <i>Futatsumon kuruwa no nishiki-e</i> (双紋郭錦絵: 'Brocade print of two crests in the pleasure quarters')

1832 Shunshi onoe tamizo ii
Onoe Tamizō II (尾上多見蔵) as Shirai Saijirō (白井才八郎 actually Gonpachi 権八) in Futatsumon kuruwa no nishiki-e (双紋郭錦絵: 'Brocade print of two crests in the pleasure quarters')

Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play <i>Hatsuharu no Kotobuki Iwau Kokonobake</i> 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

1828ca Shunsei Schwaab 114
Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play <i>Hatsuharu no Kotobuki Iwau Kokonobake</i> - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

1828ca Shunsei Schwaab 113
Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play Hatsuharu no Kotobuki Iwau Kokonobake - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

Onoe Kikugorō III (尾上菊五郎) in the role of はんにや床の五郎 (Hannya no Goro?)

1825c Kuniyasu actor
Onoe Kikugorō III (尾上菊五郎) in the role of はんにや床の五郎 (Hannya no Goro?)

Onoe Kikugorō III in seven hit roles - (<i>Onoe Kikugorō Ōatari shichiyaku</i> - 尾上菊五郎大当七役)

1828c Hokushu kikugoro 7 roles
Onoe Kikugorō III in seven hit roles - (Onoe Kikugorō Ōatari shichiyaku - 尾上菊五郎大当七役)

Onoe Kikugorō III [三代目尾上菊五郎] holding an open fan decorated with plum blossoms

1820s Toyokuni II kikugoro A
Onoe Kikugorō III [三代目尾上菊五郎] holding an open fan decorated with plum blossoms

Onoe Kikugorō III (尾上菊五郎) as the ghost of Oiwa in the play <i>Irohagana Yotsuya Kaidan</i> (伊呂波四谷怪談) second state of this print

1826 Hokushu Oiwa
Onoe Kikugorō III (尾上菊五郎) as the ghost of Oiwa in the play Irohagana Yotsuya Kaidan (伊呂波四谷怪談) second state of this print

Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or <i>daiku</i> Rokuzo ( 大工六三) from the play <i>Keisei Date No Kikigaki</i> (けいせい伊達抄) - from an untitled series

1820c Kunisada kikugoro III
Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or daiku Rokuzo ( 大工六三) from the play Keisei Date No Kikigaki (けいせい伊達抄) - from an untitled series

Onoe Kikugorō III (尾上菊五郎) as Shirai Gonpachi (白井権八) emerging from a <i>kago</i> and Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) holding a lantern - from the 'Suzugamori' (鈴ヶ森) scene possibly from the play <i>Banzui Chōbei shojin manaita</i> [幡随長兵衛精進爼板]

1814c Kunisada Storm.jpg
Onoe Kikugorō III (尾上菊五郎) as Shirai Gonpachi (白井権八) emerging from a kago and Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) holding a lantern - from the 'Suzugamori' (鈴ヶ森) scene possibly from the play Banzui Chōbei shojin manaita [幡随長兵衛精進爼板]

Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play <i>Okuni Iri Soga Nakamura</i> (御国入曽我中村)

1818 Kinisada garden triptych
Onoe Kikugorō III (尾上菊五郎) as Izutsuya Denbei (井筒屋伝兵衛) on the left, Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Shirafuji (角力取白藤) in the center and Iwai Hanshirō V (岩井粂三郎) the geisha Oshun (芸者おしゆん) in the play Okuni Iri Soga Nakamura (御国入曽我中村)

Onoe Fujaku III (尾上芙寉) as Miyagi Asojirō [宮木阿曽次郎] in <i>Keisei Tsukushi No Tsumagoto</i> [傾城筑紫爪琴 (?) - けいせいつくしのつまごと]

1828 Shigeharu Fujaku III.jpg
Onoe Fujaku III (尾上芙寉) as Miyagi Asojirō [宮木阿曽次郎] in Keisei Tsukushi No Tsumagoto [傾城筑紫爪琴 (?) - けいせいつくしのつまごと]

Onoe Fujaku III (尾上芙雀) as Minamoto no Yorimasa (源三位頼政) in <i>The Story of Yorimasa and the Nue</i>
(<i>Yorimasa Nue Monogatari</i> [頼政鵺物語])

1828c Shunshi Fujaku III nue
Onoe Fujaku III (尾上芙雀) as Minamoto no Yorimasa (源三位頼政) in The Story of Yorimasa and the Nue (Yorimasa Nue Monogatari [頼政鵺物語])

Onoe Fujaku III (尾上芙雀) as Miki Jūemon (三木十右衛門)

1828c Yoshikuni fujaku III
Onoe Fujaku III (尾上芙雀) as Miki Jūemon (三木十右衛門)

Filter by

object type

person

Akaneya Hanshichi (あかねや半七) (1)

Anonymous / unknown (3)

Arashi Kanō I あらし加納 (1)

Arashi Kichisaburō II (二代目嵐吉三郎: 1/1784 to 12/1820) (1)

Arashi Kitsusaburō I (初代嵐橘三郎: from 1/1821 to 9/26/1821) (10)

Arashi Kitsusaburō II 二代目嵐橘三郎 (9/1822 to 8/1828) (13)

Arashi Koroku IV (四代目嵐小六: from 11/1817 to 11/1826) (12)

medium

color woodblock print (9)

color woodbock print (1)

color woodcut (1)

Japanese color woodblock print (46)

Japanese color woodblock prints (3)

Japanese color woodblock prtin (1)

Japanese woodblock print (73)

Japanese woodblock print with color applied through stencil (1)

Japanese woodblock print with stencil (2)

woodblock print (1)

century

19th century (144)

year

exhibition

Beach Museum of Art: Mike Lyon: Figuring it Out, (4)

© 2020 Lyon Collection