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Ichikawa Monnosuke III (市川門之助) as Akoya (あこや), a mother with her son, played by Onoe Matsusuke III (尾上松助) as Hiroi Yokichi - from the play <i>Ise heishi ume no Mitegura</i> [伊勢平氏額英幣] - right hand panel

1810c Kunisada monnosuke
Ichikawa Monnosuke III (市川門之助) as Akoya (あこや), a mother with her son, played by Onoe Matsusuke III (尾上松助) as Hiroi Yokichi - from the play Ise heishi ume no Mitegura [伊勢平氏額英幣] - right hand panel

Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych

1811c Kunisada sumo
Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych

Onoe Shōroku I (尾上松緑) as the ghost of Princess Osakabe (刑部姫) haunting Hayakawa Takakage on the battlements of Himeji Castle (姫路城) - <i>Osakabe henka Onoe Shōroku</i> (おさかべ変化尾上松緑) - this is the top half of a vertical diptych

1812c Kunisada Baiko
Onoe Shōroku I (尾上松緑) as the ghost of Princess Osakabe (刑部姫) haunting Hayakawa Takakage on the battlements of Himeji Castle (姫路城) - Osakabe henka Onoe Shōroku (おさかべ変化尾上松緑) - this is the top half of a vertical diptych

Onoe Matsusuke II (尾上松助) as Kajiwara Genta Kagesue [梶原源太景季] and the blooming plum branch

1812c Kunisada onoe matsusuke
Onoe Matsusuke II (尾上松助) as Kajiwara Genta Kagesue [梶原源太景季] and the blooming plum branch

Sawamura Sōjūrō IV (沢村宗十郎) and Arashi Shinpei IV (嵐新平) visiting backstage from the series 'Brocade Pictures of the Green Room': <i>Gakuya nishiki-e ni-hen: Jū mai no uchi </i> (楽屋錦絵二編　十枚の内)

1813c Kunisada shojuro hori
Sawamura Sōjūrō IV (沢村宗十郎) and Arashi Shinpei IV (嵐新平) visiting backstage from the series 'Brocade Pictures of the Green Room': Gakuya nishiki-e ni-hen: Jū mai no uchi (楽屋錦絵二編　十枚の内)

Onoe Shōroku I (尾上松緑) and Ichikawa Danjūrō VII in a scene from Shōroku's revival of the story of Princess Osakabe (<i>Matazoro Shōroko Osakabe banashi</i>)

1814 Kunisada princess osakabe
Onoe Shōroku I (尾上松緑) and Ichikawa Danjūrō VII in a scene from Shōroku's revival of the story of Princess Osakabe (Matazoro Shōroko Osakabe banashi)

Onoe Kikugorō III (尾上菊五郎) on the left and Sawamura Tanosuke II (澤村田之助) on the right

1815 Kunisada kikugogo denjuro
Onoe Kikugorō III (尾上菊五郎) on the left and Sawamura Tanosuke II (澤村田之助) on the right

Ichikawa Monnosuke III (市川門之助) in the role of the <i>menoto</i> Jiko? (めのとじこ?) probably from the play <i>Gion Sairei Shinkouki</i> (祇園祭礼信仰記)

1815c Kunisada Kodanosuke
Ichikawa Monnosuke III (市川門之助) in the role of the menoto Jiko? (めのとじこ?) probably from the play Gion Sairei Shinkouki (祇園祭礼信仰記)

Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play <i>Fuwa Nagoya Yuki no Tategasa</i> (不破名護屋雪棹)

1816 Kunisada Bando Mitsugoro
Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play Fuwa Nagoya Yuki no Tategasa (不破名護屋雪棹)

Fan print of a courtesan with her child assistant - the background is the <i>Matsu kiri</i> scene from Act 2 of the <i>Chūshingura</i> with Kakogawa Honzō lopping off a pine branch - a <i>mitate</i> (見立)

1818c Kunisada bijin child
Fan print of a courtesan with her child assistant - the background is the Matsu kiri scene from Act 2 of the Chūshingura with Kakogawa Honzō lopping off a pine branch - a mitate (見立)

Segawa Kikusaburō III (瀬川菊三郎), in the center, surprises an archer, Sawamura Gennosuke II (澤村源之助) on the left, and Ichikawa Danjūrō VII (市川団十郎) on the right

1818c Kunisada tatami sword
Segawa Kikusaburō III (瀬川菊三郎), in the center, surprises an archer, Sawamura Gennosuke II (澤村源之助) on the left, and Ichikawa Danjūrō VII (市川団十郎) on the right

<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

Center panel of <i>A Meeting at Yagurashita</i> (櫓下の会合) from the series <i>A Comparison of Popular Beauties</i> (<i>Ryūkō Bijin Awase</i> - 流行美人合)

1820-56 Kunisada Hachiman Shri
Center panel of A Meeting at Yagurashita (櫓下の会合) from the series A Comparison of Popular Beauties (Ryūkō Bijin Awase - 流行美人合)

Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

1820 Kunisada Danjuro sumo
Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

<i>Bijin</i> playing with cat

1820c Kunisada cat
Bijin playing with cat

Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

1820c Kunisada fighters
Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or <i>daiku</i> Rokuzo ( 大工六三) from the play <i>Keisei Date No Kikigaki</i> (けいせい伊達抄) - from an untitled series

1820c Kunisada kikugoro III
Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or daiku Rokuzo ( 大工六三) from the play Keisei Date No Kikigaki (けいせい伊達抄) - from an untitled series

Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series <i>Kan-So Gundan</i> (漢楚軍談)

1820s Kunisada choryo
Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series Kan-So Gundan (漢楚軍談)

Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play <i>Date Kurabe Okuni Kabuki</i> [伊達競阿国劇場]

1820s Kunisada Danjuro
Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play Date Kurabe Okuni Kabuki [伊達競阿国劇場]

Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series <i>Great Performances: Contemporary Pressed-Cloth Battledores</i> (<i>Tōsei oshi-e hagoita atari kyōgen no uchi</i> - 當世押絵羽子板)

1820s Kunisada mitsugoro battl
Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series Great Performances: Contemporary Pressed-Cloth Battledores (Tōsei oshi-e hagoita atari kyōgen no uchi - 當世押絵羽子板)

Riding in a covered pleasure boat on the First Day of the Cock (<i>Hatsutori no yanebune</i> - 初酉の屋根ふね) - from the series 浮世三奥

1820s Kunisada woman in bar bo
Riding in a covered pleasure boat on the First Day of the Cock (Hatsutori no yanebune - 初酉の屋根ふね) - from the series 浮世三奥

Praying for Rain (<i>Amagoi</i> - 雨乞 ) from the series <i>Modern Beauties as the Seven Komachi</i> (<i>Tōsei bijin Nana Komachi</i> - 当世美人七小町)

1821-22 Kunisada amagoi komach
Praying for Rain (Amagoi - 雨乞 ) from the series Modern Beauties as the Seven Komachi (Tōsei bijin Nana Komachi - 当世美人七小町)

<i>The Clever Type</i> (<i>Rikō sō</i> - りこう相), from the series <i>Thirty-two Physiognomic Types in the Modern World</i> (<i>Tōsei sanjūni sō</i> - 当世三十弐相)

1821 Kunisada clever type
The Clever Type (Rikō sō - りこう相), from the series Thirty-two Physiognomic Types in the Modern World (Tōsei sanjūni sō - 当世三十弐相)

Iwai Kumesaburō II (岩井粂三郎) as the courtesan Takao (高尾) and Segawa Kikunojō V (瀬川菊之丞) as the <i>daimyō</i> Yorikane (頼兼)

1821 Kunisada sendai hagi
Iwai Kumesaburō II (岩井粂三郎) as the courtesan Takao (高尾) and Segawa Kikunojō V (瀬川菊之丞) as the daimyō Yorikane (頼兼)

Woman reading a letter from the series <i>Ukiyo jūroku musashi</i> 'Sixteen Musashi Games of the Floating World' (浮世十六むさし)

1822c Kunisada board game
Woman reading a letter from the series Ukiyo jūroku musashi 'Sixteen Musashi Games of the Floating World' (浮世十六むさし)

Triptych of three beauties on their way to an assignation - the Night Escort (<i>Yoru no okuri</i> 夜の送り)

1822c Kunisada night street
Triptych of three beauties on their way to an assignation - the Night Escort (Yoru no okuri 夜の送り)

The Hour of the Rooster, Sixth Hour of Twilight (<i>Tori no koku, Kure muttsu</i>) - 5 to 7 PM, from the series <i>A Yoshiwara Clock</i> (<i>Yoshiwara tokei nihen - Mitate hakkei</i> - 吉原時計　酉ノ刻　暮六ツ)

1823 Kunisada Clock Bijin
The Hour of the Rooster, Sixth Hour of Twilight (Tori no koku, Kure muttsu) - 5 to 7 PM, from the series A Yoshiwara Clock (Yoshiwara tokei nihen - Mitate hakkei - 吉原時計　酉ノ刻　暮六ツ)

Kamegiku of Manji House (万字屋内亀菊) heating tea over a brazier - from a triptych entitled <i>Winter</i> (Fuyu - 冬) - right-hand panel of a triptych - from the series of 'The Four Seasons' (<i>Shiki no uchi</i> - 四季ノ内)

1823c Kunisada winter fuyu
Kamegiku of Manji House (万字屋内亀菊) heating tea over a brazier - from a triptych entitled Winter (Fuyu - 冬) - right-hand panel of a triptych - from the series of 'The Four Seasons' (Shiki no uchi - 四季ノ内)

Young Geisha/Prostitute: Fukagawa (深川[新子] <i>Fukagawa Shinko</i>) from the series <i>Edo Meisho</i> (Famous Places of Edo - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 1
Young Geisha/Prostitute: Fukagawa (深川[新子] Fukagawa Shinko) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

Serving Girl from a Teahouse: Ryōgoku (<i>Ryōgoku chaya musume</i> - 両国茶屋娘) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-type

1824-25 Kunisada edo meisho 2
Serving Girl from a Teahouse: Ryōgoku (Ryōgoku chaya musume - 両国茶屋娘) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-type

The Style of a Daimyō's Maid: Ueno (上野 <i>Ueno goten fū</i>) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 3
The Style of a Daimyō's Maid: Ueno (上野 Ueno goten fū) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

A High-Ranking Courtesan: New Yoshiwara (Shin-yoshiwara - 新吉原) from the series <i>Famous Places of Edo</i> (Edo meishō - 江戸名所) - <i>surimono</i>-like

1824 Kunisada koban
A High-Ranking Courtesan: New Yoshiwara (Shin-yoshiwara - 新吉原) from the series Famous Places of Edo (Edo meishō - 江戸名所) - surimono-like

Matsumoto Kōshirō V (松本幸四郎) as Fujihachi Gomon, actually (<i>Jitsu wa</i>) Naosuke Gonbei [藤八五もん実は直助権兵へ]

1825 Kunisada seated man moxa
Matsumoto Kōshirō V (松本幸四郎) as Fujihachi Gomon, actually (Jitsu wa) Naosuke Gonbei [藤八五もん実は直助権兵へ]

Scene from <i>Shikake-sode Ukina no Kaemon</i> [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right

1825 Kunisada shikake-sode
Scene from Shikake-sode Ukina no Kaemon [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right

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actor prints (yakusha-e - 役者絵) (61)

Arashi Kichisaburō III (三代目嵐吉三郎 - from 1/1821 to 9/28/1864) (2)

Arashi Shinpei IV (四代目嵐新平 - from 11/1797 to 10/1815) (1)

Ashikaga Yorikane (足利頼兼) (1)

Azumaya Daisuke (東屋大助) (1)

Bandō Hikosaburō V (五代目坂東彦三郎: 3/1856 to 10/1877) (2)

Bandō Mitsugorō III (三代目坂東三津五郎: 11/1799 to 12/1831) (3)

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Japanese woodblock print (134)

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19th century (134)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)

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