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decade:
Chinese children (<i>karako</i>) and an elephant from the Hokusai school - <i>shita-e</i> (preliminary drawing)
1830c Hokusai school hanshita
Chinese children (karako) and an elephant from the Hokusai school - shita-e (preliminary drawing)

Arashi Rikan II (嵐璃寛) as Akogi Heiji (あこぎ平次) from the series <i>Tōsei keshōkagami</i> (当世化粧鏡)
1835 Hokuei rikan II
Arashi Rikan II (嵐璃寛) as Akogi Heiji (あこぎ平次) from the series Tōsei keshōkagami (当世化粧鏡)

Yamatoya Baiga (大和屋梅我) at Chidori no Tamagawa (千鳥の玉川) in Mutsu Province from the series 'Actors with Six Jewel Faces' (<i>Haiyū mutama-gao</i> - 俳優六玉顔)
1832c Kunisada six jewel 1
Yamatoya Baiga (大和屋梅我) at Chidori no Tamagawa (千鳥の玉川) in Mutsu Province from the series 'Actors with Six Jewel Faces' (Haiyū mutama-gao - 俳優六玉顔)

<i>Bijin sorōi</i> (Series of Beauties - 美人そろうい) - three separate <i>aizuri-e</i> in a series
1840-42 Kuniyoshi trip aizurie
Bijin sorōi (Series of Beauties - 美人そろうい) - three separate aizuri-e in a series

Standing <i>bijin</i> tying her <i>koshihimo</i> (腰紐) - with an <i>aizuri-e</i> background
unknown Kunisada bijin aizurie
Standing bijin tying her koshihimo (腰紐) - with an aizuri-e background

Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play <i>Daigashira Midori no Iromaku</i> ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]
1828 Kunihiro diptych
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play Daigashira Midori no Iromaku ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū
1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

Arashi Rikan II (嵐璃寛) as Kagekiyo (景清) -  the right-hand panel of a diptych - scene from the play <i>Keisei Hangonkō</i> [けいせい反魂香] - a <i>mitate</i>
1832 Sadamasu Kagekiyo
Arashi Rikan II (嵐璃寛) as Kagekiyo (景清) - the right-hand panel of a diptych - scene from the play Keisei Hangonkō [けいせい反魂香] - a mitate

Nakamura Utaemon III in the roles of Ariwara no Narihira [在原業平] and Bunya no Yasuhide [文屋康秀]
1833 Shigeharu utaemon III goe
Nakamura Utaemon III in the roles of Ariwara no Narihira [在原業平] and Bunya no Yasuhide [文屋康秀]

Nakamura Shikan II and Nakamura Baika I [中村梅花] as the Six Immortal Poets in the dance play <i>Rokkasen Sugata no Saishiki</i>
1834 Shigeharu 6 poets
Nakamura Shikan II and Nakamura Baika I [中村梅花] as the Six Immortal Poets in the dance play Rokkasen Sugata no Saishiki

Ichikawa Ebizō V (市川海老蔵) as Shōji Tetsuno Ichizō (庄司畷の一三) on the left, Nakamura Utaemon IV (中村歌右衛門) as Asahina Saburo Yoshihide (下り朝ひな三郎義秀) and Iwai Shijaku I (岩井紫若?) as Shiorite (しをりて) on the right - from <i>Asahina shima meguri no ki</i> (朝夷巡島記)
1840s Sadanobu shin kyogen
Ichikawa Ebizō V (市川海老蔵) as Shōji Tetsuno Ichizō (庄司畷の一三) on the left, Nakamura Utaemon IV (中村歌右衛門) as Asahina Saburo Yoshihide (下り朝ひな三郎義秀) and Iwai Shijaku I (岩井紫若?) as Shiorite (しをりて) on the right - from Asahina shima meguri no ki (朝夷巡島記)

Ichikawa Danjūrō VII (市川團十郎) as Yorikane (頼兼実ハ道鉄) - right panel of a diptych
1825-30ca Kunisada Danjuro
Ichikawa Danjūrō VII (市川團十郎) as Yorikane (頼兼実ハ道鉄) - right panel of a diptych

Nakamura Matsue III (中村松江) as the daughter or <i>musume</i> Karaori (娘綾織) on the right, Arashi Rikan II (嵐璃寛) as Mashiba Hisatsugu (真柴久次) in the center, Nakamura Utaemon III (中村歌右衛門) as Ishida no Tsubone (石田ノ局) and Nakamura Umesuke I (中村梅助) as Mashiba Hisaaki (真柴久秋) on the left from the play 'Snow, Moon, Flowers in the Pleasure Quarter' (<i>Keisei Setsugekka</i> [けいせい雪月花])
1830 Ashiyuki matsue iii rikan
Nakamura Matsue III (中村松江) as the daughter or musume Karaori (娘綾織) on the right, Arashi Rikan II (嵐璃寛) as Mashiba Hisatsugu (真柴久次) in the center, Nakamura Utaemon III (中村歌右衛門) as Ishida no Tsubone (石田ノ局) and Nakamura Umesuke I (中村梅助) as Mashiba Hisaaki (真柴久秋) on the left from the play 'Snow, Moon, Flowers in the Pleasure Quarter' (Keisei Setsugekka [けいせい雪月花])

Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i>  (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)
1827-30 Kuniyoshi popular suik
Xuān Zān (Ch. 宣贊), the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Xuan Zan, the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i>  (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸傳濠傑百八人一個)
1827-30 Kuniyoshi shugumba sen
Xuan Zan, the Ugly Son-in-Law (Shūgunba Sensan - 醜郡馬宣贊) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸傳濠傑百八人一個)

Elegant Floral Calendar (<i>Fūryū hana-goyomi</i> -  風流花暦), <i>Nadeshiko</i> (なでしこ - 撫子)
1830c Kunisada elegant calenda
Elegant Floral Calendar (Fūryū hana-goyomi - 風流花暦), Nadeshiko (なでしこ - 撫子)

<i>Kakemono</i> of the courtesan Takao of the Miuraya reading a love letter (?)
1830s Eisen vertical diptych
Kakemono of the courtesan Takao of the Miuraya reading a love letter (?)

Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right
1831 Kuniyoshi Triptych
Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right

Minamoto Ushiwakamaru (源牛若丸) and Musashibō Benkei (武蔵坊弁慶) fighting on Gojō Bridge [五条橋] from the series <i>Mirror of Military Excellence and Fierce Courage</i> (<i>Buei mōyū kagami</i> - 武英猛勇鏡) 
1835 Kuniyoshi Gojo Bridge
Minamoto Ushiwakamaru (源牛若丸) and Musashibō Benkei (武蔵坊弁慶) fighting on Gojō Bridge [五条橋] from the series Mirror of Military Excellence and Fierce Courage (Buei mōyū kagami - 武英猛勇鏡) 

An elegant <i>oiran</i> wearing a winter kimono decorated with a dragon.
1804-13c Shunsen kakemono aizu
An elegant oiran wearing a winter kimono decorated with a dragon.

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems
1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

The courtesan Mayuzumi (黛) from the Sakuragi house (さくらぎや) from the school of Kunisada - one panel of a pentaptych
1830c Hokusai Oiran with Kamur
The courtesan Mayuzumi (黛) from the Sakuragi house (さくらぎや) from the school of Kunisada - one panel of a pentaptych

Procession of women at the Tōshōgū Shrine in Ueno - four panels of a pentaptych
1830c Kunisada tetraptych
Procession of women at the Tōshōgū Shrine in Ueno - four panels of a pentaptych

Oiran and and two assistant trainees from the Kado-Ebiya (角海老屋)
1830c Tominobu oiran and maiko
Oiran and and two assistant trainees from the Kado-Ebiya (角海老屋)

Toyohana (豊花 ) of the Maru-Ebiya (丸海老屋内) from the series <i> Comparisons of Courtesans and Flowers</i> (<i>Keisei hana kurabe</i> - 傾城花競)
1830s Sencho flower.jpg
Toyohana (豊花 ) of the Maru-Ebiya (丸海老屋内) from the series Comparisons of Courtesans and Flowers (Keisei hana kurabe - 傾城花競)

The <i>oiran</i> Ogura from the Owari house (尾張屋内尾倉登) accompanied by two <i>kamuro</i> - from an untitled series
1830s Senchō oiran and kamuro
The oiran Ogura from the Owari house (尾張屋内尾倉登) accompanied by two kamuro - from an untitled series

View of Fukuroi (<i>Fukuroi no zu</i>: 袋井之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 01
View of Fukuroi (Fukuroi no zu: 袋井之図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Mitsuke (<i>Mitsuke no zu</i>: 見附ノ図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 02
View of Mitsuke (Mitsuke no zu: 見附ノ図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Hamamatsu (<i>Hamamatsu no zu</i>: 浜松ノ図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 03
View of Hamamatsu (Hamamatsu no zu: 浜松ノ図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Maisaka (<i>Maisaka no zu</i>: 舞阪ノ図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 04
View of Maisaka (Maisaka no zu: 舞阪ノ図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Arai (<i>Arai no zu</i>: 新井ノ図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 05
View of Arai (Arai no zu: 新井ノ図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Shirasuka (<i>Shirasuka no zu</i>: 白須賀之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 06
View of Shirasuka (Shirasuka no zu: 白須賀之図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Futakawa (<i>Futakawa no zu</i>: 二川之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 07
View of Futakawa (Futakawa no zu: 二川之図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Yoshida (<i>Yoshida no zu</i>: 吉田之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 08
View of Yoshida (Yoshida no zu: 吉田之図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Goyu (<i>Goyu no zu</i>: 御油之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 09
View of Goyu (Goyu no zu: 御油之図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

View of Akasaka (<i>Akasaka no zu</i>: 赤坂ノ図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
1833 Kunisada bijin tokaido 10
View of Akasaka (Akasaka no zu: 赤坂ノ図) from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi: 東海道五十三次之内)

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Beach Museum of Art: Mike Lyon: Figuring it Out, (5)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (3)
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