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51 Object Results
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decade:
Young couple - youth with courtesan
1800-05c Moronobu couple
Young couple - youth with courtesan

<i>Seirō niwaka zensei asobi</i>: <i>Ni no kawari</i> (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')
1791-94 ca Shunzan
Seirō niwaka zensei asobi: Ni no kawari (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')

Sawamura Sojūrō III in the role of a samurai
1790s Shunei sojuro iii
Sawamura Sojūrō III in the role of a samurai

Ariwara Narihira and Ono no Komachi (在原業平と小野小町) from the series <i>Five Colors of Love for the Six Poetic Immortals</i> (<i>Goshiki zome rokkasen</i> - 五色染六歌仙) 
1798 Utamaro couple
Ariwara Narihira and Ono no Komachi (在原業平と小野小町) from the series Five Colors of Love for the Six Poetic Immortals (Goshiki zome rokkasen - 五色染六歌仙) 

Sumō bout between Tanikaze (<i>Nishi Tanikaze</i> 西 谷風) and Onogawa (<i>Azuma Onogawa</i> - 東 小野川)
1790c Shunko tanikaze onogawa
Sumō bout between Tanikaze (Nishi Tanikaze 西 谷風) and Onogawa (Azuma Onogawa - 東 小野川)

Watōnai subduing a tiger
1780-90c Shunei tiger
Watōnai subduing a tiger

Farm wives relaxing (<i>Ikou nōfu</i> - 憩う農婦) from the series <i>Kyōka-iri aiban fūzoku zu</i> (狂歌入間判風俗図)
1795c Utamaro Bijin Farmers
Farm wives relaxing (Ikou nōfu - 憩う農婦) from the series Kyōka-iri aiban fūzoku zu (狂歌入間判風俗図)

The courtesan Kasugano of the Sasaya (笹屋春日野) after a bath from the series <i>Contest of Beauties of the Pleasure Quarters</i> (<i>Kakuchū bijin kurabe</i> - 郭中美人競)
1794 Eisho
The courtesan Kasugano of the Sasaya (笹屋春日野) after a bath from the series Contest of Beauties of the Pleasure Quarters (Kakuchū bijin kurabe - 郭中美人競)

Wakaume (若梅) of the Tamaya (玉屋) in Edo-machi itchōme (江戸町壱丁目), <i>kamuro</i> Mumeno (むめの) and Iroka (いろか)  (<i>Edo-machi itchōme, Tamaya uchi Wakaume Mumeno Iroka</i>)
1793ca Utamaro Wakaume
Wakaume (若梅) of the Tamaya (玉屋) in Edo-machi itchōme (江戸町壱丁目), kamuro Mumeno (むめの) and Iroka (いろか) (Edo-machi itchōme, Tamaya uchi Wakaume Mumeno Iroka)

A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)
1792ca Toyokuni I lucky new ye
A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)

Two <i>bijin</i> walking near a row of decorative lanterns at a festival
1790c Unknown pins 1036
Two bijin walking near a row of decorative lanterns at a festival

Act 8 of the <i>Chūshingura</i> (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho
1790c Shunei outing
Act 8 of the Chūshingura (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho

A courtesan with her <i>kamuro</i> possibly from the Matsubaya
1790c Eisho Pins 894
A courtesan with her kamuro possibly from the Matsubaya

Two <i>bijin</i> on a walk at night holding an <i>odawara</i>-lantern
1790c Eiri pins 913
Two bijin on a walk at night holding an odawara-lantern

Geisha and <i>wakashu</i> at Matsumoto tea house
1790 ca Eishi geisha & wakasha
Geisha and wakashu at Matsumoto tea house

Courtesan seated at a writing desk from the album <i>Spring in the Four Directions</i> (<i>Yomo no haru</i> - 四方の巴流)
1796 Eishi surimono
Courtesan seated at a writing desk from the album Spring in the Four Directions (Yomo no haru - 四方の巴流)

Married man and widow with a smoking set beside them from the series <i>Unraveling the Threads of Desire</i> (<i>Negai no ito-guchi</i> - ねがいの糸口)
1799 Utamaro Unraveling Thread
Married man and widow with a smoking set beside them from the series Unraveling the Threads of Desire (Negai no ito-guchi - ねがいの糸口)

Rape scene (<i>shunga</i>)
1790ca Eiri shunga rape
Rape scene (shunga)

Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych
1790c Toyokuni I oiran and kam
Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych

Yosame Masaki (真崎): <i>Night Rain</i> (夜雨) at Masaki Shrine from the series <i>8 Famous Views of Edo</i> (江戸名所八景)
1795 Choki lake biwa
Yosame Masaki (真崎): Night Rain (夜雨) at Masaki Shrine from the series 8 Famous Views of Edo (江戸名所八景)

Party on the <i>Daifuku</i> (大福) pleasure boat
1796-97 eishi boat triptych
Party on the Daifuku (大福) pleasure boat

A tea house waitress in front of an <i>oyasumi-dokoro</i> (御休所)  at the Sansha Daigongen (三社大権現) shrine
1790c Shunkyoku hashira-e
A tea house waitress in front of an oyasumi-dokoro (御休所) at the Sansha Daigongen (三社大権現) shrine

<i>7 Imaginary Chinese Creatures</i> (<i>shōjō</i>)<i> in a Drunken State</i> (<i>Shichi-nin shōjō zuburoku no zu</i> - 七人猩々酩酊之図) - left panel of a triptych
1798c Utamaro 02
7 Imaginary Chinese Creatures (shōjō) in a Drunken State (Shichi-nin shōjō zuburoku no zu - 七人猩々酩酊之図) - left panel of a triptych

Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series <i>Six Beautiful Flowers of the Gay Quarters</i> (<i>Chaya Bijin Rokkasen</i> - 青楼美人六歌仙)
1795c Eishi kisegawa
Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series Six Beautiful Flowers of the Gay Quarters (Chaya Bijin Rokkasen - 青楼美人六歌仙)

Hinazuru of the Chōjiya (丁子屋雛鶴) from the series <i>Beauties of the Yoshiwara as Six Floral Immortals</i> (<i>Seirō bijin Rokkasen</i> - 青楼美人六花仙)
1795c Eishi 01
Hinazuru of the Chōjiya (丁子屋雛鶴) from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirō bijin Rokkasen - 青楼美人六花仙)

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant
1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura
1790s Choki pins 846
Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura

Upper left panel of a 6 panel piece: <i>On top of and beneath Ryōgoku Bridge </i> (<i>Ryōgokubashi no ue, shita</i> 両国橋  上下)
1798c Utamaro 01
Upper left panel of a 6 panel piece: On top of and beneath Ryōgoku Bridge (Ryōgokubashi no ue, shita 両国橋 上下)

Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych
1790s Toyokuni tsutaya teahous
Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)
1796ca Toyokuni sumo
Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)

The sumō wrestler Takaneyama Sōkichi (高根山宗吉)
1795c Shunei sumo
The sumō wrestler Takaneyama Sōkichi (高根山宗吉)

Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - <i>Yūkaku zendama akudama</i>)
1790c Chōki onis
Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - Yūkaku zendama akudama)

 Sawamura Sōjūrō III (沢村宗十郎) performs a <i>mie</i> possibly in the role of Konomura Ōinosuke [此村大炊之助]
1795c Toyokuni I Otani Oniji I
Sawamura Sōjūrō III (沢村宗十郎) performs a mie possibly in the role of Konomura Ōinosuke [此村大炊之助]

The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - <i>Ōgiya uchi Hanaōgi </i>
1790 Eisui courtesan Beach
The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - Ōgiya uchi Hanaōgi

Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai
1793c Shuntei Yoshitsune
Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai

Segawa Kikunojō III [瀬川菊之丞] as Chōkichi [長吉] in the play <i>Sumida no haru geisha katagi</i> (隅田春妓女容性)
1800c Toyokuni I actor
Segawa Kikunojō III [瀬川菊之丞] as Chōkichi [長吉] in the play Sumida no haru geisha katagi (隅田春妓女容性)

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actor prints (yakusha-e - 役者絵) (8)
Arashi Sampachi I (初代嵐三八: from 11/1782 to 10/1795 and again from 11/1797 to 2/1812) (1)
Ariwara Narihira (在原業平: from 825 to 880) (1)
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Beach Museum of Art: Mike Lyon: Figuring it Out, (1)
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