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1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)

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1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)

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1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

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1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]

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1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]

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1850 Kuniyoshi kumagai
Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play Ichinotani Futaba Gunki

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1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'

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