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93 Object Results

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Nakamura Utaemon III [中村歌右衛門] as the monkey trainer Yojirō (与次郎) from the series Great Performances (<i>Ōatari kyōgen no uchi</i> - 大當狂言之内)

1814c Kunisada Utaemon III
Nakamura Utaemon III [中村歌右衛門] as the monkey trainer Yojirō (与次郎) from the series Great Performances (Ōatari kyōgen no uchi - 大當狂言之内)

Two courtesans seated on a staircase from the series 'Five sets of Women Beautiful as Iris Flowers' (<i>Hana-ayame gonin-zoroi</i> - 英山花あやめ五人揃)

1810s Eizan komachi
Two courtesans seated on a staircase from the series 'Five sets of Women Beautiful as Iris Flowers' (Hana-ayame gonin-zoroi - 英山花あやめ五人揃)

Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)

1810 Shunko musha-e
Tomoe Gozen (巴御前), 12th century warrior mistress of Kiso Yoshinaka, fighting against Onda no Hachirō Moroshige (御田八郎師重)

Nakamura Shikan I (中村芝翫) as a black man or <i>kuronbō</i> (黒んば) carrying a large piece of coral

1819 Toyokuni shikan coral
Nakamura Shikan I (中村芝翫) as a black man or kuronbō (黒んば) carrying a large piece of coral

Watanabe no Tsuna [渡邉綱] struggles with the Ibaraki demon (茨鬼) at Modori Bridge (<i>Ibaraki no oni; Modoribashi Tsuna henge ni au</i> - 戻橋綱逢変化)

1810s Kunisada watanabe oni
Watanabe no Tsuna [渡邉綱] struggles with the Ibaraki demon (茨鬼) at Modori Bridge (Ibaraki no oni; Modoribashi Tsuna henge ni au - 戻橋綱逢変化)

Warrior (<i>musha-e</i>) triptych of Minamoto no Yoritomo at the Battle of Ishibashiyama (源頼朝石橋山合戦之図)

1830s Kiyomine musha-e triptyc
Warrior (musha-e) triptych of Minamoto no Yoritomo at the Battle of Ishibashiyama (源頼朝石橋山合戦之図)

Masumoto Kōshirō V (五代目松本幸四郎) on the left as 藤部伊賀の守 and Ichikawa Danjūrō VII (七代目市川團十郎) as 藤部太郎, two brothers struggling over a precious sword - two panels of a triptych from the play <i>Hana to Fubuki Wagō Taiheiki</i> (花雪和合太平記)

1810c Kuninao snow sword
Masumoto Kōshirō V (五代目松本幸四郎) on the left as 藤部伊賀の守 and Ichikawa Danjūrō VII (七代目市川團十郎) as 藤部太郎, two brothers struggling over a precious sword - two panels of a triptych from the play Hana to Fubuki Wagō Taiheiki (花雪和合太平記)

Two <i>oiran</i>, Inaoka (稲岡) and Shigee (? 茂枝) of the Okamotoya (岡本屋), from the series <i>Seirō bijin awase</i> (青楼美人合)

1810s Eizan yoshiwara double
Two oiran, Inaoka (稲岡) and Shigee (? 茂枝) of the Okamotoya (岡本屋), from the series Seirō bijin awase (青楼美人合)

Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

1814 Kunisada crepe Chushingur
Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

Kano Minshi I (叶みんし) as Okiyo (娘おきよ) and Arashi Kichisaburō II (二代目嵐吉三郎) as Kowari Dennai (小割伝内) in the play <i>Katakiuchi ura no asagiri</i> (<i>Revenge along the Bay in Morning Fog</i>: 敵討浦朝霧)

1815 Shunko Hokushu diptych
Kano Minshi I (叶みんし) as Okiyo (娘おきよ) and Arashi Kichisaburō II (二代目嵐吉三郎) as Kowari Dennai (小割伝内) in the play Katakiuchi ura no asagiri (Revenge along the Bay in Morning Fog: 敵討浦朝霧)

Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right

1816c Kunisada goro
Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right

<i>Surimono</i> parody of the armor-pulling scene, the <i>kusazuribiki</i> [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by <i>bunraku</i> puppets

1815c Eisen surimono
Surimono parody of the armor-pulling scene, the kusazuribiki [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by bunraku puppets

Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych

1811c Kunisada sumo
Kawazu Sukeyasu (河津祐安) and Matano Kagehisa (俣野景久) at the sumō tournament in the presence of Minamoto no Yoritomo - this is the center panel of a triptych

'Spring Poems' (春詠): <i>surimono</i> of votive painting of Asahina pulling the armor of Soga no Gorō

1810s Shuntei soga goro asahin
'Spring Poems' (春詠): surimono of votive painting of Asahina pulling the armor of Soga no Gorō

Yorimitsu (頼光) and his men (Suetake - 末武, Kintoki - 金時 and Sadamitsu - 定光) killing the monster of Oeyama, Shuten-dōji [酒呑童子] - these are the middle and right-hand panels of a triptych

1810c Shuntei monster of Oeyam
Yorimitsu (頼光) and his men (Suetake - 末武, Kintoki - 金時 and Sadamitsu - 定光) killing the monster of Oeyama, Shuten-dōji [酒呑童子] - these are the middle and right-hand panels of a triptych

From an illustrated book on filial piety, the <i>Eiri kōkyō</i> (絵入孝経) by Kitao Masayoshi

1700s Chushingura.jpg
From an illustrated book on filial piety, the Eiri kōkyō (絵入孝経) by Kitao Masayoshi

Onoe Kikugorō III (尾上菊五郎) on the left and Sawamura Tanosuke II (澤村田之助) on the right

1815 Kunisada kikugogo denjuro
Onoe Kikugorō III (尾上菊五郎) on the left and Sawamura Tanosuke II (澤村田之助) on the right

Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

1813 Toyokuni sensoji
Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

The dolphin-like <i>kinshachi</i> (金鯱) atop Nagoya Castle at sunset (or sunrise)

1790-1810c Sori surimono
The dolphin-like kinshachi (金鯱) atop Nagoya Castle at sunset (or sunrise)

Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right

1816 Toyokuni I actor diptychg
Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right

Kintarō (金太郎), carp and tengu diptych

1810ca Shuntei carp
Kintarō (金太郎), carp and tengu diptych

Segawa Rokō IV (瀬川路考) standing with Bandō Mitsugorō III (坂東彦三郎)

1811 Toyokuni I roko iv bando
Segawa Rokō IV (瀬川路考) standing with Bandō Mitsugorō III (坂東彦三郎)

Umbrella monster (<i>kasa-obake</i> 傘おばけ or <i>karakasa-obake</i> から傘おばけ) from the series Seven Changes: Arashi Sangorō III... (<i>Shichi Henge Sangorō</i> - 七変化嵐三五郎)

1815 Toyokuni umbrella monster
Umbrella monster (kasa-obake 傘おばけ or karakasa-obake から傘おばけ) from the series Seven Changes: Arashi Sangorō III... (Shichi Henge Sangorō - 七変化嵐三五郎)

unknown Eizan hashira-e
Yugiri (夕霧) and Izaemon (伊左衛門) hashira-e

1820c Eizan Kakemono
Hashira-e of two elegant courtesans

Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from 'The Nameless Madness of the Nine Transformations'

1818c Toyokuni shikan lotus
Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from 'The Nameless Madness of the Nine Transformations'

Nakamura Shikan I (中村芝寛) as Hotei Ichiemon [布袋市右衛門] in the series <i>Ryūkō Go Karigane</i> or 'Five Fashionable Men from Karigane' (流行五雁金)

1818c Toyokuni Shikan
Nakamura Shikan I (中村芝寛) as Hotei Ichiemon [布袋市右衛門] in the series Ryūkō Go Karigane or 'Five Fashionable Men from Karigane' (流行五雁金)

Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (<i>Hachimai tsuzuki no uchi</i> - 八枚続之内)

1815 Toyokuni utaemon
Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (Hachimai tsuzuki no uchi - 八枚続之内)

Nakamura Shikan I (中村芝翫) as Hanaregoma Chōkichi (放駒長吉) standing before a wooden screen

1815-20 Toyokuni I nakamura
Nakamura Shikan I (中村芝翫) as Hanaregoma Chōkichi (放駒長吉) standing before a wooden screen

Nakamura Utaemon III (中村歌右衛門) in a kabuki role as a figure standing in the snow, holding an umbrella

1811 Toyokuni I Utaemon
Nakamura Utaemon III (中村歌右衛門) in a kabuki role as a figure standing in the snow, holding an umbrella

Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (<i>Horikawa yo uchi</i> - 堀川夜討)

1800-10 Toyokuni I Benkei vs T
Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (Horikawa yo uchi - 堀川夜討)

Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play <i>Meiboku Sendai Hagi</i>

1816 Kunihiro utaemon ebijuro
Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play Meiboku Sendai Hagi

Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play <i>Meiboku Sendai Hagi</i> [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

1816 Ashiyuki diptych
Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play Meiboku Sendai Hagi [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

Sawamura Tanosuke II (沢村田之助) as Yorikane (頼兼) about to slay his mistress Takao (高尾) played by Onoe Matsusuke II (尾上松助) - vertical diptych

1810c Toyokuni Tannosuke II Yo
Sawamura Tanosuke II (沢村田之助) as Yorikane (頼兼) about to slay his mistress Takao (高尾) played by Onoe Matsusuke II (尾上松助) - vertical diptych

Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - <i>onnagata</i> coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

1821 Toyokuni II ladies
Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - onnagata coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play <i>Shin Usuyuki monogatari</i>

1816c Kunihira asao onimaru
Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play Shin Usuyuki monogatari

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