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medium:
Japanese color woodblock print
decade:
1820s
1800s Kunisada parody good for
Mitate
of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)
1810c Toyokuni I Gathering.jpg
The New Plum Estate on the Sumida River or
Sumidagawa shin-Umeyashiki no zu
(隅田川新梅屋敷之図)
1815c Kunisada Genji 39
The beauty Yūgiri (夕きり) in the rain - from the series
Fan-tossing for the Elegant
(
Fūryū tōsenkyō
- 風流投扇興)
1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of
bijin
accompanied by poems
1818ca Toyokuni I surimono
Ichikawa Danjūrō VII (市川団十郎) in
Shibaraku
(暫), with a child in the role of Ebisu and a monkey
1818c Kunisada Actor p985
Mimasu Gennosuke I (三枡源之助) as Ikazuchi Tsurunosuke (雷鶴之助) - left panel of a triptych from the play 'Maples and Deer: The Long Sleeves of the Soga Brothers' (
Momiji ni shika furisode Soga
-紅葉鹿振袖曽我）
1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (
Inu no koku
- 戌ノ刻,
Yoru itsutsu
- 夜五ツ) from the series
Yoshiwara Clock
(
Yoshiwara-tokei
- 吉原時計)
1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内 花扇)
1820-25ca Eisen shunga
A couple locked in an embrace
1820-30 Eisen senju
The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series
Eight Views of the Shin-Yoshiwara
(Shin-Yoshiwara Hakkei - 新吉原八景) -
Returning Sails at San'yabori
(
San'yabori no kihan
- 三谷堀の帰帆)
1820 Yoshikuni Utaemon III
Nakamura Utaemon III (三代目中村歌右衛門) as Katō Masakiyo (加藤清正) in
Hachijin Shugo no Honjō
[八陣守護城]
1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined
onnagata
role, a
mitate
- the right-hand panel of a four panel composition
1820ca Ashiyuki Shikan II
Nakamura Shikan II (中村芝翫) as Kumagai Naozane (熊谷直実) from a production of
Ichinotani Futaba Gunki
(一谷嫩軍記)
1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play
Yamatogana Ariwara Keizu
(倭仮名在原系図) - a
mitate
1820c Kunisada Mother.jpg
Mother and child: Kinryūzan (金竜山) from the series
Eight Views of Edo
(
Edo hakkei no uchi
- 江戸八景ノ内)
1820c Kunisada Oiran.jpg
An oiran from the series
Popular Flute Tunes and Pictures of Women
(
Fūryū chōshi fue: niagari
- 風流調子婦絵: 二上り)
1820c Kunisada Oiran Shoes
An oiran of the Kanayama house (金山屋) about to step into her getas
1820c Toyokuni I wrestlers and
Left panel of a diptych of Minamoto Yorimitsu on horseback watching Ichihara no Kidōmaru (市原野 鬼童丸) being subdued by Watanabe no Tsuna -
Raikō sitennō to Kidōmaru
(頼光主従と鬼童丸)
1820s Kunihiro Utaemon
Nakamura Utaemon III (三代目中村歌右衛門) as Hangaku-jo (半がく女) in
Wada gassen onna maizuru
1820s Kunisada gennosuke
Mimasu Gennosuke I (三枡源之助) in the role of the
sumō
wrestler Izutsu Menosuke (角力取井筒女之助)
1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych
1820s Kunisada winter read
Mizuchaya
(水茶屋) teahouse from the series
Contest of Beauties
(
Bijo kurabe
- 美女競)
1820s Sadakage aizuri-e rooste
Aizuri-e
: the Peasant class (Nō 農) from a series of the four estates
Mitate shinōkōshō
(無名: 見立士農工商)
1820s Tamikuni
Arashi Kitsusaburō II (嵐橘三郎) as Miyagi Asojirō (宮木阿曽次郎) in the play
Shoutsushi Asagao Nikki
(生写朝顔日記)
1821 Hokushu Arashi Kitsusabur
Arashi Kitsusaburō I (嵐橘三郎) as Hyōgonokami Yorimasa (兵庫頭頼政) in the play
Yorimasa Nue Monogatari
(頼政鵺物語) - a memorial print
1821 Hokushu goro omiwa 1
Nakamura Utaemon III (中村歌右衛門) as Kanawa Gorō Imakuni (金輪五郎今国) and Arashi Koroku IV (嵐小六) as Omiwa (おみわ) in
Imoseyama Onna Teikin
[妹背山婦女庭訓 -
Mount Imo and Mount Se:An Exemplary Tale of Womanly
] (state 1)
1821 Hokushu goro omiwa 2
Nakamura Utaemon III (中村歌右衛門) as Kanawa Gorō Imakuni (金輪五郎今国) and Arashi Koroku IV (嵐小六) as Omiwa (おみわ) in
Imoseyama Onna Teikin
[妹背山婦女庭訓 -
Mount Imo and Mount Se:An Exemplary Tale of Womanly
] (state 2)
1821 Hokushu goro omiwa 3
Nakamura Utaemon III (中村歌右衛門) as Kanawa Gorō Imakuni (金輪五郎今国) and Arashi Koroku IV (嵐小六) as Omiwa (おみわ) in
Imoseyama Onna Teikin
[妹背山婦女庭訓 -
Mount Imo and Mount Se:An Exemplary Tale of Womanly
] (state 3)
1821 Hokushu Kitsusaburo I
Arashi Kitsusaburō I (嵐橘三郎) as Sasaki Takatsuna (佐々木高綱) in the play
Ōmi Genji Senjin Yakata
[近江源氏先陣館]
1821 Hokushu pentaptych
Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)
1821 Yoshikuni Rikan I
Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play
Gunpō Fujimi Saigyō
(軍法富士見西行)
1821 Yoshikuni Rikan I (a)
Posthumous portrait of Arashi Rikan I (嵐璃寛) as Kiso Yoshinaka (木曾義仲) riding an ox as seen in the play
Gunpō Fujimi Saigyō
(軍法富士見西行)
1822-24 Eisen moon shadows
The Night Lamp at Akiba (秋葉常夜燈)
1822 Hokushu checker diptych
Asao Yūjirō I (浅尾勇次郎) as Sano Genzaemon (佐野源左衛門) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Miura Arajirō (三浦荒次郎) in the play
Keisei Sano no Funabashi
(傾城佐野の船橋)
1822 Hokushu yellow triptych
Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) on the right; Nakamura Sankō I (中村三光) as keisei (courtesan) Kashiwagi (けいせい柏木) in the middle; Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門) on the left in the play
Oishizuri sakura tanzaku
1822 Hokushu Yorimasa
Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play
Yorimasa Nue Monogatari
[頼政鵺物語] - early or 1st edition
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