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Ichikawa Monnosuke III (市川門之助) as Akoya (あこや), a mother with her son, played by Onoe Matsusuke III (尾上松助) as Hiroi Yokichi - from the play <i>Ise heishi ume no Mitegura</i> [伊勢平氏額英幣] - right hand panel

kunisada-0004
Ichikawa Monnosuke III (市川門之助) as Akoya (あこや), a mother with her son, played by Onoe Matsusuke III (尾上松助) as Hiroi Yokichi - from the play Ise heishi ume no Mitegura [伊勢平氏額英幣] - right hand panel

Iwai Hanshirō V (岩井半四郎) on the right as Gokuin no Osen (極印のお千) and Segawa Kikunojō V (瀬川菊之丞) on the left as Hotei no Oichi (布袋のお市) - two panels of a larger composition

1830c Kuniyasu Oichi
Iwai Hanshirō V (岩井半四郎) on the right as Gokuin no Osen (極印のお千) and Segawa Kikunojō V (瀬川菊之丞) on the left as Hotei no Oichi (布袋のお市) - two panels of a larger composition

Courtesan with umbrella in snow - middle panel of a <i>mitate</i> triptych - title: <i>Gentoku fūsetsu ni Kōmei o tazureru</i> - 玄徳風雪訪孔明 - a parody of Gentoku visiting Kōmei in the snow

1830c Kunisada umbrella snow
Courtesan with umbrella in snow - middle panel of a mitate triptych - title: Gentoku fūsetsu ni Kōmei o tazureru - 玄徳風雪訪孔明 - a parody of Gentoku visiting Kōmei in the snow

Twilight Snow at Mokuboji (<i>Mokuboji bosetsu</i>木母寺暮雪) from the series <i>Eight Views of Edo</i> (<i>Edo hakkei</i> - 江戸八景)

1830c Kunisada sumida snow
Twilight Snow at Mokuboji (Mokuboji bosetsu木母寺暮雪) from the series Eight Views of Edo (Edo hakkei - 江戸八景)

Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the <i>nue</i> (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

Ichikawa Danjūrō VII (市川団十郎) as Matsuwakamaru (松若丸) disguised as a fisherman peasant - probably from the play <i>Sumidagawa hana no goshozome</i> ("The Sumida River Adorned with Cherry Blossoms" -隅田川花御所染) - right-hand panel of a triptych

1830-35 Kunisada boat warrior
Ichikawa Danjūrō VII (市川団十郎) as Matsuwakamaru (松若丸) disguised as a fisherman peasant - probably from the play Sumidagawa hana no goshozome ("The Sumida River Adorned with Cherry Blossoms" -隅田川花御所染) - right-hand panel of a triptych

Onoe Kikugorō III in seven hit roles - (<i>Onoe Kikugorō Ōatari shichiyaku</i> - 尾上菊五郎大当七役)

1828c Hokushu kikugoro 7 roles
Onoe Kikugorō III in seven hit roles - (Onoe Kikugorō Ōatari shichiyaku - 尾上菊五郎大当七役)

The Killing of Ten (Jūban kiri - 十番切): Soga Gorō Tokimune (曽我五郎時宗) and Gosho no Gorōmaru Shigemune (御所五郎丸重宗)

1825c Kunisada goro soga B
The Killing of Ten (Jūban kiri - 十番切): Soga Gorō Tokimune (曽我五郎時宗) and Gosho no Gorōmaru Shigemune (御所五郎丸重宗)

The Killing of Ten (Jūban kiri - 十番切): Soga Gorō Tokimune (曽我五郎時宗) and Gosho no Gorōmaru Shigemune (御所五郎丸重宗)

1825c Kunisada goro soga A.jpg
The Killing of Ten (Jūban kiri - 十番切): Soga Gorō Tokimune (曽我五郎時宗) and Gosho no Gorōmaru Shigemune (御所五郎丸重宗)

Nakamura Utaemon III (中村歌右衛門) as Katō Masakiyo (加藤正清)

1822ca Hokushu Utaemon III Bea
Nakamura Utaemon III (中村歌右衛門) as Katō Masakiyo (加藤正清)

Arashi Kichisaburō II (嵐吉三郎) as Prince Koretaka (惟喬親王) on the right and Nakamura Utaemon III (中村歌右衛門) as Katō Masakiyo (加藤正清) on the left - a <i>mitate</i>

1821 Hokushu double bust
Arashi Kichisaburō II (嵐吉三郎) as Prince Koretaka (惟喬親王) on the right and Nakamura Utaemon III (中村歌右衛門) as Katō Masakiyo (加藤正清) on the left - a mitate

Six prominent kabuki actors on a winter outing

1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing

Picture of Fireworks at Ryōgoku Bridge (<i>Ryōgoku hanabi no zu</i> - 両国花火之図) - lower half of a six panel composition

1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両国花火之図) - lower half of a six panel composition

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

Pentaptych: <i>bijin</i> holding puppets of actors as <i>otokodate</i> - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

Okabe Rokuyata Tadazumi (岡部六弥太忠澄) in combat with Satsuma no Kami Tadanori (薩摩守忠度) near Ichinotani - <i>A Grappling Picture: Satsuma no Kami Tadanori and Okabe Rokuyata Tadazumi </i>[<i>Kumiuchi no zu satsuma kami tadanori okabe rokuyata tadazumi</i>]

1820s Kunisada fight
Okabe Rokuyata Tadazumi (岡部六弥太忠澄) in combat with Satsuma no Kami Tadanori (薩摩守忠度) near Ichinotani - A Grappling Picture: Satsuma no Kami Tadanori and Okabe Rokuyata Tadazumi [Kumiuchi no zu satsuma kami tadanori okabe rokuyata tadazumi]

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

<i>Shunga</i> with an <i>awabi</i> diver

1820s Hokusai shunga
Shunga with an awabi diver

San'enzan Zōjō-ji Temple (<i>San'enzan Zōjō-ji zu</i> - 三園山増上寺図) from the series <i>The Eastern Capital</i> (Tōto - 東都)

1820s Hokuju landscape yoko-e
San'enzan Zōjō-ji Temple (San'enzan Zōjō-ji zu - 三園山増上寺図) from the series The Eastern Capital (Tōto - 東都)

Left panel of a diptych of Minamoto Yorimitsu on horseback watching Ichihara no Kidōmaru (市原野鬼童丸) being subdued by Watanabe no Tsuna - <i>Raikō sitennō to Kidōmaru</i> (頼光主従と鬼童丸)

1820c Toyokuni I wrestlers and
Left panel of a diptych of Minamoto Yorimitsu on horseback watching Ichihara no Kidōmaru (市原野鬼童丸) being subdued by Watanabe no Tsuna - Raikō sitennō to Kidōmaru (頼光主従と鬼童丸)

Bijin looking at the full moon

1820c Kuniyasu pipe moon
Bijin looking at the full moon

Segawa Kikunojō V (瀬川菊之丞) as the thief Hotei no Oichi (布袋のお市) - left panel of a possible triptych

1820c Kuniyasu kikunojo V
Segawa Kikunojō V (瀬川菊之丞) as the thief Hotei no Oichi (布袋のお市) - left panel of a possible triptych

Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

An oiran of the Kanayama house (金山屋) about to step into her getas

1820c Kunisada Oiran Shoes
An oiran of the Kanayama house (金山屋) about to step into her getas

Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

1820c Kunisada fighters
Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

Viewing large peonies

1820c Kunimaru peony garden
Viewing large peonies

<i>Mitate</i> of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)

1820c Eisen procession
Mitate of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)

Nakamura Utaemon III (三代目中村歌右衛門) as Katō Masakiyo (加藤清正) in <i>Hachijin Shugo no Honjō</i> [八陣守護城]

1820 Yoshikuni Utaemon III
Nakamura Utaemon III (三代目中村歌右衛門) as Katō Masakiyo (加藤清正) in Hachijin Shugo no Honjō [八陣守護城]

Keyblock for Fabric Pattern Series - two sides with contemporary proof for a print from the series 'Custom-made for today's tastes - heavy brocade cloth (御誂当世好 - 厚板)

1820 Kunisada keyblock.jpg
Keyblock for Fabric Pattern Series - two sides with contemporary proof for a print from the series 'Custom-made for today's tastes - heavy brocade cloth (御誂当世好 - 厚板)

Backside of keyblock

1820 Kunisada keyblock - back.
Backside of keyblock

Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

1820 Kunisada Danjuro sumo
Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

Nakamura Utaemon III (中村歌右衛門) as Inanoya Hanbei (稲野屋半兵衛) in <i>Koina Hanbei Kuruwa Iroage</i> [小稲半兵廓色揚げ?]

1820 Hokushu utaemon role
Nakamura Utaemon III (中村歌右衛門) as Inanoya Hanbei (稲野屋半兵衛) in Koina Hanbei Kuruwa Iroage [小稲半兵廓色揚げ?]

Rape of a woman by three men

1820 Eizan shunga rape
Rape of a woman by three men

<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

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