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Volume 3 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i>
- 大川仁政録)

1840ca Yoshiume Ookawa ehon 2
Volume 3 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)

Volume 2 of <i>A Record of the Benevolent Government at Ōgawa</i> <br>
(Ōkawa Jinsei-roku- 大川仁政録)

1840ca Yoshiume Ookawa ehon 3
Volume 2 of A Record of the Benevolent Government at Ōgawa
(Ōkawa Jinsei-roku- 大川仁政録)

Taishun 大舜 from the series <i>Twenty Four Paragons of Filial Piety for Children</i> (<i>Nijushi-ko doji kagami</i>: 二十四孝童子鑑)

1840c Kuniyoshi 24 paragons 1
Taishun 大舜 from the series Twenty Four Paragons of Filial Piety for Children (Nijushi-ko doji kagami: 二十四孝童子鑑)

<i>Tanabata</i> (七夕) from the series of the Five Festivals (<i>Go sekku</i> - 五節句), the Seventh Month (文月)

1840c Kuniyoshi windy
Tanabata (七夕) from the series of the Five Festivals (Go sekku - 五節句), the Seventh Month (文月)

A <i>bijin</i> on a small wooden platform during the Tanabata Festival (七夕) - from the series <i>The Five Festivals</i> (<i>Go sekku</i> - 五節句)

1840s Kuniyoshi drum bridge
A bijin on a small wooden platform during the Tanabata Festival (七夕) - from the series The Five Festivals (Go sekku - 五節句)

Volume from <i>Picture Book of the Taiko-ki</i> (<i>Ehon Taikō-ki</i> 絵本太閤記)

1840s Kuniyoshi Taikoki ehon
Volume from Picture Book of the Taiko-ki (Ehon Taikō-ki 絵本太閤記)

No. 2, Takejo, wife of Yamaoka Kakubei (<i>Yamaoka Kakubei no tsuma Takejo</i> 山岡覺平の妻竹女), from the series <i>Biographies of Loyal and Righteous Hearts</i> (<i>Seichu gishin den</i> 誠忠義心傳)

1840s Kuniyoshi weeping bijin
No. 2, Takejo, wife of Yamaoka Kakubei (Yamaoka Kakubei no tsuma Takejo 山岡覺平の妻竹女), from the series Biographies of Loyal and Righteous Hearts (Seichu gishin den 誠忠義心傳)

<i>View of Enoshima and Fuji from Shichirigahama</i> (<i>Shichiri gahama yori Enoshima no tokei</i> - 七里ヶ浜より江の島乃遠景) - center panel of a triptych

1847-52 Kuniyoshi enoshima
View of Enoshima and Fuji from Shichirigahama (Shichiri gahama yori Enoshima no tokei - 七里ヶ浜より江の島乃遠景) - center panel of a triptych

Ken game of Three Countries - <i>Sangoku ken</i> (三国拳)

1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)

Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych

1847-52 Yoshimune kawanakajima
Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych

Woman Holding a Child Before a Daruma Kite - center panel of a triptych of <i>The Five Festivals - Mutsuki</i> (五節句之内睦月)

1847-52c Kuniyoshi daruma kite
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of The Five Festivals - Mutsuki (五節句之内睦月)

Taishun (大舜) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 01
Taishun (大舜) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 02-03
Enshi (剡子) on the left and Kan no Buntei (漢文帝) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 04-05
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 06-07
Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 08-09
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series<i> The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 10-11
Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Kō Teiken (黄廷堅) and Riku Seki (陸績) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 12-13
Kō Teiken (黄廷堅) and Riku Seki (陸績) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Go Mō (呉猛) and Tei Ran (丁蘭) from the series <i> The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 14-15
Go Mō (呉猛) and Tei Ran (丁蘭) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 16-17
Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Kaku Kyo (郭巨) on the left and Kyō Shi (姜詩) on the right from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 18-19
Kaku Kyo (郭巨) on the left and Kyō Shi (姜詩) on the right from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Yu Kinrō and Shu Jushō (朱壽昌) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 20-21
Yu Kinrō and Shu Jushō (朱壽昌) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Ō Shō (王祥) and Mōsō (孟宗) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 22-23
Ō Shō (王祥) and Mōsō (孟宗) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Huang Xiang (Kōkyō: 黄香) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 24
Huang Xiang (Kōkyō: 黄香) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Ohatsu [召仕おはつ] in the center battling Iwafuji [局岩藤] on the left, with the <i>chūrō</i> [中臈] Onoe (中老於の江) on the right

1850 Kunisada kendo practice
Ohatsu [召仕おはつ] in the center battling Iwafuji [局岩藤] on the left, with the chūrō [中臈] Onoe (中老於の江) on the right

Death of Buddha - the <i>'Nehanzō</i> [涅槃像]

1850ca Yoshitora nirvana
Death of Buddha - the 'Nehanzō [涅槃像]

Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych

1850s Kuniyoshi dog fight
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych

Dietary Life Rules (<i>Inshoku yōjō kagami</i> - 飲食養生鑑)

1850s nutrition
Dietary Life Rules (Inshoku yōjō kagami - 飲食養生鑑)

<i>The Defeat of the Mongol Invasion</i> (<i>Mōko zokusen taiji no zu</i> - 蒙古賊舟退治之図)

1850s Yoshitora mongols
The Defeat of the Mongol Invasion (Mōko zokusen taiji no zu - 蒙古賊舟退治之図)

<i>Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans</i> (浅草奥山生人形 - <i>Asakusa Okuyama ikiningyo</i>)

1852-53 Kuniyoshi comic
Now on Show at Okuyama, Asakusa: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans (浅草奥山生人形 - Asakusa Okuyama ikiningyo)

<i>The Ancient Custom of Attacking the Concubine</i> (<i>Ōko uwanari-uchi no zu</i> - 往古うハなり打の図)

1852 Hiroshige housewives batt
The Ancient Custom of Attacking the Concubine (Ōko uwanari-uchi no zu - 往古うハなり打の図)

Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the <i>Miraculous Paintings by Ukiyo Matabei</i> (<i>Ukiyo Matabei meiga kitoku</i> - 浮世又平名画奇特)

1853 Kuniyoshi Matabei
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the Miraculous Paintings by Ukiyo Matabei (Ukiyo Matabei meiga kitoku - 浮世又平名画奇特)

Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the <i>Miraculous Paintings by Ukiyo Matabei</i> (<i>Ukiyo Matabei meiga kitoku</i> - 浮世又平名画奇特)

1853 Kuniyoshi matabei 2
Ichikawa Kodanji IV (市川.小団次) as Iwata Matabei in the Miraculous Paintings by Ukiyo Matabei (Ukiyo Matabei meiga kitoku - 浮世又平名画奇特)

Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1853 Kuniyoshi yabuhara
Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

Yorimitsu tries to capture Hakamadare by destroying his magic (<i>Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su</i> - 破奇術頼光袴垂為搦)

1853 Yoshitsuya serpent
Yorimitsu tries to capture Hakamadare by destroying his magic (Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su - 破奇術頼光袴垂為搦)

Central panel of a triptych of the Naritasan Festival (<i>Naritasan kaichō sankei gunshū no zu</i> - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II

1856 Kunisada naritasan fest
Central panel of a triptych of the Naritasan Festival (Naritasan kaichō sankei gunshū no zu - 成田山開帳参詣群集図) with Ichikawa Kodanji IV, Onoe Kikugorō IV and Bandō Takesaburō II

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