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52 object Results

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Dressed in white in the eight month (<i>Hachigatsu shiromuku</i>): Michiharu (道はる) of the Tsutaya (蔦屋内) from the series <i>Models for Fashion: New Year Designs as Fresh as Young Leaves</i> (<i>Hinagata wakana no hatsu moyō</i> - 雛形若菜の初模様)

1775c Koryusai Cortesan Michih
Dressed in white in the eight month (Hachigatsu shiromuku): Michiharu (道はる) of the Tsutaya (蔦屋内) from the series Models for Fashion: New Year Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyō - 雛形若菜の初模様)

Watōnai subduing a tiger

1780-90c Shunei tiger
Watōnai subduing a tiger

First Archery of the New Year (<i>Yumi hajime</i> - 弓はじめ) from the album <i>Saishiki mitsu no asa</i> (彩色美津朝) or 'Colors of the Triple Dawn'

1780c Kiyonaga archery
First Archery of the New Year (Yumi hajime - 弓はじめ) from the album Saishiki mitsu no asa (彩色美津朝) or 'Colors of the Triple Dawn'

Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

1780s Shuncho near Fuji
Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

Taira no Koremori battling with the demon/woman in <i>Momijigari</i>

1780s Shunsho watanabe oni
Taira no Koremori battling with the demon/woman in Momijigari

The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (<i>Naka no machi no sakura</i> - 仲之町の桜)

1785 Kiyonaga cherry.jpg
The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (Naka no machi no sakura - 仲之町の桜)

Kintarō reading an <i>ehon</i> on the back of a bear accompanied by an <i>oni</i> holding an ax

1789 Kiyonaga kintaro bear.jpg
Kintarō reading an ehon on the back of a bear accompanied by an oni holding an ax

Two <i>bijin</i> on a walk at night holding an <i>odawara</i>-lantern

1790c Eiri pins 913
Two bijin on a walk at night holding an odawara-lantern

Act 8 of the <i>Chūshingura</i> (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho

1790c Shunei outing
Act 8 of the Chūshingura (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant

1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

2 beautiful girls and a monkey dressed up for a New Year's celebration.

1790s Toyokuni I girls and mon
2 beautiful girls and a monkey dressed up for a New Year's celebration.

Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

1790s Toyokuni tsutaya teahous
Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

<i>Seirō niwaka zensei asobi</i>: <i>Ni no kawari</i> (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')

1791-94 ca Shunzan
Seirō niwaka zensei asobi: Ni no kawari (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')

A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)

1792ca Toyokuni I lucky new ye
A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)

Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai

1793c Shuntei Yoshitsune
Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai

Hinazuru of the Chōjiya (丁子屋雛鶴) from the series <i>Beauties of the Yoshiwara as Six Floral Immortals</i> (<i>Seirō bijin Rokkasen</i> - 青楼美人六花仙)

1795c Eishi 01
Hinazuru of the Chōjiya (丁子屋雛鶴) from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirō bijin Rokkasen - 青楼美人六花仙)

Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series <i>Six Beautiful Flowers of the Gay Quarters</i> (<i>Chaya Bijin Rokkasen</i> - 青楼美人六歌仙)

1795c Eishi kisegawa
Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series Six Beautiful Flowers of the Gay Quarters (Chaya Bijin Rokkasen - 青楼美人六歌仙)

The sumō wrestler Takaneyama Sōkichi (高根山宗吉)

1795c Shunei sumo
The sumō wrestler Takaneyama Sōkichi (高根山宗吉)

Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

1795c Utamaro P165
Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)

1800 Toyokuni I
Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)

Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play <i>Keisei byōbu ura</i> (A Courtesan: a folding screen and the seashore) (けいせい屏風浦)

1800 Toyokuni I ichikawa yaozo
Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play Keisei byōbu ura (A Courtesan: a folding screen and the seashore) (けいせい屏風浦)

Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play <i>Keisei byōbu ura</i> ('A Courtesan: a folding screen and the seashore' - けいせい屏風浦)

1800 Toyokuni I ichikawa yaozo
Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play Keisei byōbu ura ('A Courtesan: a folding screen and the seashore' - けいせい屏風浦)

Ichikawa Omezō I [市川男女蔵] as Musashibō Benkei [弁慶] and Ichikawa Yaozō III [市川八百蔵] as Shinchūnagon Tomomori [新中納言知盛] in <i>Yoshitsune Senbon Zakura</i> [義経千本桜]

1800c Toyokuni Omezo Yaozo
Ichikawa Omezō I [市川男女蔵] as Musashibō Benkei [弁慶] and Ichikawa Yaozō III [市川八百蔵] as Shinchūnagon Tomomori [新中納言知盛] in Yoshitsune Senbon Zakura [義経千本桜]

Ichikawa Omezō I as Yanone Gorō [矢の根五郎] in the lower right - the Weaver Maiden and the Ox Herder are in the circle in the upper left

1807 Toyokuni I Omezo
Ichikawa Omezō I as Yanone Gorō [矢の根五郎] in the lower right - the Weaver Maiden and the Ox Herder are in the circle in the upper left

View of the front of the Mieidō [御影堂] Fan Shop - the right-hand panel of a triptych

1808c Toyokuni mieido fan shop
View of the front of the Mieidō [御影堂] Fan Shop - the right-hand panel of a triptych

Parody of the Seven Gods of Good Fortune in the Pleasure Quarters (<i>Seirō mitate</i> - 青楼見立 [<i>Shichifukujin</i> - 七福神]) - left-hand panel of a triptych

1809-11ca Kunisada new year pr
Parody of the Seven Gods of Good Fortune in the Pleasure Quarters (Seirō mitate - 青楼見立 [Shichifukujin - 七福神]) - left-hand panel of a triptych

The New Plum Estate on the Sumida River or <i>Sumidagawa shin-Umeyashiki no zu</i> (隅田川新梅屋敷之図)

1810c Toyokuni I Gathering.jpg
The New Plum Estate on the Sumida River or Sumidagawa shin-Umeyashiki no zu (隅田川新梅屋敷之図)

Fan Kuai (樊噲), feigning drunkenness, storms the dining hall of the emperor's palace by breaking down the door

1810s Shunei Fan Kuai
Fan Kuai (樊噲), feigning drunkenness, storms the dining hall of the emperor's palace by breaking down the door

Onoe Matsusuke II (尾上松助) as Kajiwara Genta Kagesue [梶原源太景季] and the blooming plum branch

1812c Kunisada onoe matsusuke
Onoe Matsusuke II (尾上松助) as Kajiwara Genta Kagesue [梶原源太景季] and the blooming plum branch

Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

1813 Toyokuni sensoji
Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

Sawamura Sōjūrō IV (沢村宗十郎) and Arashi Shinpei IV (嵐新平) visiting backstage from the series 'Brocade Pictures of the Green Room': <i>Gakuya nishiki-e ni-hen: Jū mai no uchi </i> (楽屋錦絵二編　十枚の内)

1813c Kunisada shojuro hori
Sawamura Sōjūrō IV (沢村宗十郎) and Arashi Shinpei IV (嵐新平) visiting backstage from the series 'Brocade Pictures of the Green Room': Gakuya nishiki-e ni-hen: Jū mai no uchi (楽屋錦絵二編　十枚の内)

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図

1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

Mother and child: Kinryūzan (金竜山) from the series <i>Eight Views of Edo</i> (<i>Edo hakkei no uchi</i> - 江戸八景ノ内)

1820c Kunisada Mother.jpg
Mother and child: Kinryūzan (金竜山) from the series Eight Views of Edo (Edo hakkei no uchi - 江戸八景ノ内)

An oiran of the Kanayama house (金山屋) about to step into her getas

1820c Kunisada Oiran Shoes
An oiran of the Kanayama house (金山屋) about to step into her getas

Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series <i>Kan-So Gundan</i> (漢楚軍談)

1820s Kunisada choryo
Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series Kan-So Gundan (漢楚軍談)

Ichikawa Ebizō V (市川海老蔵) as the Shōgun Tarō Yoshikado (将軍太郎良門) and Yamashita Kinsaku III (山下金作) as Hashidate (橋立), wife of Yasumasa (保昌)

1825c Kunisada Ebizo Kinsaku
Ichikawa Ebizō V (市川海老蔵) as the Shōgun Tarō Yoshikado (将軍太郎良門) and Yamashita Kinsaku III (山下金作) as Hashidate (橋立), wife of Yasumasa (保昌)

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actor prints (yakusha-e - 役者絵) (12)

Arashi Shinpei IV (四代目嵐新平 - from 11/1797 to 10/1815) (1)

Ariwara Narihira (在原業平: from 825 to 880) (1)

Ashikaga Yorikane (足利頼兼) (1)

Bandō Mitsugorō III (三代目坂東三津五郎: 11/1799 to 12/1831) (1)

Battle of Coxinga (Kokusenya Kassen - 国性爺合戦) (1)

beautiful woman picture (bijin-ga - 美人画) (12)

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color woodblock print (1)

color woodblock print; oban triptych (1)

Japanese color woodblock print (11)

Japanese woodblock print (31)

Japanese woodblock prints (1)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

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