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Young samurai on horseback

1750s Masanobu horse dandy
Young samurai on horseback

Young man, as the <i>bodhisattva</i> of wisdom, Monju [文殊], sitting astride his vehicle, a lion

1768-70 Harunobu pins 225
Young man, as the bodhisattva of wisdom, Monju [文殊], sitting astride his vehicle, a lion

Hotei fording a river with a young woman on his back

1769 Harunobu Hotei
Hotei fording a river with a young woman on his back

Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

1780s Shuncho near Fuji
Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

Two women reading a love letter - a parody of the Act 7 from the Chūshingura

1790c Eisho pins 879
Two women reading a love letter - a parody of the Act 7 from the Chūshingura

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant

1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Shunga print attributed to Utamaro, but possibly by Shunman

1790s Utamaro shunga
Shunga print attributed to Utamaro, but possibly by Shunman

Hinazuru of the Chōjiya (丁子屋雛鶴) from the series <i>Beauties of the Yoshiwara as Six Floral Immortals</i> (<i>Seirō bijin Rokkasen</i> - 青楼美人六花仙)

1795c Eishi 01
Hinazuru of the Chōjiya (丁子屋雛鶴) from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirō bijin Rokkasen - 青楼美人六花仙)

Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series <i>Six Beautiful Flowers of the Gay Quarters</i> (<i>Chaya Bijin Rokkasen</i> - 青楼美人六歌仙)

1795c Eishi kisegawa
Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series Six Beautiful Flowers of the Gay Quarters (Chaya Bijin Rokkasen - 青楼美人六歌仙)

Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

1795c Utamaro P165
Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

Pleasure boating on the Sumida with a scoop-net (<i>yotsude ami</i> - 四つ手網) - left panel of triptych

1800-01 Utamaro BW
Pleasure boating on the Sumida with a scoop-net (yotsude ami - 四つ手網) - left panel of triptych

Samawura Gennosuke I (澤村源之助) in the role of Miuranosuke Yoshiaki (三浦之介義明) in the play <i>Kamakura sandaiki</i> or <i>Three Generations of Kamakura Shoguns</i> - 鎌倉三代記

1800c Toyokuni kennosuke
Samawura Gennosuke I (澤村源之助) in the role of Miuranosuke Yoshiaki (三浦之介義明) in the play Kamakura sandaiki or Three Generations of Kamakura Shoguns - 鎌倉三代記

Nakayama Tomisaburō I standing next to Matsumoto Koshirō V in the checkered robe, Ichikawa Danjurō VII in makeup and Onoe Eizaburō I seated and holding a scroll - this is the left panel of a triptych entitled <i>Edo shibai sangai no zu</i> ('The 3rd Floor of an Edo Theater' - 江戸芝居三階之図)

1802-03 Toyokuni Kabuki 4
Nakayama Tomisaburō I standing next to Matsumoto Koshirō V in the checkered robe, Ichikawa Danjurō VII in makeup and Onoe Eizaburō I seated and holding a scroll - this is the left panel of a triptych entitled Edo shibai sangai no zu ('The 3rd Floor of an Edo Theater' - 江戸芝居三階之図)

Representations of the Eight Legendary Chinese Wizards or <i>Fūryū hachi sennin</i> (風流八仙人)

1804c Kuninaga doll festival
Representations of the Eight Legendary Chinese Wizards or Fūryū hachi sennin (風流八仙人)

Mutsu Province (陸奥) from the series <i>Fashionable Six Jewel Rivers </i> (<i>Fūryū Mu Tamagawa</i> - 風流六玉川) - one panel of a hexaptych

1804c Utamaro mutsu
Mutsu Province (陸奥) from the series Fashionable Six Jewel Rivers (Fūryū Mu Tamagawa - 風流六玉川) - one panel of a hexaptych

Ichikawa Omezō I as Yanone Gorō [矢の根五郎] in the lower right - the Weaver Maiden and the Ox Herder are in the circle in the upper left

1807 Toyokuni I Omezo
Ichikawa Omezō I as Yanone Gorō [矢の根五郎] in the lower right - the Weaver Maiden and the Ox Herder are in the circle in the upper left

Actors Viewed As Though in a Revenge Drama (<i>Yakusha mitate kataki-uchi</i> - 役者見立敵討)

1808 Shuntei actors at enoshim
Actors Viewed As Though in a Revenge Drama (Yakusha mitate kataki-uchi - 役者見立敵討)

Fan print of a courtesan with her child assistant - the background is the <i>Matsu kiri</i> scene from Act 2 of the <i>Chūshingura</i> with Kakogawa Honzō lopping off a pine branch - a <i>mitate</i> (見立)

1818c Kunisada bijin child
Fan print of a courtesan with her child assistant - the background is the Matsu kiri scene from Act 2 of the Chūshingura with Kakogawa Honzō lopping off a pine branch - a mitate (見立)

<i>Mitate</i> of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)

1820c Eisen procession
Mitate of a daimyō procession [大名行列] along the bank of the Sumida River (隅田川) for cherry blossom viewing (花見)

Bijin looking at the full moon

1820c Kuniyasu pipe moon
Bijin looking at the full moon

Segawa Kikunojō V (瀬川菊之丞) in the role of a <i>Nuno-zarashi</i> (布ざらし) dancer from the series <i>The Moon, Snow and Flowers </i>(<i>Tsuki, Yuki, Hana, Shosa-goto No Uchi</i> - 月雪花所作事の内)

1820c Toyokuni Kikunojo V
Segawa Kikunojō V (瀬川菊之丞) in the role of a Nuno-zarashi (布ざらし) dancer from the series The Moon, Snow and Flowers (Tsuki, Yuki, Hana, Shosa-goto No Uchi - 月雪花所作事の内)

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

Fuchū (府中): Sonohama (園浜) of the Owariya (尾張屋内) from the series <i>A Tōkaidō Board Game of Courtesans: Fifty-three Pairings in the Yoshiwara</i> (Keisei dōchū sugoroku/Mitate Yoshiwara gojūsan tsui [no uchi] - 契情道中双六見立よしはら五十三対)

1821-23 Eisen sonohoma
Fuchū (府中): Sonohama (園浜) of the Owariya (尾張屋内) from the series A Tōkaidō Board Game of Courtesans: Fifty-three Pairings in the Yoshiwara (Keisei dōchū sugoroku/Mitate Yoshiwara gojūsan tsui [no uchi] - 契情道中双六見立よしはら五十三対)

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly</i>]

1821 Hokushu 4 actors 2
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue</i>]

1821 Hokushu four actors
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue]

The Hour of the Rooster, Sixth Hour of Twilight (<i>Tori no koku, Kure muttsu</i>) - 5 to 7 PM, from the series <i>A Yoshiwara Clock</i> (<i>Yoshiwara tokei nihen - Mitate hakkei</i> - 吉原時計　酉ノ刻　暮六ツ)

1823 Kunisada Clock Bijin
The Hour of the Rooster, Sixth Hour of Twilight (Tori no koku, Kure muttsu) - 5 to 7 PM, from the series A Yoshiwara Clock (Yoshiwara tokei nihen - Mitate hakkei - 吉原時計　酉ノ刻　暮六ツ)

The Sign of the Hare (卯) from the series <i>Elegant Women Likened to the Twelve Animals of the Zodiac</i> (<i>Fūryū azuma sugata jūnishi</i> - 風流東姿十二支)

1825c Toyokuni II hare
The Sign of the Hare (卯) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma sugata jūnishi - 風流東姿十二支)

THE PUPPET THE <i>BIJIN</i> IS HOLDING IS IN THE FORM OF ONOE KIKUGORŌ III (尾上菊五郎) AS GOKUIN SEN'EMON (極印千右衞門) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1827ca Kuniyasu bunraku 4
THE PUPPET THE BIJIN IS HOLDING IS IN THE FORM OF ONOE KIKUGORŌ III (尾上菊五郎) AS GOKUIN SEN'EMON (極印千右衞門) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play <i>Hatsuharu no Kotobuki Iwau Kokonobake</i> - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

1828ca Shunsei Schwaab 113
Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play Hatsuharu no Kotobuki Iwau Kokonobake - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play <i>Hatsuharu no Kotobuki Iwau Kokonobake</i> 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

1828ca Shunsei Schwaab 114
Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

Onoe Tamizō II as a night watchman and as a Chinese princess

1828ca Shunshi Schwaab 115
Gatōken Shunshi (画登軒春芝) of Onoe Tamizō II (尾上多見蔵) as both a night watchman and a Celestial princess from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Set of Nine Changes - 九之化之内)

The Sign of the Dragon (辰) from the series <i>Elegant Women Likened to the Twelve Animals of the Zodiac</i> (<i>Fūryū azuma sugata jūnishi</i> - 風流東姿十二支)

1828c Toyokuni II beauty drago
The Sign of the Dragon (辰) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma sugata jūnishi - 風流東姿十二支)

The Ram (Hitsuji - 未) from the series <i>Elegant Women Likened to the Twelve Animals of the Zodiac</i> (<i>Fūryū azuma-sugata jūnishi</i> - 風流東姿十二支) - the eighth sign

1828c Toyokuni II goat zodiac
The Ram (Hitsuji - 未) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma-sugata jūnishi - 風流東姿十二支) - the eighth sign

Taishun (大舜) cultivating the land with the help of an elephant - from the series <i>24 Paragons of Filial Piety</i> (廿四孝ノ内)

1829 Shigeharu taishun
Taishun (大舜) cultivating the land with the help of an elephant - from the series 24 Paragons of Filial Piety (廿四孝ノ内)

Bijin trimming a plum branch - (<i>Mitate Mushi</i> / Snake [<i>Mi</i>] 見立虫　巳　ふしのうちはさみむし - <i>fushi no uchi hasami mushi</i>)

1830ca Sadakage bijin trimming
Bijin trimming a plum branch - (Mitate Mushi / Snake [Mi] 見立虫　巳　ふしのうちはさみむし - fushi no uchi hasami mushi)

Procession of women at the Tōshōgū Shrine in Ueno - four panels of a pentaptych

1830c Kunisada tetraptych
Procession of women at the Tōshōgū Shrine in Ueno - four panels of a pentaptych

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actor prints (yakusha-e - 役者絵) (27)

Arashi Kichisaburō III (三代目嵐吉三郎 - from 1/1821 to 9/28/1864) (1)

Arashi Koroku IV (四代目嵐小六: from 11/1817 to 11/1826) (2)

Arashi Rikan II (二代目嵐璃寛: 9/1828 - 6/1837) (3)

Ariwara Narihira (在原業平: from 825 to 880) (1)

Bandō Hikasaburō V (五代目坂東彦三郎: from 3/1856 to October 1877) (1)

Bandō Hikosaburō V (五代目坂東彦三郎: 3/1856 to 10/1877) (2)

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Japanese woodblock print (92)

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18th century (9)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)

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