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<i>Kappazuri-e</i>: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助);  a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role
1806ca Ryukosai hextaptych
Kappazuri-e: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

Bandō Mitsugorō III (坂東三津五郎) as an  Edo magician (手妻江戸蔵) - performing the linking rings as 金は打
1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)
1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

Pentaptych: <i>bijin</i> holding puppets of actors as <i>otokodate</i> - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)
1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

From the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個): Seishushosei Shōjō (聖手書生蕭讓) above Shinkōtaiho Taisō (神行太保戴宗)
1825 Kuniyoshi kakemono-e suik
From the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個): Seishushosei Shōjō (聖手書生蕭讓) above Shinkōtaiho Taisō (神行太保戴宗)

Nakamura Utaemon III (中村歌右衛門) as a black man or <i>kuronbō</i> (黒んばう) in Western clothes carrying  coral - <i>Dance of the 9 Changes</i> (<i>Kokonobake no uchi</i> - 九変化ノ内) - from the play <i>Yosete Aratani Kokonobake</i> (日本新玉九尾化)
1830 Yoshikuni
Nakamura Utaemon III (中村歌右衛門) as a black man or kuronbō (黒んばう) in Western clothes carrying coral - Dance of the 9 Changes (Kokonobake no uchi - 九変化ノ内) - from the play Yosete Aratani Kokonobake (日本新玉九尾化)

Iwai Shijaku I (岩井紫若) as Ohatsu (おはつ) in the play <i>Tsugiawase Koshiji no Meiboku</i> [接合北国梅]
1834 Hokusei Tohonan
Iwai Shijaku I (岩井紫若) as Ohatsu (おはつ) in the play Tsugiawase Koshiji no Meiboku [接合北国梅]

Number Three: In the Shade of a Tree (<i>San konoshitakage</i> - 三  木下蔭) from the series <i>Famous Horses</i> (<i>Meiba zoroe</i> - 名馬揃)
1834 Shigenobu II
Number Three: In the Shade of a Tree (San konoshitakage - 三 木下蔭) from the series Famous Horses (Meiba zoroe - 名馬揃)

Nakamura Utaemon IV as Ōtaka Tonomo (大高主殿) biting on a cloth as he performs ritual <i>seppuku</i> and Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵)
1848 Kuniyoshi double bust
Nakamura Utaemon IV as Ōtaka Tonomo (大高主殿) biting on a cloth as he performs ritual seppuku and Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵)

The Flute -  Matsumoto Kinshō I as Sumiyoshi no reijin Fujitarō (住吉の住人富士太郎) on the left, Nakamura Utaemon IV as Asama Saemon (浅間左エ門) in the center, and Onoe Baikō IV [尾上梅幸] as Umegae (梅ヶ枝) on the right from the play <i>Fukujukai Muryō Denki</i> (福聚海駒量伝記)
1850 Kuniyoshi Diptych Cherry
The Flute - Matsumoto Kinshō I as Sumiyoshi no reijin Fujitarō (住吉の住人富士太郎) on the left, Nakamura Utaemon IV as Asama Saemon (浅間左エ門) in the center, and Onoe Baikō IV [尾上梅幸] as Umegae (梅ヶ枝) on the right from the play Fukujukai Muryō Denki (福聚海駒量伝記)

Kataoka Gadō II as Taga no Taishu (多賀大守) on the right and Onoe Tamizō II as Torii Matasuke (鳥井又助)  in the play <i>Kagamiyama Sugata no Utsushie</i> (加賀見山姿写絵)
1852 Hirosada diptych
Kataoka Gadō II as Taga no Taishu (多賀大守) on the right and Onoe Tamizō II as Torii Matasuke (鳥井又助) in the play Kagamiyama Sugata no Utsushie (加賀見山姿写絵)

At the Battle of Takadachi in Ōshū Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (<i>Bunji sannen Ōshū Takadachi kassen Koromogawa yori hakuryū ten e noboru</i>
 - 文治三年奥州高館合戦自衣川白竜昇天)
1857 Yoshitsuya Triptych Drago
At the Battle of Takadachi in Ōshū Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ōshū Takadachi kassen Koromogawa yori hakuryū ten e noboru - 文治三年奥州高館合戦自衣川白竜昇天)

At Hell Valley on Mount Tate in Etchū Province, Nikushi Dōjin demonstrates a battle of frogs and teaches magic to the two comrades Yoshikado and Iga Ju (<i>Etchū Tateyama no Jigokudani ni Nikushi Dōjin kawazu kassen no ki o arawashi Yoshikado Iga Ju no ryōyū</i>)
1864 Yoshitora triptych
At Hell Valley on Mount Tate in Etchū Province, Nikushi Dōjin demonstrates a battle of frogs and teaches magic to the two comrades Yoshikado and Iga Ju (Etchū Tateyama no Jigokudani ni Nikushi Dōjin kawazu kassen no ki o arawashi Yoshikado Iga Ju no ryōyū)

Crows flying at sunrise
1887 Zeshin
Crows flying at sunrise

Black pine under snow, large-billed crows - from <i>Keinen kachō gafu</i> ('Album of Bird-and-Flower Pictures by Keinan' - 景年花鳥画譜)
1891 Imao Keinen crows
Black pine under snow, large-billed crows - from Keinen kachō gafu ('Album of Bird-and-Flower Pictures by Keinan' - 景年花鳥画譜)

Ichikawa Danjūrō IX (市川 團十郞) as Ōkubo Hikozaemon (大久保 彦左衛門) from the series <i>Sanshō awase sugata</i> (三升合姿)
1893 Toshihide
Ichikawa Danjūrō IX (市川 團十郞) as Ōkubo Hikozaemon (大久保 彦左衛門) from the series Sanshō awase sugata (三升合姿)

Dog (犬 Inu)
1931 Benji Asada Dog
Dog (犬 Inu)

<i>Nanbanesque</i> Behavior [南蛮ぶり]
1945 Kawakami nanbanesque
Nanbanesque Behavior [南蛮ぶり]

<i>Mikake wa koi-i tonda iku hitoda</i> (みかけはこわいがとんだいい人だ) "Looks Fierce But is Really Nice" from the series <i>Men Join to Form a Man</i> - a modern printing from the key block or <i>tameshizuri-e</i>
import 1847-48 Kuniyoshi later
Mikake wa koi-i tonda iku hitoda (みかけはこわいがとんだいい人だ) "Looks Fierce But is Really Nice" from the series Men Join to Form a Man - a modern printing from the key block or tameshizuri-e

Stories of Chivalrous People of Loyalty and Courage (<i>Kyōkaku giyūden</i> - 俠客義勇傅) - <i>Hotei Ichiemon</i>  (布袋市右衛門)
Kuniyoshi Kyokako Guiyoden no2
Stories of Chivalrous People of Loyalty and Courage (Kyōkaku giyūden - 俠客義勇傅) - Hotei Ichiemon (布袋市右衛門)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)
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