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The hero Hakujitsuso Hakushō (白日鼠白勝), Daylight Rat, fighting a giant rooster, from the series <i>Mirror of Heroes of the Shuihuzhuan</i> (<i>Suikoden gōketsu kagami</i> - 水滸傳豪傑鏡)

1830c Yoshiharu suikoden roost
The hero Hakujitsuso Hakushō (白日鼠白勝), Daylight Rat, fighting a giant rooster, from the series Mirror of Heroes of the Shuihuzhuan (Suikoden gōketsu kagami - 水滸傳豪傑鏡)

Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

1840s Kuniyoshi hag lonely hou
Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play <i>Hana no yuki Takeda no kachidoki</i> (花眺雪武田勝凱)

1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)

Arashi Rikan III (嵐璃寛) as Hanaregoma no Chōkichi (放駒乃長吉) - right panel of a triptych

1847-52 Kunisada actor 2954
Arashi Rikan III (嵐璃寛) as Hanaregoma no Chōkichi (放駒乃長吉) - right panel of a triptych

Imaginary performance (a <i>mitate</i>): actors as Sadatō's wife (<i>tsuma</i>) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant

1847-52 Kunisada actors animal
Imaginary performance (a mitate): actors as Sadatō's wife (tsuma) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant

An Old Picture of an Up-to-Date Teruuji at the Old Temple (<i>Imayō Teruuji kodera no kozu</i> - 今様輝氏古寺之古図) - a Rustic Genji theme

1847-52 Kuniyoshi Genji at tem
An Old Picture of an Up-to-Date Teruuji at the Old Temple (Imayō Teruuji kodera no kozu - 今様輝氏古寺之古図) - a Rustic Genji theme

The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (<i>Mu Tamagawa</i> - 六玉川)

1847 Kuniyoshi beating cloth
The Cloth-fulling Jewel River in Settsu Province (Settsu no kuni Tōi no Tamagawa - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (Mu Tamagawa - 六玉川) 　

Double portrait of Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuōmaru (舎人松王丸) on the right and Ichikawa Gangyoku I (市川眼玉) as Shundō Genba (春藤玄蕃) on the left from an untitled series of paired actors on poem slips (<i>tanzaku</i>)

1848c Kunisada tanzaku 1
Double portrait of Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuōmaru (舎人松王丸) on the right and Ichikawa Gangyoku I (市川眼玉) as Shundō Genba (春藤玄蕃) on the left from an untitled series of paired actors on poem slips (tanzaku)

Two actors from an untitled series of paired actors on poem slips (<i>tanzaku</i>)

1848c Kunisada tanzaku 2
Two actors from an untitled series of paired actors on poem slips (tanzaku)

Bandō Shūka I (坂東しうか) as Seigen ama (清玄尼) and Nakayama Bungorō II (中山文五郎) as the yakko Yodohira (奴淀平) from an untitled series of paired actors on poem slips (<i>tanzaku</i>)

1848c Kunisada tanzaku 3
Bandō Shūka I (坂東しうか) as Seigen ama (清玄尼) and Nakayama Bungorō II (中山文五郎) as the yakko Yodohira (奴淀平) from an untitled series of paired actors on poem slips (tanzaku)

Naritayama Fudō Myōō (成田山不動明王) is flanked by his attendants, Kongara Dōji (l矜迦羅童子) on the left and Seitaka Dōji (制吒迦童子) on the right as he rescues Hiranoya Tokubei (平のや徳兵衛), later Honchōmaru Tsunagorō (本朝丸綱五郎), from the sea - from the play <i>Genji moyō furisode hinagata</i> (源氏模様娘雛形)

1850-53 Kunisada Raiden
Naritayama Fudō Myōō (成田山不動明王) is flanked by his attendants, Kongara Dōji (l矜迦羅童子) on the left and Seitaka Dōji (制吒迦童子) on the right as he rescues Hiranoya Tokubei (平のや徳兵衛), later Honchōmaru Tsunagorō (本朝丸綱五郎), from the sea - from the play Genji moyō furisode hinagata (源氏模様娘雛形)

Morita Kan'ya XI as Shihei-Kō (時平公) with Arashi Rikaku II as Matsuomaru (松王丸) on the right and Seki Sanjurō III as Umeōmaru (梅王丸) with Onoe Kikujirō II as Sakuramaru (桜丸) on the left in the <i>Kuruma biki</i> or 'Pulling the carriage apart' scene

1850 Kunisada actor diptych
Morita Kan'ya XI as Shihei-Kō (時平公) with Arashi Rikaku II as Matsuomaru (松王丸) on the right and Seki Sanjurō III as Umeōmaru (梅王丸) with Onoe Kikujirō II as Sakuramaru (桜丸) on the left in the Kuruma biki or 'Pulling the carriage apart' scene

Nakamura Fukusuke I (中村福助) as Danshichi Kurobei (團七九郎兵衛) from the series <i>Matches for Thirty-six Selected Poems </i>(<i>Mitate sanjūrokkusen</i> - 見立三十六句撰) - the inset at the upper left is by Miyagi Gengyo

1850 Kunisada danshichi
Nakamura Fukusuke I (中村福助) as Danshichi Kurobei (團七九郎兵衛) from the series Matches for Thirty-six Selected Poems (Mitate sanjūrokkusen - 見立三十六句撰) - the inset at the upper left is by Miyagi Gengyo　　

Shunga of woman stroking a man's penis

1850ca Kunisada shunga
Shunga of woman stroking a man's penis

Shunga - black background

1850ca Kunisada shunga black back
Shunga - black background

Shunga blue background

1850ca Kunisada shunga blue back
Shunga blue background

<i>Favorite Customs of the Present Day</i> [<i>Tōsei fūzoku kō</i> - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel

1850c Kuniyoshi Aizuri-e.jpeg
Favorite Customs of the Present Day [Tōsei fūzoku kō - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel

Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a <i>shikake-e</i> or 'mechanical print'

1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'

Dietary Life Rules (<i>Inshoku yōjō kagami</i> - 飲食養生鑑)

1850s nutrition
Dietary Life Rules (Inshoku yōjō kagami - 飲食養生鑑)

Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play <i>Shinpan Koshi no Shiranami</i> (新板越白浪 ) performed with <i>Genji moyō furisode hinagata</i> (源氏模様娘雛形)

1851 Kuniyoshi Bando Shuka
Bandō Shūka I (坂東しうか) as Kijin no Omatsu (鬼神おまつ), the Demon God, and Ichikawa Danjurō VIII (市川団十郎) as Natsume Shirōsaburō (夏目四郎三郎) holding their child - from the play Shinpan Koshi no Shiranami (新板越白浪 ) performed with Genji moyō furisode hinagata (源氏模様娘雛形)

Last Stand of Heroic Samurai of the Kusunoki Clan at Shijō-nawate (<i>Kusunoki-ke yushi Shijō-nawate nite uchijini </i>- 楠家勇士四條縄手にて討死)

1851 Kuniyoshi last stand
Last Stand of Heroic Samurai of the Kusunoki Clan at Shijō-nawate (Kusunoki-ke yushi Shijō-nawate nite uchijini - 楠家勇士四條縄手にて討死)

Onoe Kikugorō III (尾上菊五郎) as the ghost of Yasukata (<i>Yasukata no bōrei</i> - 安方ノ亡霊) from the series <i>Comparisons for Thirty-six Selected Poems</i> (<i>Mitate sanjūrokkasen no uchi</i> - 見立三十六歌撰之内)

1852-53 Kunisada 36 poets no 1
Onoe Kikugorō III (尾上菊五郎) as the ghost of Yasukata (Yasukata no bōrei - 安方ノ亡霊) from the series Comparisons for Thirty-six Selected Poems (Mitate sanjūrokkasen no uchi - 見立三十六歌撰之内)

<i>The Ancient Custom of Attacking the Concubine</i> (<i>Ōko uwanari-uchi no zu</i> - 往古うハなり打の図)

1852 Hiroshige housewives batt
The Ancient Custom of Attacking the Concubine (Ōko uwanari-uchi no zu - 往古うハなり打の図)

Ichikawa Ebizō V as the Mystical Image (<i>Reizō</i> - 霊像) of Fudō Myōō (不動明王), Ichikawa Saruzō I as Kongara dōji (矜迦羅童子), and Ichikawa Komazō VII as Seitaka dōji (制吒迦童子), No. 9 (九) from the series <i>Eighteen Great Kabuki Plays</i> (Jūhachiban no uchi -十八番の内)

1852 Kunisada fudo kongoro
Ichikawa Ebizō V as the Mystical Image (Reizō - 霊像) of Fudō Myōō (不動明王), Ichikawa Saruzō I as Kongara dōji (矜迦羅童子), and Ichikawa Komazō VII as Seitaka dōji (制吒迦童子), No. 9 (九) from the series Eighteen Great Kabuki Plays (Jūhachiban no uchi -十八番の内)

Nakamura Fukusuke I (中村福助) as Jūjō Rikijirō (十條力二郎) from the series <i>The Book of the Eight Dog Heroes</i> (<i>Hakkenden inu no sōshi no uchi</i> - 八犬傳犬の草紙の内)

1852 Kunisada II Hat Warrior
Nakamura Fukusuke I (中村福助) as Jūjō Rikijirō (十條力二郎) from the series The Book of the Eight Dog Heroes (Hakkenden inu no sōshi no uchi - 八犬傳犬の草紙の内)　　

Ichikawa Danzō VI (市川団蔵) as Jūjō Shakuhachirō (十條尺八郎) from the series <i>The Book of the Eight Dog Heroes</i> (<i>Hakkenden inu no sōshi no uchi</i> - 八犬傳犬のさうし乃内)

1852 Kunisada II Warrior
Ichikawa Danzō VI (市川団蔵) as Jūjō Shakuhachirō (十條尺八郎) from the series The Book of the Eight Dog Heroes (Hakkenden inu no sōshi no uchi - 八犬傳犬のさうし乃内)　

Ichikawa Danjūrō VIII [市川団十郎] in the role of Fukuoka Mitsugi (福岡みつぎ) - right-hand panel of a diptych - from the play <i>Ise Ondo Koi Neba</i> [伊勢音頭恋寝刃]

1852 Kuniyoshi actor 2923
Ichikawa Danjūrō VIII [市川団十郎] in the role of Fukuoka Mitsugi (福岡みつぎ) - right-hand panel of a diptych - from the play Ise Ondo Koi Neba [伊勢音頭恋寝刃]

No. 4 (四) Urawa (浦和):The fishmonger Danshichi (魚屋團七) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

1852 Kuniyoshi Danshichi Kisok
No. 4 (四) Urawa (浦和):The fishmonger Danshichi (魚屋團七) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

Fujiwara no Masakiyo (藤原正清) watches descending geese at Hokkyō (<i>Hokkyō rakugan</i> - 北京落雁) from the series <i>Military Brilliance for the Eight Views</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi geese
Fujiwara no Masakiyo (藤原正清) watches descending geese at Hokkyō (Hokkyō rakugan - 北京落雁) from the series Military Brilliance for the Eight Views (Yōbu hakkei - 燿武八景)

Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play <i>Shinzō tsurifune kidan</i> [新造艣奇談?]

1852 Kuniyoshi hag
Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play Shinzō tsurifune kidan [新造艣奇談?]

No. 3 (三) Warabi (蕨)i: Inuyama Dōsetsu (犬山道節) from the series<i> Sixty-nine Stations of the Kisokaidō</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1852 Kuniyoshi Inuyama
No. 3 (三) Warabi (蕨)i: Inuyama Dōsetsu (犬山道節) from the series Sixty-nine Stations of the Kisokaidō (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

No. 10 Fukaya (深谷): Yuriwaka Daijin (百合若大臣), from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1852 Kuniyoshi kisokaido 10
No. 10 Fukaya (深谷): Yuriwaka Daijin (百合若大臣), from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)　

Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (<i>Tōdai-ji banshō</i> - 東大寺晩鐘) from the series <i>Eight Views of Military Brilliance</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi naginata
Akushichibyōe Kagekiyo (悪七兵衛景清) - Evening Bell at Tōdai-ji (Tōdai-ji banshō - 東大寺晩鐘) from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景)

<i>Night Rain at Narumi</i> (<i>Narumi yau</i> - 鳴海夜雨): Inagawa Yoshioto (稲川良音) from the series <i>Eight Views of Military Brilliance</i> (<i>Yōbu hakkei</i> - 燿武八景)

1852 Kuniyoshi rain
Night Rain at Narumi (Narumi yau - 鳴海夜雨): Inagawa Yoshioto (稲川良音) from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景)　

Ichimura Uzaemon XIII as the wrestler Chōkichi (はなれ駒長吉) and Nakamura Utaemon IV on the right as Chōgorō (ぬれ髪長五郎) from the play <i>Diary of Two Butterflies in the Pleasure Quarters</i> (<i>Futatsu Chōchō Kuruwa Nikki</i> - 双蝶仝曲輪日記)

1852 Kuniyoshi rikan danjuro
Ichimura Uzaemon XIII as the wrestler Chōkichi (はなれ駒長吉) and Nakamura Utaemon IV on the right as Chōgorō (ぬれ髪長五郎) from the play Diary of Two Butterflies in the Pleasure Quarters (Futatsu Chōchō Kuruwa Nikki - 双蝶仝曲輪日記)

Bandō Shūka I as the courtesan Shiraito (白糸) of the Hashimotoya (橋本屋) - this is the left-hand panel of a diptych

1852 Kuniyoshi Shiraito
Bandō Shūka I as the courtesan Shiraito (白糸) of the Hashimotoya (橋本屋) - this is the left-hand panel of a diptych

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Arashi Kichisaburō III (三代目嵐吉三郎 - from 1/1821 to 9/28/1864) (1)

Arashi Otohachi III (三代目嵐音八) (1)

Arashi Rikaku II (二代目嵐璃珏: 11/1831 to 7/14/1864) (1)

Arashi Rikan III (三代目嵐璃寛: 8/1843-4/1863) (1)

Asao Okuyama IV (四代目浅尾奥山: from 1846 to mid to late 1870s) (1)

Bandō Hikosaburō IV (四代目坂東彦三郎: 11/1816 to 2/1856) (1)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

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