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Kohina (小雛) of the Ōmiya (あみや) from the series <i>Votive Hand Towels</i> (<i>Hōnō tenugui</i> - 奉納手拭)

1814c Kunisada P1420.jpg
Kohina (小雛) of the Ōmiya (あみや) from the series Votive Hand Towels (Hōnō tenugui - 奉納手拭)

<i>Bijin</i> carrying a <i>janome-gasa</i> or snake's eye umbrella with 3 fan motifs, one with the Zodiac sign of the tiger - one panel of a triptych? - <i>Yayoi</i> (弥生), the 3rd month

1815-20c Toyokuni parasol
Bijin carrying a janome-gasa or snake's eye umbrella with 3 fan motifs, one with the Zodiac sign of the tiger - one panel of a triptych? - Yayoi (弥生), the 3rd month

From a set of twelve: <i>Selections from the Brocade Quarter</i> (<i>E-awasa kingaishō</i>)

1815 Eizan shunga oban
From a set of twelve: Selections from the Brocade Quarter (E-awasa kingaishō)

<i>Surimono</i> parody of the armor-pulling scene, the <i>kusazuribiki</i> [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by <i>bunraku</i> puppets

1815c Eisen surimono
Surimono parody of the armor-pulling scene, the kusazuribiki [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by bunraku puppets

Meoka of the Hyogoya (兵库屋目岡) from the <i>Array of Famous Beauties on the Floral Patios</i> (廊花名君揃)

1815c Eizan p708.jpg
Meoka of the Hyogoya (兵库屋目岡) from the Array of Famous Beauties on the Floral Patios (廊花名君揃)

Nakamura Utaemon III (三代目中村歌右衛門) as a dancer from the series <i>The Dance of the Nine Changes</i> or <i>Kyū henge no uchi</i> (九へん化の内) from the play <i>Sono Kokonoe Saishiki-zakura</i>

1815c Kunisada Dancer.jpg
Nakamura Utaemon III (三代目中村歌右衛門) as a dancer from the series The Dance of the Nine Changes or Kyū henge no uchi (九へん化の内) from the play Sono Kokonoe Saishiki-zakura

The beauty Yūgiri (夕きり) in the rain - from the series <i>Fan-tossing for the Elegant</i> (<i>Fūryū tōsenkyō</i> - 風流投扇興)

1815c Kunisada Genji 39
The beauty Yūgiri (夕きり) in the rain - from the series Fan-tossing for the Elegant (Fūryū tōsenkyō - 風流投扇興)

After the bath - left panel of a triptych

1815c Toyokuni I Bath Dry.jpg
After the bath - left panel of a triptych

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems

1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play <i>Meiboku Sendai Hagi</i> [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

1816 Ashiyuki diptych
Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play Meiboku Sendai Hagi [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right

1816c Kunisada goro
Kawazu Saburō Sukeyasu (河津三郎祐安) on the left wrestling Matano Gorō Kagehisa (股野五郎景久) in the center, with Ebina Genpachi Hirotsuna (海老名源八弘綱) as referee on the right

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図

1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

An evening stroll along the Sumida River near the Ryōgoku Bridge <i>Tōto Ryōgoku yūryō no ga</i> (東都両国夕涼の画)

1818 Kunisada bijin and sumo
An evening stroll along the Sumida River near the Ryōgoku Bridge Tōto Ryōgoku yūryō no ga (東都両国夕涼の画)

Ichikawa Danjūrō VII (市川団十郎) in <i>Shibaraku</i> (暫), with a child in the role of Ebisu and a monkey

1818ca Toyokuni I surimono
Ichikawa Danjūrō VII (市川団十郎) in Shibaraku (暫), with a child in the role of Ebisu and a monkey

Mimasu Gennosuke I (三枡源之助) as Ikazuchi Tsurunosuke (雷鶴之助) - left panel of a triptych from the play 'Maples and Deer: The Long Sleeves of the Soga Brothers' (<i>Momiji ni shika furisode Soga</i> -紅葉鹿振袖曽我）

1818c Kunisada Actor p985
Mimasu Gennosuke I (三枡源之助) as Ikazuchi Tsurunosuke (雷鶴之助) - left panel of a triptych from the play 'Maples and Deer: The Long Sleeves of the Soga Brothers' (Momiji ni shika furisode Soga -紅葉鹿振袖曽我）

The Hour of the Dog, Fifth Hour of the Night (<i>Inu no koku</i> - 戌ノ刻, <i>Yoru itsutsu</i> - 夜五ツ) from the series <i>Yoshiwara Clock</i> (<i>Yoshiwara-tokei</i> - 吉原時計)

1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (Inu no koku - 戌ノ刻, Yoru itsutsu - 夜五ツ) from the series Yoshiwara Clock (Yoshiwara-tokei - 吉原時計)

The Fifth Month (<i>Satsuki</i> 皐月): Ichimura Uzaemon XII as Shōki (市村羽左衛門の鐘馗) from the series: The Twelve Months (<i>Junitsuki no uchi</i> - 十二月之内)

1820-25 Kunisada Uzaemon shoki
The Fifth Month (Satsuki 皐月): Ichimura Uzaemon XII as Shōki (市村羽左衛門の鐘馗) from the series: The Twelve Months (Junitsuki no uchi - 十二月之内)

Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

A couple locked in an embrace

1820-25ca Eisen shunga
A couple locked in an embrace

The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series <i>Eight Views of the Shin-Yoshiwara</i> (Shin-Yoshiwara Hakkei - 新吉原八景) - <i>Returning Sails at San'yabori</i> (<i>San'yabori no kihan</i> - 三谷堀の帰帆)

1820-30 Eisen senju
The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series Eight Views of the Shin-Yoshiwara (Shin-Yoshiwara Hakkei - 新吉原八景) - Returning Sails at San'yabori (San'yabori no kihan - 三谷堀の帰帆)

The strongman Kagekiyo (景清 - つげきよ) breaking out of prison

1820 Shunzan strongman
The strongman Kagekiyo (景清 - つげきよ) breaking out of prison

Nakamura Utaemon III (三代目中村歌右衛門) as Katō Masakiyo (加藤清正) in <i>Hachijin Shugo no Honjō</i> [八陣守護城]

1820 Yoshikuni Utaemon III
Nakamura Utaemon III (三代目中村歌右衛門) as Katō Masakiyo (加藤清正) in Hachijin Shugo no Honjō [八陣守護城]

Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined <i>onnagata</i> role, a <i>mitate</i> - the right-hand panel of a four panel composition

1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

Nakamura Shikan II (中村芝翫) as Kumagai Naozane (熊谷直実) from a production of <i>Ichinotani Futaba Gunki</i> (一谷嫩軍記)

1820ca Ashiyuki Shikan II
Nakamura Shikan II (中村芝翫) as Kumagai Naozane (熊谷直実) from a production of Ichinotani Futaba Gunki (一谷嫩軍記)

Ichikawa Ebijūrō I as the servant Ranpei in the play <i>Yamatogana Ariwara Keizu</i> (倭仮名在原系図) - a <i>mitate</i>

1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

Mother and child: Kinryūzan (金竜山) from the series <i>Eight Views of Edo</i> (<i>Edo hakkei no uchi</i> - 江戸八景ノ内)

1820c Kunisada Mother.jpg
Mother and child: Kinryūzan (金竜山) from the series Eight Views of Edo (Edo hakkei no uchi - 江戸八景ノ内)

An oiran from the series <i>Popular Flute Tunes and Pictures of Women</i> (<i>Fūryū chōshi fue: niagari</i> - 風流調子婦絵: 二上り)

1820c Kunisada Oiran.jpg
An oiran from the series Popular Flute Tunes and Pictures of Women (Fūryū chōshi fue: niagari - 風流調子婦絵: 二上り)

An oiran of the Kanayama house (金山屋) about to step into her getas

1820c Kunisada Oiran Shoes
An oiran of the Kanayama house (金山屋) about to step into her getas

Left panel of a diptych of Minamoto Yorimitsu on horseback watching Ichihara no Kidōmaru (市原野鬼童丸) being subdued by Watanabe no Tsuna - <i>Raikō sitennō to Kidōmaru</i> (頼光主従と鬼童丸)

1820c Toyokuni I wrestlers and
Left panel of a diptych of Minamoto Yorimitsu on horseback watching Ichihara no Kidōmaru (市原野鬼童丸) being subdued by Watanabe no Tsuna - Raikō sitennō to Kidōmaru (頼光主従と鬼童丸)

Nakamura Utaemon III (三代目中村歌右衛門) as Hangaku-jo (半がく女) in <i>Wada gassen onna maizuru</i>

1820s Kunihiro Utaemon
Nakamura Utaemon III (三代目中村歌右衛門) as Hangaku-jo (半がく女) in Wada gassen onna maizuru

Mimasu Gennosuke I (三枡源之助) in the role of the <i>sumō</i> wrestler Izutsu Menosuke (角力取井筒女之助)

1820s Kunisada gennosuke
Mimasu Gennosuke I (三枡源之助) in the role of the sumō wrestler Izutsu Menosuke (角力取井筒女之助)

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

<i>Mizuchaya</i> (水茶屋) teahouse from the series <i>Contest of Beauties</i> (<i>Bijo kurabe</i> - 美女競)

1820s Kunisada winter read
Mizuchaya (水茶屋) teahouse from the series Contest of Beauties (Bijo kurabe - 美女競)

SAWAMURA TOSSHŌ I (澤村訥升) as Torii Matasuke [鳥井又助] with the severed head of Tairyō’s wife, Ume no Kata, between his teeth - from the play <i>Yanagi Sakura Iroe no Kagabone</i> (柳桜彩絵加賀骨) - trimmed print - left panel of a diptych

1820s Kuniyoshi ghost.jpeg
SAWAMURA TOSSHŌ I (澤村訥升) as Torii Matasuke [鳥井又助] with the severed head of Tairyō’s wife, Ume no Kata, between his teeth - from the play Yanagi Sakura Iroe no Kagabone (柳桜彩絵加賀骨) - trimmed print - left panel of a diptych

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

Arashi Kitsusaburō II (嵐橘三郎) as Miyagi Asojirō (宮木阿曽次郎) in the play <i>Shoutsushi Asagao Nikki</i> (生写朝顔日記)

1820s Tamikuni
Arashi Kitsusaburō II (嵐橘三郎) as Miyagi Asojirō (宮木阿曽次郎) in the play Shoutsushi Asagao Nikki (生写朝顔日記)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (4)

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