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year: medium:
A beautiful, elegant woman standing outside the entry to a building which houses the Chūshuntei restaurant [柱春亭]  - center panel of a triptych
1835c Kunisada Letter
A beautiful, elegant woman standing outside the entry to a building which houses the Chūshuntei restaurant [柱春亭] - center panel of a triptych

Arashi Kitsusaburō II (嵐橘三郎) on the occasion of his name change
1822 Yoshikuni Kitsusaburo II
Arashi Kitsusaburō II (嵐橘三郎) on the occasion of his name change

Just arrived from Edo (江戸登り), Arashi Kitsusaburō II (嵐橘三郎), formerly named Arashi Tokusaburō (嵐徳三郎) - <i>Edo nobori Arashi Tokusaburō gaimei Arashi Kitsusaburō</i>
1822 Shibakuni Rikan II
Just arrived from Edo (江戸登り), Arashi Kitsusaburō II (嵐橘三郎), formerly named Arashi Tokusaburō (嵐徳三郎) - Edo nobori Arashi Tokusaburō gaimei Arashi Kitsusaburō

Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play <i>Yorimasa Nue Monogatari</i> [頼政鵺物語] - early or 1st edition
1822 Hokushu Yorimasa
Sawamura Kunitarō II (二代目沢村国太郎) as Ayame no Mae (あやめの前) and Arashi Kitsusaburō II (二代目嵐橘三郎) as Gen Sanmi Yorimasa (源三位頼政) from the play Yorimasa Nue Monogatari [頼政鵺物語] - early or 1st edition

Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) on the right; Nakamura Sankō I (中村三光) as keisei (courtesan) Kashiwagi (けいせい柏木) in the middle; Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門) on the left in the play <i>Oishizuri sakura tanzaku</i>
1822 Hokushu yellow triptych
Nakamura Utaemon III (中村歌右衛門) as Kanda Yogorō (神田与五郎) on the right; Nakamura Sankō I (中村三光) as keisei (courtesan) Kashiwagi (けいせい柏木) in the middle; Ichikawa Ebijūrō I (市川鰕十郎) as Teraoka Heiemon (寺岡平右衛門) on the left in the play Oishizuri sakura tanzaku

Asao Yūjirō I (浅尾勇次郎) as Sano Genzaemon (佐野源左衛門) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Miura Arajirō (三浦荒次郎) in the play <i>Keisei Sano no Funabashi</i> (傾城佐野の船橋)
1822 Hokushu checker diptych
Asao Yūjirō I (浅尾勇次郎) as Sano Genzaemon (佐野源左衛門) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Miura Arajirō (三浦荒次郎) in the play Keisei Sano no Funabashi (傾城佐野の船橋)

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)
1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych
1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

Mimasu Gennosuke I (三枡源之助) in the role of the <i>sumō</i> wrestler Izutsu Menosuke (角力取井筒女之助)
1820s Kunisada gennosuke
Mimasu Gennosuke I (三枡源之助) in the role of the sumō wrestler Izutsu Menosuke (角力取井筒女之助)

Ichikawa Ebijūrō I as the servant Ranpei in the play <i>Yamatogana Ariwara Keizu</i> (倭仮名在原系図) - a <i>mitate</i>
1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series <i>Eight Views of the Shin-Yoshiwara</i> (Shin-Yoshiwara Hakkei - 新吉原八景) - <i>Returning Sails at San'yabori</i> (<i>San'yabori no kihan</i> - 三谷堀の帰帆)
1820-30 Eisen senju
The courtesan Senju of the Izumiya (和泉屋内泉壽) from the series Eight Views of the Shin-Yoshiwara (Shin-Yoshiwara Hakkei - 新吉原八景) - Returning Sails at San'yabori (San'yabori no kihan - 三谷堀の帰帆)

A couple locked in an embrace
1820-25ca Eisen shunga
A couple locked in an embrace

Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内 花扇)
1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内 花扇)

The Hour of the Dog, Fifth Hour of the Night (<i>Inu no koku</i> - 戌ノ刻, <i>Yoru itsutsu</i> - 夜五ツ) from the series <i>Yoshiwara Clock</i> (<i>Yoshiwara-tokei</i> - 吉原時計)
1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (Inu no koku - 戌ノ刻, Yoru itsutsu - 夜五ツ) from the series Yoshiwara Clock (Yoshiwara-tokei - 吉原時計)

Morning routine of a beautiful woman from an untitled series of <i>bijin</i> accompanied by poems
1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

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Prints (15)

person

actor prints (yakusha-e - 役者絵) (7)
Arashi Kitsusaburō II 二代目嵐橘三郎 (9/1822 to 8/1828) (3)
Ariwaradō Chūbei (有原堂忠兵衛) (1)
Asao Yūjirō I (初代浅尾勇次郎) (1)
beautiful woman picture (bijin-ga - 美人画) (7)
blue prints (aizuri-e - 藍摺絵) (1)
Enomotoya Kichibei (榎本屋吉兵衛) (1)
erotic prints (shunga - 春画) (1)
Historical - Social - Ephemera (1)
Honya Seishichi (本屋清七) (2)
boshi-e (母子絵) (2)
mitate-e (見立て絵) (2)
Suikoden (水滸傳) (1)
sumō (相撲) (1)
Ichikawa Ebijūrō I (初代市川鰕十郎 9/1815 to 7/1827) (3)
Izutsuya Denbei (井筒屋伝兵衞) (1)
Jitsukawa Gakujūrō I (初代実川額十郎) (1)
Jukōdō Yoshikuni (寿好堂よし国) (1)
Kagaya Kichiemon (加賀屋吉右衛門) (1)
Kawaguchiya Chōzō (川口屋長蔵) (1)
Keisai Eisen (渓斎英泉) (2)
Kyōto-Osaka prints (kamigata-e - 上方絵) (6)
landscape prints (fūkeiga 風景画) (1)
Mimasu Gennosuke I (初代三枡源之助) (1)
Minamoto Yorimasa (源頼政) (2)
Nakamura Sankō I (初代中村三光: 11/1812 to 10/1813) (1)
Nakamura Utaemon III (三代目中村歌右衛門) (1)
Saikōtei Shibakuni (西光亭芝国) (1)
Sawamura Kunitarō II (二代目澤村國太郎: 11/1819-1836) (1)
Shunkōsai Hokushū (春好斎北洲) (4)
Toshikuraya Shinbei (利倉屋新兵衛) (2)
Tsutaya Jūzaburō (蔦屋重三郎) (1)
Utagawa Kunisada (歌川国貞) / Toyokuni III (三代豊国) (4)
Utagawa Kuniyasu (歌川国安) (2)
Utagawa Sadakage (歌川貞景) (1)
Yamamotoya Heikichi (山本屋平吉) (3)
Ōmiya Heihachi (近江屋平八) (1)
and 30 more

medium

Japanese color woodblock print (15)

century

19th century (6)

decade

1820s (6)
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