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17 object Results
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person: person:
Bandō Shūka (坂東秀調 - poetry name of Bandō Mitsugorō III) standing before a view of the Benten Shrine at Shinobazu Pond at Ueno - from the series <i>Famous Views of the Eastern Capital</i> (Tōto Meisho - 東都名所)
1831c Toyokuni II actor
Bandō Shūka (坂東秀調 - poetry name of Bandō Mitsugorō III) standing before a view of the Benten Shrine at Shinobazu Pond at Ueno - from the series Famous Views of the Eastern Capital (Tōto Meisho - 東都名所)

Bandō Mitsugorō III, under his poetry name Bandō Shūka (坂東秀桂), from the series <i>Actors Compared to Flowers</i> (<i>Yakusha hana awase</i> - 役者花合)
1830 Toyokuni II Kikunojo V
Bandō Mitsugorō III, under his poetry name Bandō Shūka (坂東秀桂), from the series Actors Compared to Flowers (Yakusha hana awase - 役者花合)

The puppet the <i>bijin</i> is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the <i>otokodate</i> An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)
1828c Kuniyasu bunraku 1
The puppet the bijin is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the otokodate An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Scene from <i>Shikake-sode Ukina no Kaemon</i> [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right
1825 Kunisada shikake-sode
Scene from Shikake-sode Ukina no Kaemon [仕掛袖浮名替紋] with Iwai Hanshirō V (岩井半四郎) as the geisha Koina (芸者小雛) in the center, Segawa Kikunojō V (瀬川菊之丞) as Onna-tayu Omine on the left, and Bandō Mitsugorō III (坂東三津五郎) as Inanoya Hanbei on the right

Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play <i>Futatsu-chōchō Kuruwa Nikki</i> - the right-hand panel of a three panel composition
1823 Toyokuni I Bando Mitsugor
Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play Futatsu-chōchō Kuruwa Nikki - the right-hand panel of a three panel composition

Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play <i>Taiheiki chūshin kōshaku</i> [太平記忠臣講釈]
1821 Nagahide diptych
Arashi Koroku IV as Orie (おりへ) on the right and Bandō Mitsugorō III as Yazama Jūtarō (矢間重太郎) in the play Taiheiki chūshin kōshaku [太平記忠臣講釈]

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue</i>]
1821 Hokushu four actors
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) & Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel: Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) & Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly Virtue]

Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - <i>Mount Imo and Mount Se: An Exemplary Tale of Womanly</i>]
1821 Hokushu 4 actors 2
Right panel: Bandō Mitsugorō III (坂東三津五郎) as Daihanji Kiyozumi (大判事清澄) and Arashi Koroku IV (嵐小六) as Koganosuke (久我之助): left panel Nakamura Matsue III (中村松江) as Sadaka's daughter Hinadori (娘ひな鳥) and Nakamura Utaemon III (中村歌右衛門) as the widow Sadaka (後室狭高) - from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]

Ōkubi-e: double bust portrait with bats in the border with Bandō Mitsugorō III on the right as Nuregami Chōgorō
1820s Toyokuni II double bust
Ōkubi-e: double bust portrait with bats in the border with Bandō Mitsugorō III on the right as Nuregami Chōgorō

Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series <i>Great Performances: Contemporary Pressed-Cloth Battledores</i> (<i>Tōsei oshi-e hagoita atari kyōgen no uchi</i> - 當世押絵羽子板)
1820s Kunisada mitsugoro battl
Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series Great Performances: Contemporary Pressed-Cloth Battledores (Tōsei oshi-e hagoita atari kyōgen no uchi - 當世押絵羽子板)

Bandō Mitsugorō III (坂東三津五郎) as an  Edo magician (手妻江戸蔵) - performing the linking rings as 金は打
1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play <i>Fuwa Nagoya Yuki no Tategasa</i> (不破名護屋雪棹)
1816 Kunisada Bando Mitsugoro
Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play Fuwa Nagoya Yuki no Tategasa (不破名護屋雪棹)

Bandō Shūka 坂東しうか or 坂東志うか (poetry name of Mitsugorō III - 秀佳) - as Kōguya Yahei [香具や弥兵衛] - probably from the play Chūkō Ōiso ga Yoi (?) (忠孝染分纏)
1815ca Toyokuni I bando shuka
Bandō Shūka 坂東しうか or 坂東志うか (poetry name of Mitsugorō III - 秀佳) - as Kōguya Yahei [香具や弥兵衛] - probably from the play Chūkō Ōiso ga Yoi (?) (忠孝染分纏)

Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play <i>Sugata no Hana Azuma no Date-zome</i> [姿花江戸伊達染]
1811 Toyokuni mitsugoro III
Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play Sugata no Hana Azuma no Date-zome [姿花江戸伊達染]

Segawa Rokō IV (瀬川路考) standing with Bandō Mitsugorō III (坂東彦三郎)
1811 Toyokuni I roko iv bando
Segawa Rokō IV (瀬川路考) standing with Bandō Mitsugorō III (坂東彦三郎)

Bandō Mitsugorō (坂東三津五郎) as the <i>otokodate</i> (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (<i>Gion Sairei Shinkōki</i> - 祇園祭礼信仰記) - this is number 5 (五) from this series
1810c Toyokuni I mitsugoro
Bandō Mitsugorō (坂東三津五郎) as the otokodate (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (Gion Sairei Shinkōki - 祇園祭礼信仰記) - this is number 5 (五) from this series

Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and  Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)
1800 Toyokuni I
Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)

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Arashi Koroku IV (四代目嵐小六: from 11/1817 to 11/1826) (3)
Ashikaga Yorikane (足利頼兼) (1)
Azumaya Daisuke (東屋大助) (1)
bats (komori - 蝙蝠) (1)
beautiful woman picture (bijin-ga - 美人画) (1)
blue prints (aizuri-e - 藍摺絵) (1)
Chūshingura - the play (忠臣蔵 - 47 rōnin) (1)
Echizenya Kihei (越前屋喜兵隊) (1)
Ezakiya Tatsuzō (江崎屋辰蔵) (1)
Fuwa Banzaemon (不破伴左衛門) (1)
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Imoseyama onna teikin (妹背山婦女庭訓) (2)
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sumō (相撲) (3)
ōkubi-e (大首絵) (1)
Ichikawa Komazō III (三升目市川高麗蔵: 11/1772 to 10/1801) (1)
Iwai Hanshirō V (五代目岩井半四郎: 11/1804-11/1832) (1)
Kyōto-Osaka prints (kamigata-e - 上方絵) (3)
landscape prints (fūkeiga 風景画) (1)
Matsumoto Kōshirō V (五代目松本幸四郎: 11/1801 to 5/1838) (1)
Matsumura Tatsuemon (松村辰右衛門) (2)
Nakamura Matsue III (三代目中村松江) (2)
Nakamura Utaemon III (三代目中村歌右衛門) (2)
Nishimuraya Yohachi (西村屋与八) (1)
Oyama Hangorō (小山屋半五郎) (1)
Segawa Kikunojō V (五代目瀬川菊之丞: 11/1815 to 1/7/1832) (1)
Segawa Rokō IV (四代目瀬川路考: from 11/1807 to 11/29/1812) (1)
Shunkōsai Hokushū (春好斎北洲) (2)
Sumimaruya Jinsuke (1)
Suzuki Ihei (鈴木伊兵衛) (1)
Tsujiokaya Bunsuke (辻岡屋文助) (1)
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Tsuruya Nanboku IV (四代目鶴屋南北) (1)
Uemura Yohei (上村与兵衛) (1)
Ume no Yoshibei (梅の由兵へ) (1)
Urakusai (or Yūrakusai) Nagahide (有楽斎長秀) (1)
Utagawa Kunisada (歌川国貞) / Toyokuni III (三代豊国) (3)
Utagawa Kuniyasu (歌川国安) (1)
Utagawa Toyokuni I (初代歌川豊国) (7)
Utagawa Toyokuni II (二代目歌川豊国) (3)
Wataya Kihei (綿屋喜兵衛) (3)
Yamamotoya Heikichi (山本屋平吉) (1)
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19th century (17)

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