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3 figures in an actor's debut (役者地顔見たて) from the series <i>The Floating World Chūshingura</i> (<i>Ukiyo Chūshingura</i> - 浮世忠臣蔵) - the second act (二段目)

1800-10 Toyokuni I Crane
3 figures in an actor's debut (役者地顔見たて) from the series The Floating World Chūshingura (Ukiyo Chūshingura - 浮世忠臣蔵) - the second act (二段目)

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図

1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

Arashi Kichisaburō II (嵐吉三郎) as Funakoshi Jūemon (船こし重右衛門) in <i>Yaegasumi Naniwa no hamaogi</i> ('Eightfold Reeds Along the Seashore: Mist at Osaka')

1813 Shunkyo Kichisaburo II
Arashi Kichisaburō II (嵐吉三郎) as Funakoshi Jūemon (船こし重右衛門) in Yaegasumi Naniwa no hamaogi ('Eightfold Reeds Along the Seashore: Mist at Osaka')

Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play <i>Imoseyama Onna Teikin</i>[妹背山婦女庭訓 - <i>Mount Imo and Mount Se:An Exemplary Tale of Womanly</i>]

1825c Yoshikuni yellow stairs
Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play Imoseyama Onna Teikin[妹背山婦女庭訓 - Mount Imo and Mount Se:An Exemplary Tale of Womanly]

Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play <i>Shin Usuyuki monogatari</i>

1816c Kunihira asao onimaru
Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play Shin Usuyuki monogatari

Asao Yūjirō I (浅尾勇次郎) holding an umbrella in the play <i>Tsuma Gasane Uwasa ni Kikuzuki</i> - left panel of a diptych

1813c Kunisada Asao Yujiro
Asao Yūjirō I (浅尾勇次郎) holding an umbrella in the play Tsuma Gasane Uwasa ni Kikuzuki - left panel of a diptych

Bandō Hikosaburō III (坂東彦三郎) as Yuranosuke (由良之介) standing and Sawamura Tanosuke II (沢村田之助) as Okaru (おかる) in the play <i>Kanadehon Chūshingura</i> ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

1811 Toyokuni I bando hikosabu
Bandō Hikosaburō III (坂東彦三郎) as Yuranosuke (由良之介) standing and Sawamura Tanosuke II (沢村田之助) as Okaru (おかる) in the play Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

Bandō Mitsugorō (坂東三津五郎) as the <i>otokodate</i> (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (<i>Gion Sairei Shinkōki</i> - 祇園祭礼信仰記) - this is number 5 (五) from this series

1810c Toyokuni I mitsugoro
Bandō Mitsugorō (坂東三津五郎) as the otokodate (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (Gion Sairei Shinkōki - 祇園祭礼信仰記) - this is number 5 (五) from this series

Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play <i>Sugata no Hana Azuma no Date-zome</i> [姿花江戸伊達染]

1811 Toyokuni mitsugoro III
Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play Sugata no Hana Azuma no Date-zome [姿花江戸伊達染]

Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play <i>Futatsu-chōchō Kuruwa Nikki</i> - the right-hand panel of a three panel composition

1823 Toyokuni I Bando Mitsugor
Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play Futatsu-chōchō Kuruwa Nikki - the right-hand panel of a three panel composition

Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play <i>Fuwa Nagoya Yuki no Tategasa</i> (不破名護屋雪棹)

1816 Kunisada Bando Mitsugoro
Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play Fuwa Nagoya Yuki no Tategasa (不破名護屋雪棹)

Ichikawa Danjūrō VII (七代目市川團十郎) as 町がゝへうぶげの金太郞 - accompanied by a live goat

1820c Toyokuni danjuri goat
Ichikawa Danjūrō VII (七代目市川團十郎) as 町がゝへうぶげの金太郞 - accompanied by a live goat

Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - <i>onnagata</i> coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

1821 Toyokuni II ladies
Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - onnagata coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

1814 Kunisada crepe Chushingur
Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)

1817 Hokushu yoshio ebijuro
Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)

<i>Kappazuri-e</i>: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

1806ca Ryukosai hextaptych
Kappazuri-e: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

Iwai Hanshirō V (岩井半四郎) as Seitaka Dōji (せいたかの童子 [制吒迦童子]) from <i>Yuki mo Yoshino Kigoto no Kaomise</i> (雪芳野来入顔鏡 - ゆきもよしのきごとのかおみせ)

1812c Kunisada Hanshiro V
Iwai Hanshirō V (岩井半四郎) as Seitaka Dōji (せいたかの童子 [制吒迦童子]) from Yuki mo Yoshino Kigoto no Kaomise (雪芳野来入顔鏡 - ゆきもよしのきごとのかおみせ)

Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

1813 Toyokuni sensoji
Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

Kano Minshi I (叶みんし) as Okiyo (娘おきよ) and Arashi Kichisaburō II (二代目嵐吉三郎) as Kowari Dennai (小割伝内) in the play <i>Katakiuchi ura no asagiri</i> (<i>Revenge along the Bay in Morning Fog</i>: 敵討浦朝霧)

1815 Shunko Hokushu diptych
Kano Minshi I (叶みんし) as Okiyo (娘おきよ) and Arashi Kichisaburō II (二代目嵐吉三郎) as Kowari Dennai (小割伝内) in the play Katakiuchi ura no asagiri (Revenge along the Bay in Morning Fog: 敵討浦朝霧)

Kataoka Nizaemon VII (片岡仁左衛門) in the role of Matsunaga Daizen (松永大膳) in the play <i>Gion Sairei Shinkōki</i> [祇園祭礼信仰記 - <i>The Gion Festival Chronicle of Faith</i>]

1816 Kunihiro Nizaemon VII
Kataoka Nizaemon VII (片岡仁左衛門) in the role of Matsunaga Daizen (松永大膳) in the play Gion Sairei Shinkōki [祇園祭礼信仰記 - The Gion Festival Chronicle of Faith]

Masumoto Kōshirō V (五代目松本幸四郎) on the left as 藤部伊賀の守 and Ichikawa Danjūrō VII (七代目市川團十郎) as 藤部太郎, two brothers struggling over a precious sword - two panels of a triptych from the play <i>Hana to Fubuki Wagō Taiheiki</i> (花雪和合太平記)

1810c Kuninao snow sword
Masumoto Kōshirō V (五代目松本幸四郎) on the left as 藤部伊賀の守 and Ichikawa Danjūrō VII (七代目市川團十郎) as 藤部太郎, two brothers struggling over a precious sword - two panels of a triptych from the play Hana to Fubuki Wagō Taiheiki (花雪和合太平記)

Matsumoto Kōshirō V (松本幸四郎) as a boatman (按摩取梶の長庵?) in the play <i>Imaori Hakata no Irifune</i> (新織博多縞入船)

1813 Kunisada Koshiro boatman
Matsumoto Kōshirō V (松本幸四郎) as a boatman (按摩取梶の長庵?) in the play Imaori Hakata no Irifune (新織博多縞入船)

Matsumoto Kōshirō V (松本幸四郎) as Mizuemon (水右衛門) about to strike the geisha Omatsu (芸者お松) with his sword

1820 Toyokuni II actor boat
Matsumoto Kōshirō V (松本幸四郎) as Mizuemon (水右衛門) about to strike the geisha Omatsu (芸者お松) with his sword

Nakamura Shikan I (中村芝翫) as a black man or <i>kuronbō</i> (黒んば) carrying a large piece of coral

1819 Toyokuni shikan coral
Nakamura Shikan I (中村芝翫) as a black man or kuronbō (黒んば) carrying a large piece of coral

Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from the dance of nine changes

1818c Toyokuni shikan lotus
Nakamura Shikan I (中村芝翫) as a celestial being (天人) from 御名残押絵交張 (おんなごりおしえのまぜはり) - from the dance of nine changes

Nakamura Shikan I (中村芝翫) as Hanaregoma Chōkichi (放駒長吉) standing before a wooden screen

1815-20 Toyokuni I nakamura
Nakamura Shikan I (中村芝翫) as Hanaregoma Chōkichi (放駒長吉) standing before a wooden screen

Nakamura Utaemon III (三代目中村歌右衛門) as a dancer from the series <i>The Dance of the Nine Changes</i> or <i>Kyū henge no uchi</i> (九へん化の内) from the play <i>Sono Kokonoe Saishiki-zakura</i>

1815c Kunisada Dancer.jpg
Nakamura Utaemon III (三代目中村歌右衛門) as a dancer from the series The Dance of the Nine Changes or Kyū henge no uchi (九へん化の内) from the play Sono Kokonoe Saishiki-zakura

Nakamura Utaemon III (中村歌右衛門) as Matabei (又平) and Ichikawa Ichizō I (市川市蔵) as Tosa no Seigen (土佐のせうげん) in the play <i>Keisei hangankō</i> (けいせい反魂香)

1810s Kunisada two actors
Nakamura Utaemon III (中村歌右衛門) as Matabei (又平) and Ichikawa Ichizō I (市川市蔵) as Tosa no Seigen (土佐のせうげん) in the play Keisei hangankō (けいせい反魂香)

Nakamura Utaemon III (中村歌右衛門) as number three (三) from a series of 5 Chivalrous Men

1800c Toyokuni I utaemon
Nakamura Utaemon III (中村歌右衛門) as number three (三) from a series of 5 Chivalrous Men

Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play <i>Meiboku Sendai Hagi</i>

1816 Kunihiro utaemon ebijuro
Nakamura Utaemon III (中村歌右衛門) as Saibara Kageyu (才原勘解由) on the right and Ichikawa Ebijūrō I (市川鰕十郎) as Matsugae Tekinosuke (松が枝敵之介) in the play Meiboku Sendai Hagi

Nakamura Utaemon III (中村歌右衛門) as Sukematsu no Kazue (助松かづえ) - center panel of a triptych based on the play <i>Five Chivalrous Women of the Yoshiwara</i> (<i>Otokodate iromo Yoshiwara</i> - 男作女吉原)

1811-15c Kunisada Utaemon
Nakamura Utaemon III (中村歌右衛門) as Sukematsu no Kazue (助松かづえ) - center panel of a triptych based on the play Five Chivalrous Women of the Yoshiwara (Otokodate iromo Yoshiwara - 男作女吉原)

Nakamura Utaemon III [中村歌右衛門] as the monkey trainer Yojirō (与次郎) from the series Great Performances (<i>Ōatari kyōgen no uchi</i> - 大當狂言之内)

1814c Kunisada Utaemon III
Nakamura Utaemon III [中村歌右衛門] as the monkey trainer Yojirō (与次郎) from the series Great Performances (Ōatari kyōgen no uchi - 大當狂言之内)

Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play <i>Meiboku Sendai Hagi</i> [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

1816 Ashiyuki diptych
Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play Meiboku Sendai Hagi [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角] theater

Nakamura Utaemon III (中村歌右衛門) in a kabuki role as a figure standing in the snow, holding an umbrella

1811 Toyokuni I Utaemon
Nakamura Utaemon III (中村歌右衛門) in a kabuki role as a figure standing in the snow, holding an umbrella

Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (<i>Hachimai tsuzuki no uchi</i> - 八枚続之内)

1815 Toyokuni utaemon
Nakamura Utaemon III (中村歌右衛門) in the role of an old woman - from a series of 8 prints (Hachimai tsuzuki no uchi - 八枚続之内)

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Arashi Kichisaburō II (二代目嵐吉三郎: 1/1784 to 12/1820) (2)

Arashi Koroku IV (四代目嵐小六: from 11/1817 to 11/1826) (1)

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