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1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

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1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1825 Kuniyoshi kakemono-e suik
From the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個): Seishushosei Shōjō (聖手書生蕭讓) above Shinkōtaiho Taisō (神行太保戴宗)

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1830 Yoshikuni
Nakamura Utaemon III (中村歌右衛門) as a black man or kuronbō (黒んばう) in Western clothes carrying coral - Dance of the 9 Changes (Kokonobake no uchi - 九変化ノ内) - from the play Yosete Aratani Kokonobake (日本新玉九尾化)

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