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year: person:
The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant
1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych
1790s Toyokuni tsutaya teahous
Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)
1796ca Toyokuni sumo
Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)

Segawa Kikunojō III [瀬川菊之丞] as Chōkichi [長吉] in the play <i>Sumida no haru geisha katagi</i> (隅田春妓女容性)
1800c Toyokuni I actor
Segawa Kikunojō III [瀬川菊之丞] as Chōkichi [長吉] in the play Sumida no haru geisha katagi (隅田春妓女容性)

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Prints (4)

person

actor prints (yakusha-e - 役者絵) (2)
Arashi Sampachi I (初代嵐三八: from 11/1782 to 10/1795 and again from 11/1797 to 2/1812) (1)
mitate-e (見立て絵) (1)
Ryōgokubashi (両国橋) (1)
sumō (相撲) (1)
Izumiya Ichibei (和泉屋市兵衛) (1)
Matsumoto Kōshirō V (五代目松本幸四郎: 11/1801 to 5/1838) (1)
Namiki Gohei (初代並木五瓶) (1)
Nishimuraya Yohachi (西村屋与八) (2)
Segawa Kikunojō III (三代目瀬川菊之丞: from 11/1774 to 7/1801) (1)
Ume no Yoshibei (梅の由兵へ) (1)
and 4 more

medium

Japanese color woodblock print (1)
Japanese woodblock print (3)

century

18th century (1)

decade

1790s (1)
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