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1806ca Ryukosai hextaptych
Kappazuri-e: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

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1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

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1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

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1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1825 Kuniyoshi kakemono-e suik
From the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個): Seishushosei Shōjō (聖手書生蕭讓) above Shinkōtaiho Taisō (神行太保戴宗)

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1830 Yoshikuni
Nakamura Utaemon III (中村歌右衛門) as a black man or kuronbō (黒んばう) in Western clothes carrying coral - Dance of the 9 Changes (Kokonobake no uchi - 九変化ノ内) - from the play Yosete Aratani Kokonobake (日本新玉九尾化)

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1834 Hokusei Tohonan
Iwai Shijaku I (岩井紫若) as Ohatsu (おはつ) in the play Tsugiawase Koshiji no Meiboku [接合北国梅]

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1834 Shigenobu II
Number Three: In the Shade of a Tree (San konoshitakage - 三 木下蔭) from the series Famous Horses (Meiba zoroe - 名馬揃)

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1848 Kuniyoshi double bust
Nakamura Utaemon IV as Ōtaka Tonomo (大高主殿) biting on a cloth as he performs ritual seppuku and Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵)

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1850 Kuniyoshi Diptych Cherry
The Flute - Matsumoto Kinshō I as Sumiyoshi no reijin Fujitarō (住吉の住人富士太郎) on the left, Nakamura Utaemon IV as Asama Saemon (浅間左エ門) in the center, and Onoe Baikō IV [尾上梅幸] as Umegae (梅ヶ枝) on the right from the play Fukujukai Muryō Denki (福聚海駒量伝記)

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1852 Hirosada diptych
Kataoka Gadō II as Taga no Taishu (多賀大守) on the right and Onoe Tamizō II as Torii Matasuke (鳥井又助) in the play Kagamiyama Sugata no Utsushie (加賀見山姿写絵)

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1857 Yoshitsuya Triptych Drago
At the Battle of Takadachi in Ōshū Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ōshū Takadachi kassen Koromogawa yori hakuryū ten e noboru - 文治三年奥州高館合戦自衣川白竜昇天)

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1864 Yoshitora triptych
At Hell Valley on Mount Tate in Etchū Province, Nikushi Dōjin demonstrates a battle of frogs and teaches magic to the two comrades Yoshikado and Iga Ju (Etchū Tateyama no Jigokudani ni Nikushi Dōjin kawazu kassen no ki o arawashi Yoshikado Iga Ju no ryōyū)

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1887 Zeshin
Crows flying at sunrise

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1891 Imao Keinen crows
Black pine under snow, large-billed crows - from Keinen kachō gafu ('Album of Bird-and-Flower Pictures by Keinan' - 景年花鳥画譜)

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1893 Toshihide
Ichikawa Danjūrō IX (市川 團十郞) as Ōkubo Hikozaemon (大久保 彦左衛門) from the series Sanshō awase sugata (三升合姿)

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1931 Benji Asada Dog
Dog (犬 Inu)

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1945 Kawakami nanbanesque
Nanbanesque Behavior [南蛮ぶり]

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import 1847-48 Kuniyoshi later
Mikake wa koi-i tonda iku hitoda (みかけはこわいがとんだいい人だ) "Looks Fierce But is Really Nice" from the series Men Join to Form a Man - a modern printing from the key block or tameshizuri-e

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Kuniyoshi Kyokako Guiyoden no2
Stories of Chivalrous People of Loyalty and Courage (Kyōkaku giyūden - 俠客義勇傅) - Hotei Ichiemon (布袋市右衛門)

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