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1836 Sadahiro rikan
Arashi Rikan II (嵐璃寛) as [Minamoto no] Yorimasa (より政) in Norimasa nue monogatari (Tale of Yorimasa and the nue: 頼政鵺物語), Naka Theater, Osaka

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1835 Shigeharu rikan II arigat
Arashi Rikan II (嵐璃寛) in the role of Hirai Gonpachi (平井権八) in the play Hiyokumon Sato no Nishiki-e (双紋廓錦絵) or A brocade picture of lovers' crests in the pleasure quarters

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1835 Hokuei rikan tomijuro
Arashi Rikan II (嵐璃寛) as Hirai Gonpachi (平井ごん八) and Nakamura Tomijūrō II (中村富十郎) as Komurasaki (小むらさき or 小紫) in the play Hiyokumon sato no nishiki-e (双紋廓錦絵) or A brocade picture of lovers' crests in the pleasure quarters

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1834 Hokuei pentaptych
Nakamura Utaemon III (中村歌右衛門) as Komafune Hachirō (駒夫根八郎) on the far right, next is Nakamura Tomijūrō II (中村富十郎) as Komafune's wife Okane (駒舟女房おかね), Arashi Rikan II (嵐璃寛) as Awashima Kainosuke (粟島甲斐之助) in the center, Nakamura Shikan II (中村芝翫) as Amako Komawakamaru (尼子駒若丸) and Iwai Shijaku I (岩井紫若) as the packhorse driver Osaka, actually Yukari no Mae (馬方おさく実はゆかりノ前) on the far left, in Keisei Nazuna No Sekku (aka Keisei Himehajime [けいせい飛馬始]) - a mitate

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1833 Shigeharu rikan peach
Arashi Rikan II (嵐璃寛) in the role of Oguri Hangan (小栗判官) in the kabuki play Hime Kurabe Futaba Ezōshi ['Picture-book comparison of twin blades and the princess': 姫競双葉絵草紙] - this is the right-hand panel of a diptych

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1833 Nobukatsu
Arashi Rikan II (嵐璃寛) as Oguri Hangan Kaneuji (小栗判官兼氏) and a young unrecorded actor as his servant - from the play Hime Kurabe Futaba Ezōshi ['Picture-book comparison of twin blades and the princess': 姫競双葉絵草紙]

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1833 Kunihiro rikan fisherman
Arashi Rikan II (嵐璃寛) as fisherman (ryōshi) Namishichi (漁師浪七) in the play Hime Kurabe Futaba Ezōshi [Picture-book comparison of twin blades and the princess: 姫競双葉絵草紙]

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1833 Hokuei oar struggle
Arashi Rikan II (嵐璃寛) as the fisherman (ryōshi) Namishichi (漁師浪七) in the play Hime Kurabe Futaba Ezōshi ['Picture-book comparison of twin blades and the princess': 姫競双葉絵草紙] - this is the right-hand panel of a diptych

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1833 Hokuei Iwai Shijaku in du
Arashi Rikan II as Osome on the left and Iwai Shijaku I as Hisamatsu [久松] in the play 'News of the Affair of Osome and Hisamatsu' (Osome Hisamatsu ukina no yomiuri お染久松色読販)

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1832 Kunihiro Rikan musashi
Arashi Rikan II (嵐璃寛) as Miyamoto Musashi (宮本無三四)

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1832 Hokuei rikan soma taro
Arashi Rikan II as the shogun Taira Taro Yoshikado in Sōma Tarō mibae bundan ('The Story of Tarō, Heir to the Sōma Clan') [相馬太郎みばえ文談]

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1832 Hokuei duo
Arashi Rikan II (嵐璃寛) on the right as Hachiman Tarō (八幡太郎) and Nakamura Utaemon III (中村歌右衛門) as Abe no Sadatō (安部貞任) in Adachi Moor in Ōshū Province - probably a mitate

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1830c Sadamasu 01
Arashi Rikan II as Ushiwaka Saburō (牛若三郎) performing in a mitate - the title cartouche reads: 見立 牛若三郎 嵐璃寛

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1830 Ashiyuki matsue iii rikan
Nakamura Matsue III (中村松江) as the daughter or musume Karaori (娘綾織) on the right, Arashi Rikan II (嵐璃寛) as Mashiba Hisatsugu (真柴久次) in the center, Nakamura Utaemon III (中村歌右衛門) as Ishida no Tsubone (石田ノ局) and Nakamura Umesuke I (中村梅助) as Mashiba Hisaaki (真柴久秋) on the left from the play 'Snow, Moon, Flowers in the Pleasure Quarter' (Keisei Setsugekka [けいせい雪月花])

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1829 Shigeharu rikan II
Arashi Rikan II (嵐璃寛) on a boat possibly as Fujiwara no Kamatari Daijin - the founder of the Fujiwara clan

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1829 Hokucho triptych
Triptych of the play Sao no uta Kizugawa hakkei (Song of the boat pole: Eight views of the Kizu River - 棹歌木津川八景)

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1829 Hokucho ebijuro manemon
Ichikawa Ebijūrō II (市川鰕十郎) as Horiguchi Manemon (堀口万右衛門) - the right panel of a triptych from the play Sao no uta Kizugawa hakkei (Song of the boat pole: Eight views of the Kizu River - 棹歌木津川八景)

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1829 Ashiyuki Rikan II
Arash Rikan II (嵐璃寛) as the yakko Tsumahei (奴妻平) in Shin Usuyuki Monogatari [新うすゆき物語]

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1829 Ashiyuki quad aizurie
Arashi Kano I (あらし加納) as the wife Omatsu (嫁おまつ), Arashi Rikan II (嵐璃寛) as Watanabe Ryosuke (渡辺良助) on the right, Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) to the left of the previous one, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left, in the play Keisei Yanagizakura [けいせい楊柳桜]

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