• <i>Shinobu-zuri</i> (志の婦壽李) - <i>shunga ehon</i>
  • Onzōshi Ushiwakamaru (御曹子牛若丸), the young Yoshitsune, fighting with Musashibō Benkei (武蔵坊弁慶) on Gojō Bridge [五条橋]
  • Two actors from an untitled series of paired actors on poem slips  (<i>tanzaku</i>)
  • Streetwalker (<i>Tsujigimi</i> - 辻君) from the series <i>Comparison of Present-day Beauties</i> (<i>Jisei bijin kurabe</i> - 時世美人競)
  • Jiang Shi (Kyō Shi 姜詩) from <i>Juxtaposed Pictures of Twenty-four Paragons of Filial Piety</i> (<i>Nijūshikō Mitate Awase</i> - 二十四孝見立画合) - #11
  • <i>Favorite Customs of the Present Day</i> [<i>Tōsei fūzoku kō</i> - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel
  • Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (<i>usagi</i> - 卯) from the Zodiac series <i>Zensei matsu no shō, jūni shi</i> ('Makeup of Flourishing Pine Trees' - 全盛松の粧)
  • Ichimura Uzaemon XIII (市村羽左衛門) as Sashichi of Kiyotaki (<i>Kiyotaki no Sashichi</i> - 清滝の佐七) from the series <i>A Modern Shuihuzhuan</i> (<i>Kinsei Suikoden</i> - 近世水滸伝)
  • No. 2, Gaman Sonja (我慢損者 - The Impatient Loser) from the series <i>Sixteen Wonderful Considerations of Profit</i> (<i>Myō densu jūroku rikan</i> - 十六利勘 我慢損者)
  • Yasuharu Mosuke Orio (織尾茂助安春) wrestling a wild boar from the series <i>Taiheiki eiyuden</i>  ('Heroes of the Great Peace' - 太平記英勇傳)  - no. 23

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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