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Yoshitsune and his twenty one retainers on a ship
(Yoshitsune no kenin ikki-tosen no niju-ikki no zu - 義経之家人一騎当千廾一騎之図)

Identifier: 1840c Kuniyoshi Yoshitsune ship
Description:

Yoshitsune and his twenty-one retainers in a ship with Benkei at the prow ('Yoshitsune no kenin ikki-tosen no niju-ikki no zu').

Robinson T32

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In researching this triptych a number of curious points arose. For example, in the British Museum and the Museum of Fine Arts in Boston there are similar triptychs, but with different signatures, although they are all by Kuniyoshi. All three sheets in the Lyon Collection are signed "Ichiyūsai Kuniyoshi ga" while the ones in Boston and London carry the signature Chōōro Kuniyoshi ga (朝櫻楼国芳画) on five of their six panels. Also, the triptychs in London and Boston carry the 'kiwame' censor's seal. Not only is there no 'kiwame' censor's seal present on the Lyon triptych, but there is no publisher's seal on the middle panel. There are printings of this triptych which include the artist's kiri seal, but not the ones here, in Boston or in London.

Even the title cartouche's are different. The Lyon Collection title is much longer than those on other printings which use the simpler and shorter Yoshitsune no jūku-shin (義経十九臣). There are other differences, too. A much closer inspection shows that the example in the Lyon Collection is from different blocks entirely, but based on exactly the same theme and layout.

Could any of this mean that the triptych shown here is the earlier version? There is no way to tell for sure, but it is interesting to speculate.

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Two characters identified by cartouches in the lower left of the center panel are Kamei Rokurō Shigekiyo (亀井六郎重清) and Suruga no Jirō Kiyoshige (駿河次郎清重). They appear in other triptychs in the Lyon Collection. See #s 228 and 685.

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