Utagawa Sadamasu (歌川貞升) (artist )

Nakamura Utaemon IV (中村歌右衛門) as Katsuma Gengobei (勝間源五兵衛) from the play Godairiki koi no fūjime (Five Great Powers That Seal Love) [五大力恋緘])

Print

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Date:08/1837
Dimensions:10.125 in x 14.875 in (Overall dimensions) Medium:Japanese woodblock print
Inscription:Signed: Gochōtei Sadamasu ga (五蝶亭貞升画)
Links Lyon Collection - an 1837 Sadamasu print of Katsuma Gengobei
Lyon Collection - a ca. 1795 Toyokuni print of Satsuma Gengobei
Rijksmuseum
Lyon Collection - an 1868 Kunichika print of Katsuma Gengobei Description:Utaemon IV is performing in a play originally adapted to the kabuki stage by Namiki Gohei I (初代 並木五瓶: 1747-1808). Based loosely on a scene of multiple murders in 1737 in Osaka it first was popularized in the puppet theater and then in 1792 by Gohei as a kabuki performance in that same city. Two years later Gohei moved to Edo and staged it there, but under a slightly different title and with the names of most of the main characters altered somewhat. Katsuma Gengobei became Satsuma Gengobei, for example. Therefore, it is easy to tell where each performance was done. This print, for example, is from an Osaka production.

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Osaka Prints wrote:

"Godairiki koi no fûjime (Five great powers that seal love: 五大力恋緘), the masterpiece of the playwright Namki Gohei I, is a sewamono (lit., "everyday piece," a domestic drama: 世話物) that premiered in 5/1794 at the Nishi Theater, Kyoto. It dramatizes an actual murder in 1737 — called the Sonezaki gonin giri (Five murders at Sonezaki) — of a prostitute named Kikuno and four other people by a Satsuma retainer Sada Hachiemon. From 1757, there were various puppet and kabuki productions adapting this tale, first in Osaka and then in Kyoto, and finally in Edo (1795).

Katsuma [Satsuma in Edo productions] Gengobei is in the service of the samurai Mantarô [Sentarô in Edo] from Kyûshû, who seeks a family heirloom sword (called Ryûko, "Dragon and Tiger"). A fellow retainer, Sasano Sangobei, urges Mantarô into a life of debauchery at the Fujitaya in the Dôtonbori theater district in Osaka while trying to seduce a disinterested geisha named Kikuno from the Sakaruya teahouse. As a ruse to fend off Sangobei, she asks Gengobei to pretend to be her lover, and the two fall in love. Sangobei complicates matters by also encouraging Mantarô to chase after Kikuno. Gengobei suspects Sangobei with stealing the sword and asks Kikuno to ingratiate herself with Sangobei to learn more about its whereabouts. In a gesture of affection, she writes the characters go (five: 五), dai (large: 大), and riki (strength: 力) on her samisen (a three-stringed, long-necked instrument: 三味線), the name of a Boddhisatva written by courtesans along the sealed edge of their love letters to discourage anyone but their lovers from opening the letters. Tricked by Sangobei into writing Genobei a letter of divorce, she also pretends to have given her heart to Sangobei by adding a few strokes to the characters on her samisen, changing them to read sango taisetsu ("Sango is precious"). Unfortunately for Kikuno, Gengobei believes the feigned betrayal and slays her, returning home with her head and letter. When he learns the truth, however, he hunts down Sangobei and murders him at the Matsuzakaya in Sonezaki, where he discovers the sword, later returning it to Mantarô. In a macabre scene, Gengobei attempts to commit seppuku (lit., "incision of the abdomen," ritual suicide: 切腹), but Kikuno's head sticks to his hand, preventing his suicide."

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If you click on the image to enlarge it you will notice more easily the rain which is coming down in straight vertical lines and that on the ground you will be able to see clearly the subtle splash of each drop.

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Illustrated in:

1) Kamigata yakusha-e shūsei (Collected Kamigata Actor Prints), vol. 3, Ikeda Bunko Library, Osaka, 2001, #112.

2) Utagawa Sadamasu: Distinguished Osaka Print Artist by Jan van Doesburg, page 67, 2012.
Related entities Nakamura Utaemon IV (四代目中村歌右衛門: 1/1836-2/1852) (actor)

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