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Artist: Utagawa Kuniyoshi (歌川国芳)

Print: Stories of Chivalrous People of Loyalty and Courage
(Kyōkaku giyūden - 俠客義勇傅) - Hotei Ichiemon (布袋市右衛門)

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Dates: 1851,created
Dimensions: 9.5 in,14.0 in,Overall dimensions
Medium: woodblock print
Inscription:

Signed: Ichiyūsai Kuniyoshi ga
一勇斎国芳画 Publisher: Sumiyoshiya Masagorō
(Marks 498 - seal 21-062)
Censor seals: Kinugasa and Murata

Related links: Museum of Fine Arts, Boston - ca. 1756 Kiyohiro print of Ichiemon; National Diet Library - Toyokuni III example; Waseda University - a different Kuniyoshi print of Ichiemon; Museum of Fine Arts, Boston - 1841 Sadanobu portrait;

Physical description:

At first glance, there does not appear to be anything particularly special about this print other than its dramatic pose, the spectacular tattoo on the man's body, the placement of the netting, the broken tree limbs on the ground along with a boatman's oar. Oh, and don't forget the two birds, which help create a more natural setting for this scene. But there is one more thing that sets this print apart from all or almost all other representations of Hotei Ichiemon. This is the only one where this character is so scantily clothed. In all other examples we have surveyed Ichiemon is fully dressed in layers of typical robes or kimonos.

We surveyed more than 50 woodblock prints which included Hotei Ichiemon and none of them were as dramatic as this Kuniyoshi example. These included prints from the Osaka and Edo stages and artists from Kiyohiro in 1756, where one actor is partially disrobed, to Shunshō in 1780, Shunkō in 1789, Toyokun I in 1818, Kunihiro in 1822, Toshikuni in 1826 and Sadanobu in 1841. Of course, this is only a partial list. There is even a surimono by Hokusai from ca. 1798 shows Hotei Ichiemon fully enveloped in robes. And, there were numerous actors who played this role from the most famous ones to some who are hardly known today. It is this tradition that makes this Kuniyoshi print in the Lyon Collection so exceptional and worthy of our attention.

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From the very rare series 'Kyokaku giyu den', from which only three designs are known to survive. Hotei Ichiemon, half-naked and tattooed, with both arms out flung in from of a drying fishing net, about to separate fighting roughs. See Robinson S70.2.

Ex B. W. Robinson and previously the C. H. Mitchell collection whose notes appeared on the cardboard mount (since removed) - this impression used to illustrate the set in The Warrior Prints at page 150.

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Hotei Ichiemon is one of the 5 Chivalrous Heroes who started out as ruffian brigands, but who were romanticized by the kabuki and puppet theaters into the most admirable commoners around.

From the very rare series 'Kyokaku giyu den', from which only three designs are known to survive. Hotei Ichiemon, half-naked and tattooed, with both arms out flung in from of a drying fishing net, about to separate fighting roughs. See Robinson S70.2.

Ex B. W. Robinson and previously the C. H. Mitchell collection whose notes appeared on the cardboard mount (since removed) - this impression used to illustrate the set in The Warrior Prints at page 150.

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Hotei Ichiemon is one of the 5 Chivalrous Heroes who started out as ruffian brigands, but who were romanticized by the kabuki and puppet theaters into the most admirable commoners around.

Many artist created numerous representations of these men. This is the only one, so far, where we have seen Ichiemon tattooed We have added some links above of just a few of these, plus one more by Kuniyoshi.

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There is another copy of this print in the Worcester Art Museum.