Artist: Utagawa Kuniyoshi (歌川国芳)

Print: Night Rain at Narum (Narumi yau - 鳴海夜雨): Inagawa Yoshioto (稲川良音)
from the series Eight Views of Military Brilliance (Yōbu hakkei - 燿武八景) 

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Dates: 1852,created
Dimensions: 9.7 in,14.0 in,Overall dimensions
Medium: Japanese color woodblock print

Signed: Ichiyūsai Kuniyoshi ga
Artist's seal: kiri
Publisher: Enshūya Hikobei
(Marks 055 - seal 21-016)
Censor seals: Watanabe and Mera
Date seal: 7/1852

Related links: Museum of Fine Arts, Boston; British Museum; Victoria and Albert Museum; Ashmolean Museum, University of Oxford; Ruth Chandler Williamson Gallery; Lyon Collection - Fujiwara no Masakiyo from this series;Lyon Collection - Suzuki Shigeyuki from this series;Lyon Collection - Akushichibyōe Kagekiyo from this series;

Physical description:

"Although Imagawa Yoshimoto (1519-60), the daimyo of Suruga is a relatively unknown personage in 16th-century Japanese history, he was a pivotal figure in the lives of three great men: Tokugawa Hirotada (1526-49), his son Ieyasu (1542-1616) and Takeda Nobutora (1493-1573). Driven from his estate by Oda Nobuhide, Tokugawa Hirotada decides to appeal to Imagawa Yoshimoto for assistance in 1547. Hirotada's choice is an obvious one as Oda Nobuhide and Imagawa Yoshimoto have been enemies ever since Nobuhide's victory over Yoshimoto at Owari in 1542. Loyalty to his father likewise indebts Ieyasu to Yoshimoto. Around the same time Yoshimoto offers shelter to Takeda Nobutora, the father of Takeda Harunobu or Takeda Shingen (1521-73...). The feud between the Oda and Imagawa clans reaches a climax in 1560 when the Imagawa, though having a greater force of 46,000 men, are crushed by Nobuhide's son, Nobunaga (1534-82), at Okehazama. Yoshimoto is killed during the battle. Later Yoshimoto's son Ujizane (1538-1614) offends Ieyasu such that Ieyasu breaks his ties with the Imagawa and links up with Nobunaga, Ieyasu is only nineteen when he makes this choice, but it is one that marks the first important step of his career as the founder of the Tokugawa shogunate."

Quoted from: Heroes and Ghosts: Japanese Prints by Kuniyoshi 1797-1861 by Robert Schaap, p. 106 - with color illustration.


Japanese Warrior Prints 1646-1905 by James King and Yuriko Iwakiri provides more information about the background of this print on 286. Also, there is a full page color illustration on page 287. "Even though the subject of the print originates in the Taikōki, Kuniyoshi introduces only a change in spelling to protect himself from the censorship regulations. Inagawa Yoshioto (real name: Imagawa Yoshimoto...), was the third son of Ujichika Imagawa (1473-1526). He was sent to train as a Buddhist monk but, upon the death of his elder brother, he was called back to act as head of his family.

Yoshimoto was initially defeated in some battles with Oda Nobunaga's father, Nobuhide (1510-51), but he eventually succeeded in uniting the three provinces of Mikawa, Tōtoumi and Suruga. In 1559, he raised an army in an attempt to retake Owari. He set up his headquarters at Okehazama and the following year attacked Nobunaga's castle and fortifications.

The outcome of the battle was deceptively easy to predict: Nobunaga's army was outnumbered ten to one by the Imagawa. A frontal assault by the Nobunaga forces would have been suicidal, and holding out in his castle would only have lasted a few days against the seige [sic]. Under these circumstances Nobunaga decided to launch a surprise ambush on the Imagawa forces. The attack aided by a sudden rainstorm, came from behind the Imagawa lines, catching them completely off guard. Numerous top officers of the Imagawa were slain, and while others panicked and fled, Yoshimoto fought bravely. It was to no avail. His head was cut off after Hattori Koheita's spear pierced his right thigh and Mōri Shinsuke's [sic] his side. With their leader and many of the higher-ranking officers dead, the remaining officers defected. In short order, the Imagawa faction was destroyed. The victory by Nobunaga was hailed as miraculous and proved to be his first step towards his goal of unification... The kyōka verse in the cartouche is by Sasanoya and reads:

shino o tsuku
ame ni yaburete
atetaru mo wa ni
kiruru taga no wa
By the rush of rain
like many bamboo falling down,
Okehazama went down to defeat;
what the rain shot
is the truss hoop cut into a ring.
A 'truss hoop' refers to the circular band around a barrel (oke), but here also alludes to the shape of the Imagawa family crest. A pun is being made between oke, a barrel, and Okehazama, the battle. The fourth line of the poem suggests that the rain helped destroy the Imagawa family."