• Mother and playing children bathing from the series 浮世小兎戯
  • Wu Song (Gyōjia Bushō - 清河縣之産武松) from the series <i>One Hundred and Eight Heroes of the Shuihuzhuan</i> (<i>Suikoden gōketsu hyakuhachinin no hitori</i> - 水滸伝豪傑百八人之一個)
  • The Marvelous Doctor Treats Serious Diseases (<i>Kitai na meii nanbyō ryōji</i> - 難病療治 - きたいなめい医)
  • Li Kui, the Black Whirlwind, also called Iron Ox (Kokusenpū Riki - 黒旋風李逵), from the series <i>The Hundred and Eight Heroes of the Popular Suikoden</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)
  • Three long-tailed turtles (<i>minogame</i>  蓑亀 or みのがめ) with a message of felicitations - <i>kotobuki</i> (寿)
  • Odai Matarokurō - 小田井又六郎 (Yorisada) breaking a saké jar with his spear and Iwazu Tetsuemon - 岩津銕右衛門 (Shigenobu) drinking in the background from the series <i>One hundred and eight Heroes of the Japanese Suikoden</i> (<i>Honchō Suikoden gōketsū happyakunin no hitori</i> - 本朝水滸伝豪傑八百人一個)
  • Nakamura Utaemon III (中村歌右衛門) as Torii Matasuke (鳥井又助) in <i>The Courtesan and Mirror Mountain</i> (<i>Keisei Kagamiyama</i> -  けいせい双鏡山) - this is the right panel of a diptych
  • An oiran from the series <i>Popular Flute Tunes and Pictures of Women</i> (<i>Fūryū chōshi fue</i> - 風流調子婦絵: 二上り)
  • Nakamura Utaemon III (中村歌右ェ門) as Yorikane (頼兼) on the right and Fujikawa Kayū II (藤川花友) as Takao (高尾) on the left from the play <i>Meiboku Sendai Hagi</i> [伽藍先代萩] - 'Struggles in the Date Clan' at the Kado [角]  theater
  • Diptych: The heated stages of pregnancy (in a lighter vein) - five heads, ten bodies (<i>Mimochi on’na natsu no tawamure – Gotō juttai no zu</i> - 妊婦炎暑戯 一名五頭十體の図)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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